Hot Stone Rai Fitzrovia Reschorente ka Mika Kanayama

Moralo oa Hot Stone Rai Fitzrovia Reschorente ka Mika Kanayama ke mohlodi oa khau e hlomphehang haholo ya 2022 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Sebaka sa Ka Hare le Dipontsho.

BoronseKa Hare· 2022

Hot Stone Rai Fitzrovia Reschorente

ka Mika Kanayama

Moreki: Muzo

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Ka Hare

9,766

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #127870

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Hot Stone Rai Fitzrovia Reschorente

Moralo ona e ne e le ho theha sebaka se tla ama bareki ka ho bonahatsa le ho ntlafatsa boiphihlelo ba lijo tsa bonono tsa Hot Stone. Sebaka sa ho jela se apesitsoe ka oak ea tlhaho hohle, liphanele tsa lepolanka tse entsoeng ka seipone - ha likarolo tse chitja li susumetsoa ke moetlo oa Majapane oa ho shebella khoeli. Lerako le leholo le na le khatiso ea Hokusai's Ukiyo-e Peonies And Butterfly. The over-bar foreimi e entsoe ka mapolanka a mapolanka a kopantsoeng a nang le mabone a pampiri a cylindrical a fanyehiloeng ka har'a foreimi ena, a totobatsa geometry ea sebopeho le ho bapala ka meriti le maikutlo.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Hot Stone Rai Fitzrovia Reschorente ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Hot Stone Rai Fitzrovia Reschorente e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Hot Stone Rai Fitzrovia Reschorente e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: The design was developed with a focus on complimenting Hot Stone RAI's offer to create a space that would touch customers by reflecting and enhancing the experience of Hot Stone RAI’s passionately artistic food

The dining area is dressed with natural oak throughout, mirrored wooden panels are based on patterns from Japanese latticework, Itoya Koushi, while the bold circular elements are inspired by the Japanese tradition of moon viewing and the rounded window maru mado often used in temples and tea houses in Japan. The main wall features a Hokusai Ukiyoe print as the focus and centrepiece of the design, lit and positioned to draw the attention back and down through the space. A palette of raw oak, olive green upholstery, black stained banquette seating and carbon black floor create a deep yet subtle feeling.

The over-bar frame is formed of timber cross joint carpentry inspired by traditional Japanese Kigumi, cylindrical paper lanterns are hung within this frame, highlighting the geometry of the structure and playing with shadows and mood. Subtle shades of green on the counter front are used in conjunction with the timber structure inviting a feeling of natural calm reflective of Japanese design. The wall opposite the sushi bar features more carefully offset oak slats, set against a vertical gradation in shades of pink, accentuating the interplay of patterns and easing the design towards a light, modern aesthetic.
Boholo le Phuthelo: The area of project is 114 square meter.
Lithegi: Japanese design, muzo, hotstone, RAI, interior design, restaurant design
Theknoloji ya Tlhahiso: Material:
Fire retardant oak timer & veneered oak MDF throughout.
Phephetso ya Moralo: The extensive use of traditional and natural-looking Japanese joinery presented a number of challenges. The first of these was with regard to compliance with modern fire regulations, I did not want to use materials that affected the natural lustre and feeling of the wood itself, and had to go through a large number of different methods and samples to achieve the most aesthetically appropriate and yet compliant result. The second challenge was in the construction of the joinery itself, many of the forms and styles used have complex traditional methods of construction and installation, which are not widely known or practiced outside Japan – because of this, I had to work with the carpenter in the UK to come up with several simplified methods for fabrication that would suit the application and retain the appearance of the original methods.
Dipatlisiso: It was important to bring elements of Japanese design philosophy into the project in a way that would work within a modern setting - to accomplish this, research into Japanese traditional wood joinery and design elements was undertaken, with a particular focus on how detailing worked in balance with the overall space.
Kgothaletso: Inspired by the chef’s creative cuisine with influences from Japanese arts and architecture. The project objective was to create a dining space that would reflect a sense of art and delight.
Nako ya Projeke: The project started in Oct 2020 and finished in May 2021 in London.
Tsamaiso ya Mosebetsi: The mood is created that you feel a sense of art, delight and harmony within the space bringing together an exciting glow and a welcoming sense of calm that are modern, yet distinctly Japanese in tone.
Diphatente: Copyrights belong to Muzo, 2021
Litlotla tsa Setshwantsho: Image #1: Hot Stone RAI, 2021
Image #2: Hot Stone RAI, 2021
Image #3: Hot Stone RAI, 2021
Image #4: Muzo, 2021
Image #5: Muzo, 2021