Art in the Soul Mosebetsi o ka Sehloohong: Moralo wa Kahare wa Ofisi ka Sema Yazici

Moralo oa Art in the Soul Mosebetsi o ka Sehloohong: Moralo wa Kahare wa Ofisi ka Sema Yazici ke mohlodi oa khau e hlomphehang haholo ya 2025 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Sebaka sa Ka Hare le Dipontsho.

TšepeKa Hare· 2025

Art in the Soul Mosebetsi o ka Sehloohong: Moralo wa Kahare wa Ofisi

ka Sema Yazici

Moreki: Sakura Architecture

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Ka Hare

8,932

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #168623

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Art in the Soul Mosebetsi o ka Sehloohong: Moralo wa Kahare wa Ofisi

Mongolo wa Buka: Art in the Soul ke kahare ya ofisi e fumanehang Istanbul. Ofisi ena e nkile karolo ea boyoba ba senyesemane sa bosupa ho tloha tlase (ninth floor) bakeng sa setsi sa khoebo mme e na le sebaka se sebetsang sa 250 square meters. Moralo o kenyelletsa sebaka sa kamohelo, likamore tsa liboka, liofisi tsa batsamaisi, sebaka se tloaelehileng sa mosebetsi, khitšinyana, sebaka sa phomolo le balkoni. Marble e putsoa e nang le mahlahla, letlapa la lehong (wood veneer), parquet e nang le mokgabo le kapete di sebedisitswe hara libaka tsena. Dikhoele tsa khalase di isa lesedi la letsatsi ka har'a korotara. Mesebetsi ya bonono, difoto tse betlilweng le limela di kentswe ho theha tikoloho e kgutsitseng e bile e kgothaletsang mosebetsi.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

Art in the Soul Mosebetsi o ka Sehloohong: Moralo wa Kahare wa Ofisi ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. Art in the Soul Mosebetsi o ka Sehloohong: Moralo wa Kahare wa Ofisi e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, Art in the Soul Mosebetsi o ka Sehloohong: Moralo wa Kahare wa Ofisi e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: This business center project in Istanbul extended its modern, minimalist design to the ninth floor office, which features an open layout, a spacious balcony, and a glass facade. Maximizing natural daylight was a key focus in workspace planning. What started as a basic shell was transformed into a fully functional and aesthetically refined office, incorporating artwork, sculptures, a coffee machine, and greenery to create a cohesive and inspiring environment.
Boholo le Phuthelo: This office is characterized by a net usable area of 250 square meters. In the entrance section, a reception area, a meeting room for 15 persons, and a CEO office are provided. In the adjacent area, a common working space, a kitchenette, a lounge, and a balcony are incorporated. The third section is comprised of a meeting room for 6 persons, two executive offices, separate WC facilities for men and women, and a technical room.
Lithegi: Office project, artistic details, design office, art in the office, plaza office, employee motivation, pleasant working space
Theknoloji ya Tlhahiso: At the entrance, the floors of the reception and meeting room were covered with veined grey marble, whose natural patterns and shimmering sand inclusions created an elegant atmosphere. The meeting room was separated by a glass partition system, allowing the two spaces to be perceived as a unified whole. The entrance walls and reception counter were clad in wood veneer, which imparted warmth to the space. By extending the marble flooring to the reception counter, a sculptural bust effect was achieved, thereby breaking the static appearance of the wood. The sculpture on the counter and the vibrantly colored painting in the meeting room created a striking impact, ensuring that visitors were immediately greeted by art and design.
In the executive office, fish-scale patterned parquet was used for the flooring and decorative paint was applied to the walls. The work desk was designed to function as both a meeting and work area, while the cabinet area behind it was finished with a marquetry veneer and brass details on the shelves, adding an element of sophistication. A special painting and strategically placed plants in front of the glass completed the decor.
In the common working areas, carpet was chosen for its sound-insulating properties, with its colors carried over into the desk partitions to achieve a cohesive color scheme. Light grey tones were generally preferred in the furniture to create a minimalist and non-distracting environment.
Decorative hanging birds from the ceiling, flowers in the library, and brass accents were employed to establish a warm working atmosphere. In the rooms, glass partitions with a transparent and modern appearance were utilized, thereby allowing daylight to be extended to other areas of the corridor.
Phephetso ya Moralo: In this project, each section was designed with a distinct approach. The entrance needed to exude elegance and sophistication, while a warm and inviting atmosphere was created for employees. Common areas were designed to be functional while maintaining a cohesive spatial perception. Various materials were carefully balanced and integrated to ensure aesthetic harmony without disrupting the overall design unity.
Dipatlisiso: The goal of this project was to ensure that both employees and clients felt they were in a well-designed and artfully curated office from the moment they entered. The spaces were designed to be functionally efficient while remaining distinct through special details without obstructing one another. The dynamic presence of the sculpture at the entrance, the vibrant colors of the paintings, and the use of transparent surfaces played a significant role in achieving this vision.
Kgothaletso: Primary aim is that offices reflect one’s soul rather than one’s strength. Regardless of scale, business sector, or management style, the sense of belonging and motivation among employees is prioritized in the designs. In this project, which was executed in accordance with this philosophy, art and timeless designs were regarded as the main sources of inspiration.
Nako ya Projeke: This project was completed in Istanbul in 2018.
Tsamaiso ya Mosebetsi: In the office, the main entrance facade was designed as a solid wall, while the fully glazed front facade served the work areas. Natural daylight was harnessed to maintain a connection with the outside. The entrance area featured a reception and meeting room to discreetly guide guests, and an executive office was established behind the reception for the firm owner. A seamless transition between the reception, workspace, and kitchenette was achieved- with a bar counter, stools, library, and seating forming a compact social area. Additionally, a mini meeting room, enclosed executive offices, WC areas, and technical spaces were arranged to optimize space utilization.
Litho tsa Sehlopha: Sema Yazici, Yadigar Tanriverdi
Litlotla tsa Setshwantsho: Ali Bekman