Flip Setulo se Fetolang Sebopeho ka Niko Kapa

Moralo oa Flip Setulo se Fetolang Sebopeho ka Niko Kapa ke mohlodi oa khau e hlomphehang haholo ya 2025 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Fenitjhara.

TšepeFenitjhara· 2025

Flip Setulo se Fetolang Sebopeho

ka Niko Kapa

Moreki: Snk

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Fenitjhara

12,609

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #166217

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Flip Setulo se Fetolang Sebopeho

Ka motheo wa tshebediso e lekaneng ya thepa le hlwekiso ya sebopeho, boleng ba moralo bo thehilwe hodima makhupetso a jiometri le mela e hlahisang kopanyo ya dikarolo tse fapaneng tse sebetsang mosebetsi. Moralo o dumella setulo ho fapana maemong a fapaneng le ho araba maikutlo le ditlhoko tsa mosebelisi, hobane se ka fetolwa feela ka ho se phutha. Ha ho letho ntle le morero mme dikarolo tse arohaneng di sebedisana ho theha sebopeho se bobebe empa se tiileng haholo.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

Flip Setulo se Fetolang Sebopeho ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. Flip Setulo se Fetolang Sebopeho e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, Flip Setulo se Fetolang Sebopeho e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Flexibility and transformation are the fundamental ideas behind this design. The design allows the chair to migrate between different settings and respond to moods and needs of the user, since it can be transformed just by flipping it. This results to different seating postures and designs as per the needs of the user. Besides the alteration, this gives the product a visual consolidation, emphasizing the reduction of materials and unification of forms.
Boholo le Phuthelo: Structural stability is attained by the overlapping plywood strips that curve into one another and are glued on connection points. These provide the necessary flexibility that thin layers of plywood offer as a construction material, together with the cushions attached to them. Plywood sheets are spray painted and varnished on all sides. Besides the natural beech wood finish, they come in black and white colored types.
Lithegi: Transformable, flexible, fluid, plywood, sustainable
Theknoloji ya Tlhahiso: The manufacturing process used for the plywood is steam bending which is a low energy, low waste process using no toxic glues, just water. The process of steaming the wood also seasons it at the same as it is bent, using a fraction of the energy required in conventional kiln drying. Having in mind always the use of low environmental impact solutions, plywood is used with low VOC finishes and Bio Shield natural oil finishes, in order to reveal the textural qualities of wood construction.
Phephetso ya Moralo: With the fluidity of seat and the linearity if strips, the design is suggestive of plant growth. In this way it expresses the spirit of the material it is made of and reveals the textural qualities of wood construction. With an intentionally clear and simple form for this furniture, adaptation to the product philosophy of Dorma Design was taken into account, in order to make this chair complementary of company’s group of furniture and suitable for mass production.
Dipatlisiso: The research focused on how the curve segments can be combined together taking into account physically satisfying posture as well as ergonomics. Full scale mockups were produced in order to check the weight and functionality of the furniture prior to fabrication. Cushions were tested in order to act as an extension of the main framing, having as a basic principle the minimum use of material and minimum number of construction elements.
Kgothaletso: When you bend a strip of plywood you get an elastic curve. What geometry does this curve follow? The interest in line and movement is expressed through a refined vocabulary, derived from the functional aspects of the design. The main structural elements are strips of plywood that fold in a specific and supplementary manner, in line with proportions of the human body so as to establish the dimensions of the chair.
Tsamaiso ya Mosebetsi: Exploring the value of wooden manufacture and the flexible nature of wood as a construction material, the Flip Flop chair is constructed of a series of plywood elements. Fluid linear forms establish a visual rhythm through the graphic lines of the design. This analytical construction logic with curves and crisp lines defines a characteristic profile with a light and elegant effect.
Litlotla tsa Setshwantsho: Studio Niko Kapa