Sarv Setulo sa Khaontara ka Nastaran Khanzade

Moralo oa Sarv Setulo sa Khaontara ka Nastaran Khanzade ke mohlodi oa khau e hlomphehang haholo ya 2026 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Fenitjhara.

BoronseFenitjhara· 2026

Sarv Setulo sa Khaontara

ka Nastaran Khanzade

Moreki: Rendi

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Fenitjhara

8,304

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #177115

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Sarv Setulo sa Khaontara

Sarv ke setulo sa khaontara se etselitsoeng ho sebelisoa likhaontareng le litafoleng tse phahameng. Foreime ea sona e entsoe ka lehong le tiileng, 'me setulo sa ho lula se koahetsoe ka lesela holim'a foamo e teteaneng haholo. Sebopeho sa sona se susumetsoa ke sefate sa cypress sa Persia, se leng letshwao la tiisetso setsong sa Iran. Maoto a malelele a hopotsa khōlo e otlolohileng ea sefate, 'me libeha-matsoho tse kobehileng li etsisa makala a sona. Tlhahiso e kopanya ho seha ka nepo, ho kobeha ka mouoane, ho betla ka CNC le ho phethela ka matsoho. Setulo se lekana boemo ba lisenthimithara tse ka bang 100 ka bophahamo, lisenthimithara tse 50 ka bophara le lisenthimithara tse 55 ka botebo.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Sarv Setulo sa Khaontara ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Sarv Setulo sa Khaontara e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Sarv Setulo sa Khaontara e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: This chair combines sculptural aesthetics with ergonomic functionality. Its fluid wooden frame is designed not only for structural integrity but also for visual harmony. The dynamic geometry of the legs provides stability while maintaining a sense of movement and lightness. The curved armrests offer subtle support, enhancing comfort without overwhelming the form. Each angle reveals a new perspective, allowing the piece to stand both as functional furniture and as a statement of art.
Boholo le Phuthelo: Specifications / Technical Properties
Dimensions: approx. 100 cm (height) x 50 cm (width) x 55 cm (depth)

Materials: Solid wood (walnut or ash) + high-density foam + fabric upholstery

Finish: Natural wood finish, hand-polished

Weight: Lightweight yet structurally stable
Lithegi: Counter Chair, Bar Stool, Wooden Furniture, Contemporary Design, Ergonomic Seating, Iranian Design, Cypress Inspiration, Modern Furniture, Handmade, Interior Design, Sustainable Furniture, Sculptural Chair, Art Furniture, Mashhad Design
Theknoloji ya Tlhahiso: The chair is crafted from solid wood using advanced woodworking techniques such as precision cutting, steam bending, and joinery. The flowing organic form is achieved through CNC milling combined with hand-finishing, allowing both accuracy and a human touch. The seating surface is upholstered with high-quality fabric to enhance comfort while maintaining a minimalist aesthetic. Sustainable materials and processes were prioritized in order to reflect the natural inspiration behind the design.
Phephetso ya Moralo: The main challenge was transforming the vertical and symbolic essence of the cypress tree into a practical chair form. Maintaining balance between artistic expression and ergonomic functionality required extensive prototyping. Achieving the fluid organic structure with precision also demanded innovative production techniques, combining digital technology with traditional craftsmanship.
Dipatlisiso: The research behind the project focused on how natural symbols in Iranian culture could inspire contemporary furniture design. The cypress tree, often depicted in Persian gardens, carpets, and poetry, was studied for its form and symbolic meaning. The design sought to capture the tree’s balance between strength and grace. Structural research was also conducted to translate organic forms into functional joinery, ensuring both durability and ergonomic use.
Kgothaletso: The design of this counter chair is inspired by the Persian cypress tree, a timeless symbol of freedom, resilience, and elegance in Iranian culture. Just like the cypress stands tall with its upward-reaching branches, the structure of the chair conveys both stability and lightness. The elongated legs reflect the vertical growth of the tree, while the fluid arms echo its branching form that opens gracefully towards the sky. Crafted in wood, the design translates the natural strength and serenity of the cypress into a contemporary seating piece, bridging nature, tradition, and modern living.
Nako ya Projeke: Location:
Designed and produced at Rendi Factory, Mashhad, Iran.

Project Duration:
The project started in 2024 and took approximately one month to complete, from concept development to final prototype.
Tsamaiso ya Mosebetsi: The chair is designed for use at counters and high tables, offering a balance between comfort and posture. The seat provides ergonomic support with a cushioned surface, while the armrests give a sense of security and ease. Its stable wooden structure ensures durability, and its lightweight form allows for effortless movement and placement in different settings such as kitchens, bars, or social spaces.