Jinglan Bay Art Setsi sa Thekiso ka Nic Lee

Moralo oa Jinglan Bay Art Setsi sa Thekiso ka Nic Lee ke mohlodi oa khau e hlomphehang haholo ya 2024 Moputso oa Silevera oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Sebaka sa Ka Hare le Dipontsho.

SileveraKa Hare· 2024

Jinglan Bay Art Setsi sa Thekiso

ka Nic Lee

Moreki: China Resources Land South China Guangxi Co.

Mohlodi oa Moputso oa Silevera oa A' Design Award Mokhahleong oa Ka Hare

22,229

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #152974

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Jinglan Bay Art Setsi sa Thekiso

Jinglan Bay Art ke setsi sa thekiso sa ka hare se fumanehang Liuzhou, sebaka sa dithaba se nang le metsi a phallang ka mekokotlo. Bokahare bo koahela dimithara tse sekwere tse 1705 mme bo kenyelletsa dibaka tsa kamohelo, thekiso, pontsho, dijithale le sebaka sa baeti ba khethehileng (VIP). Ho fapana le ho kopitsa ponahalo ya naha ka dibopeho, lesedi le meriti di sebediswa ho fana ka maikutlo a dithaba tse phahameng le metsi a tebileng. Terrazzo e ntsho e phutsitswe ho fihlela e benya jwaloka seipone, e le hore ponahalo ya kantle le motsamao wa baeti di bonahale ho yona. Lejwe le sa sebetswang monyako le theha botebo ba kgohlo. Disebediswa tse ding di kenyelletsa marble e betlilweng, pente ya diminerale, patsi e ntsho le oak.

Kamohelo

Mabapi le Moputso oa Silevera oa A' Design Award

Jinglan Bay Art Setsi sa Thekiso ke mohapi oa Moputso oa Silevera oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e phahameng ka ho fetesisa, e ntle le e tsosang maikutlo. Bahapi ba Silevera ke mesebetsi e khanyang haholo le e nang le boqapi bo ikhethang e bontšang botsebi, talenta le bohlale ba baqapi ba eona. Jinglan Bay Art Setsi sa Thekiso e lebelletsoe ho ba mosebetsi o motle, oa mohlala, o nang le boprofeshenale bo bonahalang le mehopolo e mecha e tebileng. Moralo ona o hapileng Moputso oa Silevera oa A' Design Award ke mohopolo o hlokomelehang haholo le o ratoang o tlisang molemo mme o sutumelletsang meeli ea bonono, mahlale, moralo le theknoloji. Jinglan Bay Art Setsi sa Thekiso ke mosebetsi oo batho ba bangata ba o lakatsang, o tsosang litakatso, o tlisang maikutlo a matle le o tsosetsang ho makala le ho hlolla.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: The project is located in Liuzhou, a mountainous area with winding waters. Instead of simulating the landscape with shapes, we think it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures.
Boholo le Phuthelo: Location：Liuzhou
Area：1705 m2
Layout： Reception area. Sales area. Display area. Digital media area. VIP area. Office. Toilet
Material：polished terrazzo. chiseled marble. mineral paint. red paint. black wood. oak
Lithegi: sales center, landscape, museum, indoor architecture, interior design
Theknoloji ya Tlhahiso: In addition to abstracting nature through volumetric forms, we also attempt to bring nature indoors from a different perspective. By polishing black terrazzo to a mirror-like finish, we create a deep and tranquil ambiance that constantly reflects the seasonal scenery and human movement outside the windows. Viewing from different heights within the space resembles the ever-changing landscapes experienced while hiking or walking in the mountains.
Phephetso ya Moralo: By inviting you to visit the landscape narrated by the architecture, and experience the white space and depth of the design grid, we hope that this site is like spreading a multi-view ink painting of a landscape, which synthesizes philosophy and poetry, and transcends the perception of the surface landscape to facilitate a pure feeling of the change in status and the state of mind fit.
Dipatlisiso: Liuzhou is famous for its wonderful stones, which include mountain stones, water stones, earth stones, cave stones, and rocks. Each of which has its own beauty. Taking this as our inspiration, we built the entrance with raw stones to create the depth of a valley. The deep cut stone surface of the counter is not only used as the facade of the building but also as a display of the mountain wall, transforming the natural stone gestures into an emotional turn when experiencing nature.
Kgothaletso: The focus of the landscape in paintings is expressions, but how does architecture become a narrative tool to record nature? We imagine that walking through the interior of the building is like a mountain climbing practice, passing through a tunnel covered by branches and leaves with the sky hidden behind boulders or looking up at the mountain peaks under the cliff, feeling the personal transformation of the mind and the tranquility of not clinging to material things.
Nako ya Projeke: The project started in November 2021 and finished in July 2022, and was exhibited in Liuzhou in August 2022.
Tsamaiso ya Mosebetsi: Giving up persistence, we withdraw ourselves from the environment to maintain the clarity of non-stagnation. Therefore, we do not simulate a figurative landscape, but reproduce the experience of people wandering in the mountains through the multi-directional views of people zigzagging, climbing, looking up, or looking down between structures, and even the real and imaginary contours of reflections on the floor.
Litlotla tsa Setshwantsho: Image #1: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #2: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #3: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #4: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #5: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.