Moralo oa Gordafarid Seaparo ka Mina Aliyari ke mohlodi oa khau e hlomphehang haholo ya 2025 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Feshene, Diaparo le Mese.

TšepeFeshene· 2025

Gordafarid Seaparo

ka Mina Aliyari

Moreki: Kahkeshan Shahab Danesh

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Feshene

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Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #167683

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Gordafarid Seaparo

Gordafarid ke seaparo se entsoeng ka makhetlisi a Persia a sebelisitsoeng hape. Makhetlisi a lohiloeng ka matsoho a senyehileng le a ke keng a sebelisoa hape a etsa karolo ea mmele (torso) le ho boloka sebopeho sa oona sa pele. Marikhoe a entsoe ka linene ka mokhoa oa ho ntlafatsa liaparo (draping technique), a susumelitsoeng ke liaparo tsa merabe ea Iran. Sehlohlolo se kopanya sebopeho sa geometry sa Iran le mokhoa oa origami. Kobo e entsoeng ka terata tsa tšepe (spring wires) le lesela e ka fana ka sebopeho se fapaneng ha e apereloa 'meleng. Mahlanka a fapaneng a lumella liphetoho ka boholo le ts'ebetso. Karolo ea khetlisi e boetse e ka fanyehoa ka leboteng kapa e behoa fatše.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

Gordafarid Seaparo ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. Gordafarid Seaparo e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, Gordafarid Seaparo e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: This dress is a bridge between history and modernity
Reusing damaged and unusable handicrafts (Iranian carpets) and introducing them into the fashion industry without changing the original structure of the work, as well as the headband, which is a combination of Iranian geometry and modern origami technique

The items have multiple uses,
A springy and soft shawl that we can give different forms to on the body
. A carpet that can be worn or hung on the wall or placed on the floor as a work of art
Boholo le Phuthelo: Blouse : width 250mm x 500mm
Pants: width 700mm x 1100mm
One look size 38
Lithegi: Sustainable fashion, fashion design, clothing, cultural design, origami technique, persian carpet, redesign, draping
Theknoloji ya Tlhahiso: This garment uses environmentally friendly materials such as linen in the pants and carpet in the torso

The pants are made using the draping technique, modeled after the clothing of Iranian tribes.

The garment and accessories use variable straps to allow for changing size and function.

A combination of metal spring wires and fabric is used to create a flexible and formable scarf.
Phephetso ya Moralo: Our main challenge in this project is how to combine the main concept, i.e. free woman, with the identity of Iranian culture and art, and also the correct interaction of these two concepts with fashion with a modern approach, considering sustainable fashion.
Paying attention to the fact that not everything damaged is worthless and can be given meaning and life again by redesigning.
And another problem solved by the project is how to transform handicrafts into clothing while maintaining the original structure of the material and its harmony with the body's form and anatomy, which has turned it into a comfortable and stylish garment.
Dipatlisiso: Research and Investigations:
Historical facts about the clothing, arts and crafts of Iranian peoples throughout history have been made according to the different empires, and the commonalities and consequences of each part of their clothing have been considered. For this project, historical books such as the Shahnameh have been referred to in order to better understand the authenticity of Iran and the influential Iranian women, their role and power.
Kgothaletso: The inspiration for this design is the expression of courage, freedom and beauty of women against anti-women thinking, who stand amidst the limitations of which the Maripach spring shawl is a symbol of these thoughts, and despite their wounds, which are shown on the torso of the dress with the damaged carpet, they inspire beauty and freedom.

Because of the social, cultural and artistic meaning of this work, we named it Gard Afridi, a symbol of a brave and free woman in Ferdowsi's Shahnameh.
Nako ya Projeke: The project started in May 2024 in Semnan and Finished in December in 2024 in semnan .
Tsamaiso ya Mosebetsi: Transmitting a sense of authenticity and beauty using an old Persian carpet, hand-woven trousers inspired by the Persian tribal customs, a red headband worn by Achaemenid warriors after winning a war, and a spring shawl that expresses limiting thinking like a cocoon wrapped around a woman, but a woman with her courage inspires freedom and beauty.
Litho tsa Sehlopha: Mina Aliyari
Shahin Nayyer
Litlotla tsa Setshwantsho: Images #1 to #5 : Photographer Mahdie Jalali ,Gordafarid ,2024