Floral Album Pokello ya Feshene ka Xinyu Zheng

Moralo oa Floral Album Pokello ya Feshene ka Xinyu Zheng ke mohlodi oa khau e hlomphehang haholo ya 2026 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Feshene, Diaparo le Mese.

TšepeFeshene· 2026

Floral Album Pokello ya Feshene

ka Xinyu Zheng

Moreki: Tulip 'n room

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Feshene

11,611

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #177958

Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Floral Album Pokello ya Feshene

Floral Album ke pokello ya feshene e bululetsweng ke difoto tsa lelapa tsa bo-1980. Pokello ena e entswe ka masela a setseng a sa sebediswang (deadstock) a kopantsweng le mekgwa e mmalwa ya mesebetsi ya matsoho. Boroto ba ho roka ka letsoho, crochet, ho kgabisa ka difaha, ho loha le cross stitch di sebediswa hodima velvet le hodima masela a bonaletsang a behilweng ka mekgahlelo. Mefero e lohilweng ka crochet le dikarolo tse lohilweng di kenyeleditse dikarolwana tsa sequin tse hapang lesedi ha ya apereng a tsamaya. Seaparo ka seng se ahilwe ka bosona, kahoo ha ho karolo e phetwang. Diaparo tsohle ke tsa boholo bo lokolohileng (free size). Pokello ena e hokahanya mosebetsi wa matsoho o qaqileng le tshebediso botjha ya disebediswa tse hlokomolohuwang.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

Floral Album Pokello ya Feshene ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. Floral Album Pokello ya Feshene e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, Floral Album Pokello ya Feshene e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: This collection reinterprets craftsmanship through the integration of deadstock fabrics and multiple handcraft techniques. Each garment is individually constructed using hand embroidery, crochet, beading, and hand knitting, resulting in unique pieces with no repetition. By layering reclaimed materials with detailed surface work, the collection highlights the value of overlooked resources and connects tactile craftsmanship with contemporary design sensibility.
Boholo le Phuthelo: All the pieces are free size.
Lithegi: tulip n room, sustainable fashion, hand embroidery, deadstock fabrics, recycled materials, haute couture
Theknoloji ya Tlhahiso: Each piece is developed using deadstock fabrics combined with multiple handcraft techniques. Velvet, crochet, beading, embroidery, knitting, and cross stitch are applied through experimental craftsmanship. The production process integrates hand beaded garments, crocheted trims with sequin elements, knitted pieces using sequin yarns, and layered transparent textiles. The approach balances couture level precision with sustainable material practices.
Phephetso ya Moralo: The main challenge lay in balancing nostalgic aesthetics with sustainable production limits. Many desired fabrics were no longer available, requiring extensive trials with deadstock and recycled materials. Achieving hand-embroidered precision on uneven surfaces demanded technical adaptation. The process also involved redefining femininity through craft while ensuring each garment remained wearable and relevant to modern audiences.
Dipatlisiso: The research began as a qualitative exploration of how emotional memory can shape sustainable fashion. The objective was to reinterpret 1980s silhouettes using responsible materials and handcraft techniques. Research methods included material experimentation, archival image analysis, and wearer interviews to study emotional connection to garments. Results revealed that tactile handwork and recycled materials enhance both emotional resonance and sustainability awareness in contemporary fashion.
Kgothaletso: Inspired by my grandmothers photographs from the 1980s, this project examines fashion as a carrier of personal and collective memory. Visual elements from domestic environments such as lace curtains, plastic flowers, and embroidered tablecloths are abstracted and translated into textiles, surface embellishments, and silhouette structures. The collection reinterprets nostalgia through contemporary design, positioning fashion as an archive of identity, cultural inheritance, and transformation.
Nako ya Projeke: This project was initiated in April 2023 and completed in September 2024 in New York.
Tsamaiso ya Mosebetsi: The collection is experienced through movement and tactile interaction. As the wearer moves, layered embroidery and sequins catch light, revealing hidden patterns and shifting textures. The garments invite sensory engagement, encouraging emotional connection through touch and reflection. Each piece performs as both clothing and storytelling medium, blending comfort with expressive form.
Diphatente: Copyrights belong to Xinyu Zheng, 2025.
Trademark (2025) Tulip N’ Room.
Litho tsa Sehlopha: /
Litlotla tsa Setshwantsho: Stefy Lin, 2024.