Kouunji Kyakuden Holo ea Kamohelo ea Tempele ka Hiroaki Iwasa

Moralo oa Kouunji Kyakuden Holo ea Kamohelo ea Tempele ka Hiroaki Iwasa ke mohlodi oa khau e hlomphehang haholo ya 2025 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Meaho, Dikaho le Dibopego.

BoronseMeaho· 2025

Kouunji Kyakuden Holo ea Kamohelo ea Tempele

ka Hiroaki Iwasa

Moreki: Hiroaki Iwasa Architects Workshop

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Meaho

17,280

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #162806

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Kouunji Kyakuden Holo ea Kamohelo ea Tempele

Morero e ne e le kaho bocha ea holo ea kamohelo ea dilemo tse 140, e neng e le e 'ngoe ea mehaho ea tempele ea Sebuddha Kouunji. Holo ea kamohelo e kgale e ne e ratoa ke setjhaba sa lehae nako e telele; leha ho le jwalo, ka lebaka la tshenyeho e matla dilemong, e ne e hloka kaho bocha. Moahi o rarollotse mathata ana ka ho ntjhafatsa le ho lumellana, hape a etsa litsamaiso tse ling ho fetisetsa mehopolo ea setjhaba sa lehae mohlankeng o latelang. Ka lebaka leo, holo e ntjha ea kamohelo ha e a fihla feela maikutlo a ho hopola mehleng e fetileng empa hape le boteng ba bohlokoa moelelong oa nalane.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Kouunji Kyakuden Holo ea Kamohelo ea Tempele ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Kouunji Kyakuden Holo ea Kamohelo ea Tempele e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Kouunji Kyakuden Holo ea Kamohelo ea Tempele e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: This project was the reconstruction of the reception hall of a Buddhist temple passed 140 years. The old reception hall had been loved by the local community for long time, but it was beyond the scope of repair. Therefore architect took on various creative challenges. He aimed to solve these issues by updating it to modern functions, harmonizing it with other facilities, and devising some mechanisms to pass on the memory of local society to the next generation. As a result, this architecture was able to achieve not a sense of nostalgia but also a presence for the future.
Boholo le Phuthelo: Specification,
Scale/ Wooden two-story building,
Structure/ Timber frame structure,
Site Area/ 3039.15 Square meter,
Building Area/ 277.26 Square meter,
Total Floor Area/ 323.77 Square meter,
Lithegi: temple, reception hall, reused, minimal philosophy, local landscape, passing on the memories, historical context, local community
Theknoloji ya Tlhahiso: This project had a clear floor plan with each function directly connected around the entrance hall, but there were many difficult construction tasks in some places. Ground reinforcement and strong foundation construction for soft ground, woodwork including special joints to structurally reuse old materials, fabrication of delicate and movable cedar lattices, and the revival of forgotten traditional natural paints "Kumezo". This project was realized through thoughtful design and exceptional craftsmanship.
Phephetso ya Moralo: Various choices and challenges were made to pass on the memory of the local community. By choosing a common wooden house construction method rather than the traditional temple construction method, they were able to shorten the construction period, reduce construction costs, and as the result have time to repair and reuse old materials. The exterior has a roof shape unique to the region, and the walls and window lattices are finished with local cedar wood and with a revived traditional natural paint "Kumezo". As a result, this architecture achieved a special harmony and presence.
Dipatlisiso: Type of Research: About the relationship between Kouunji and the local area.
Methodology: History, landscape and topography research, annual event research, monk behavior research, and interviews with local residents,
Conclusion: Kouunji is the core of the local community that people have visited since childhood for events and daily life. The architect concluded that in addition to modernizing the function of the ceremony hall and harmonizing it with other facilities, it was essential to create a mechanism to pass on the memory of the local community to the next generation.
Kgothaletso: Researching the old reception hall and the landscape and history of the area provided architect with important inspiration. In particular, the old reception hall was tilted due to the soft ground, but it was discovered that some of the main structures, such as beams and columns, were valuable materials that are currently unavailable, and could be reused if repaired. And new architecture was important not only for its shape in the landscape, but also for its presence within the historical context.
Nako ya Projeke: The project started in February 2002 and was completed in November 2004 in Tsukubamirai City, Ibaraki Prefecture.
Tsamaiso ya Mosebetsi: Kouunji is an essential presence for the region.
Because the parishioners of Kouunji are local residents and their relatives, and annual events and celebrations and condolences are mainly held for the parishioners. The reception hall, located to the side of the main hall, functions in conjunction with the main hall during events, and is used for religious ceremonies, waiting areas, dinners using the kitchen function, and a meeting place. It also functions as an emergency temporary evacuation center in the event of a disaster. There is also a temple office that oversees them.
Litlotla tsa Setshwantsho: Photographer Kozo Takayama