For Two Mosebetsi o Motona: Moralo wa Kahare ho Lehae ka Shiu-Ming Chen

Moralo oa For Two Mosebetsi o Motona: Moralo wa Kahare ho Lehae ka Shiu-Ming Chen ke mohlodi oa khau e hlomphehang haholo ya 2023 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Sebaka sa Ka Hare le Dipontsho.

BoronseKa Hare· 2023

For Two Mosebetsi o Motona: Moralo wa Kahare ho Lehae

ka Shiu-Ming Chen

Moreki: Liumu Design

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Ka Hare

11,434

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #149154

Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le For Two Mosebetsi o Motona: Moralo wa Kahare ho Lehae

Sengoloa sa Buka: For Two ke moralo wa kahare ho lehae o entsoeng bakeng sa batho ba babeli Taiwan. Moralo ona o tlosa phaposi ea setso ea boahi le maliboho a koetsoeng. Phaposi ea ho apara le sehlopha sa k'hitšhene li sebetsa e le litsi tse peli tse bohlokoa, 'me peo ea moralo e latela mekoallo e 'meli e tšoanang ka bogareng e etsang tsela e potolohileng pakeng tsa k'hitšhene, phaposi ea multimedia, phaposi ea ho ithuta le phaposi e kholo ea boroko. Maliboho a khalase le lifensetere tse tsoang fatše ho isa marulelong li tlisa leseli ka hare 'me li theha setšoantšo sa botala bo kantle. Menyako e thutsoang e boloka lekunutu, 'me mabone a khannoang ka tlas'a metsoako e fokotsa boima ba pono ba sebopeho.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

For Two Mosebetsi o Motona: Moralo wa Kahare ho Lehae ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. For Two Mosebetsi o Motona: Moralo wa Kahare ho Lehae e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. For Two Mosebetsi o Motona: Moralo wa Kahare ho Lehae e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Glass facilitates lighting and brings brightness to the space. The design team takes the characteristics of the material to draw light into the interior, creating a distinct romance between day and night. Outside the window is lush greenery. The design team takes the 'borrowed view' technique, using glass to frame the view outside the window, just like a large picture frame. The design team sets the dressing room and the kitchen island as the centers, drawing two concentric circles to create a circular route. The track lighting installed in the ceiling also echoes the layout.
Boholo le Phuthelo: The project is for two people. The linear lighting on the beams forms light and shadow changes, and the glass windows draw light into the room for a more open view. Besides, the doors of each space are sliding doors for intimacy and privacy. Not to block the view with the cabinets, the design team make the cabinets 'formless' to lighten the storage. They replace parts of the wall structure with transparent vertical partitions that might block light penetration.
Lithegi: Light, penetration, greenery, dual-axis structure, open plan.
Theknoloji ya Tlhahiso: The glass is conducive to lighting and draws light into the interior, while the vertical transparent items retain a sense of penetration for storage. Some cabinets are made of iron and glass to create a diverse visual layer. Meanwhile, the stainless-steel kitchen island is the highlight. and the glass of the dressing room guides the light and shadow of the whole space. The design team installs light strips to make the dressing room look lighter. At the same time, the glass and partitions allow the structure to replace the cabinetry, embodying the concept of 'penetration'.
Phephetso ya Moralo: The project has been planned since the pre-sale stage. However, the space is completely deconstructed, and the beams are not in the expected position. Therefore, the design team set up a circular track light under the original beam and raise the height with color flashing to weaken the volume. In this way, in addition to reducing the visual load, the sense of oppression is also eliminated, and it can echo the circular layout. Additionally, there were no water pipes for the kitchen island. The design team replans the pipes so that the water is supplied smoothly.
Dipatlisiso: The project removes the traditional concept of the living room and enclosed partition and instead takes a bold and innovative double-axis concentric circle through the space. The project takes the dressing room and the kitchen island as the cores, including the kitchen, the audio-visual room, the study room, and the master bedroom, all of which extend around the two centers. This layout allows for unobstructed routes between the different areas, they can choose the space they want to go to according to their needs while maintaining intimacy and privacy.
Kgothaletso: The entire space is bright and open, with a '360-degree view of the entire space from anywhere' at the core. The planning is extended by the dressing room and the kitchen island as centers. The whole space is divided into two concentric circles with these two places as the center, and the structure is circular. Moreover, the track lights installed under the beams reduce the sense of pressure in the space and also in a circular structure, and three concentric circles can be seen from the top down.
Nako ya Projeke: The project finished in Taiwan.
Tsamaiso ya Mosebetsi: Instead of the traditional plan of a living room, the project takes two concentric circles through the space to form a circular route. The dressing room and the kitchen island serve as the centers, allowing people to look around the space from every angle. In this way, clients can use the space as they wish. The team takes the 'borrowed view' technique to frame the greenery outside the windows, bringing in the beauty through large transparent glass partitions and floor-to-ceiling glass windows.
Litlotla tsa Setshwantsho: Liumu Design