Moralo oa Artemis Lebone la Fatše ka Attiq Ahmed ke mohlodi oa khau e hlomphehang haholo ya 2026 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Dihlahiswa le Ditlhophiso tsa Lesedi.

TšepeLesedi· 2026

Artemis Lebone la Fatše

ka Attiq Ahmed

Moreki: Turning Tables

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Lesedi

6,056

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #179278

Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Artemis Lebone la Fatše

Artemis ke lebone la fatše le entsoeng ka lehong le chesitsoeng le tšepe. Lebone lena le na le sebopeho se emeng ka ho otloloha se phahamang ho tloha setsing se boima bakeng sa botsitso. Sebopeho sa lehong le chesitsoeng se hlahisoa ka mokhoa oa ho chesa oa Shou Sugi Ban, o ntlafatsang tšebetso ea nako e telele le ho senola methapo le botebo ba thepa eo. Sekhurumetso se nang le sebopeho sa makhasi a mararo se phatlalatsa leseli ka ho lekana, 'me konopo e bonolo ea ho bulela le ho tima e laola lebone. Sebopeho sena se nkiloe ho li-finial tse roesang mahalapa moahong oa Mughal. Lebone le lekana lisenthimithara tse 72 ka bophahamo le lisenthimithara tse 22 ka bophara.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

Artemis Lebone la Fatše ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. Artemis Lebone la Fatše e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, Artemis Lebone la Fatše e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Artemis Floor Lamp is a sculptural lighting piece crafted from burnt wood and metal, defined by a vertically articulated form and a weighted, grounded base. The charred wood finish enhances durability while revealing material depth and texture. A trileaf-shaped lampshade softens and diffuses light evenly, while the restrained geometry balances craft and precision, allowing the lamp to function as both an ambient light source and a standalone object of design integrity.
Boholo le Phuthelo: Height 72”
Diameter 22”
Lithegi: Artemis, burntwood, charred wood, Shisham, floor lamp, Sculptural lighting, Craft As Inquiry, Material poetry, contemporary craft, Pakistani design, modern craft, design as process, hand made design
Theknoloji ya Tlhahiso: Materials:
Indian Rose Wood
Metal
Techniques:
Wood lathe turning
Shou Sugi Ban (Japanese wood burning)
Phephetso ya Moralo: The primary challenge was achieving a precise balance between proportion and stability within a slender vertical form. Referencing historical Mughal finials required careful scaling to avoid literal replication while maintaining visual hierarchy. Structurally, the lamp demanded a weighted base and refined transitions to ensure stability without compromising elegance, requiring multiple iterations to align form, balance, and functional performance.
Dipatlisiso: The research was exploratory and practice-based, aiming to translate architectural heritage into a functional object. The objective was to study proportion, balance, and symbolic form. The methodology involved visual study, sketching, and material trials. Tools included drawings, scale mock-ups, and prototypes. The process was designer-led. Results refined stability and form. Insights showed heritage can inform contemporary design, impacting craft practice and product identity.
Kgothaletso: The design draws inspiration from Mughal architecture, specifically the finials crowning domes, studied for their proportions, vertical hierarchy, and symbolic grounding. The project translates these historic forms into a contemporary object through material experimentation with burnt wood and metal, using controlled charring to enhance durability while retaining a clear architectural lineage and crafted precision.
Nako ya Projeke: The project commenced in September 2025 and progressed through both design development and fabrication over an estimated period of 20–24 days. Fabrication was completed in October 2025, culminating in a fully realized prototype that reflects the intended design intent and material exploration
Tsamaiso ya Mosebetsi: The lamp is operated by a simple on-off switch, allowing light to gently diffuse through the shade while the sculpted base remains visually stable. Its tall, balanced form guides the eye upward, creating a calm presence in a room. The layered base ensures stability, while the dark finish reduces visual clutter, helping the light feel warmer and more focused in everyday use.
Litlotla tsa Setshwantsho: Muhammad Ibrahim Butt