Arrival Bonono ba ho Kenya, Ho Kenngoa ha Leseli ka Daisuke Nagatomo and Minnie Jan

Moralo oa Arrival Bonono ba ho Kenya, Ho Kenngoa ha Leseli ka Daisuke Nagatomo and Minnie Jan ke mohlodi oa khau e hlomphehang haholo ya 2026 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Diprojeke tsa Lesedi le Bonono ba Lesedi.

BoronseDiprojeke tsa Lesedi· 2026

Arrival Bonono ba ho Kenya, Ho Kenngoa ha Leseli

ka Daisuke Nagatomo and Minnie Jan

Moreki: MisoSoupDesign

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Diprojeke tsa Lesedi

11,611

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #180159

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Arrival Bonono ba ho Kenya, Ho Kenngoa ha Leseli

Arrival ke ho kenngoa ha leseli ha nakoana ho hahiloeng ka li-container tse peli tsa thepa tse sebelisitsoeng hape tse pahamisitsoeng ka ho otloloha. Li-container tsena li etsa tsela e moqotetsane eo ho ka tsamauoang ho eona e nang le libaka tsa tšepe tse kobehileng tse susumelitsoeng ke pele ea sekepe se kenang koung ea likepe. Liipone qetellong ka bobeli li bonahatsa toropo, leoatle le baeti, li fifatsa moeli pakeng tsa sebaka sa 'nete le seipone. Mabone a LED a kopantsoeng le sistimi ea moholi li tsosa tsela ena nakong ea mantsiboea. Arrival e bontša kamoo lisebelisoa tsa indasteri tse seng li sa sebetse li ka fetohang mosebetsi oa bonono oa sechaba o hohelang.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Arrival Bonono ba ho Kenya, Ho Kenngoa ha Leseli ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Arrival Bonono ba ho Kenya, Ho Kenngoa ha Leseli e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Arrival Bonono ba ho Kenya, Ho Kenngoa ha Leseli e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: AARRIVAL is an immersive installation art and lighting project constructed from two vertically stacked recycled shipping containers. The containers are refabricated into a narrow walkable space with curved interior surfaces inspired by the bow of a ship entering harbor. Mirrors installed at both ends reflect the surrounding city and sea, visually blurring the boundary between real space and reflection. Integrated lighting and a mist system activate the installation, transforming industrial waste into a sensory spatial experience aligned with the zero waste theme of the art festival.
Boholo le Phuthelo: The project consists of two vertically positioned 20 foot shipping containers. Total footprint area is approximately 15.4 square meters. The installation is designed for outdoor use and temporary exhibition. Lighting includes integrated LED strips and outdoor projectors. A mist system is installed and requires water supply. Electrical power is required for lighting and mist operation
Lithegi: nstallation Art, Lighting Design, Recycled Materials, Sustainable Design, Public Art, Temporary Architecture
Theknoloji ya Tlhahiso: The installation is constructed from two retired shipping containers reused as the main structure. Original container steel frames are retained for stability. Corrugated steel panels are cut and reshaped into curved surfaces inspired by ship geometry. Materials include recycled steel panels, metal mesh, mirror glass, LED lighting, outdoor spotlights, and a mist system. All components are selected to allow reuse, disassembly, or recycling.
Phephetso ya Moralo: The main challenge was transforming rigid industrial shipping containers into a fluid and immersive spatial experience while maintaining zero waste principles. The project required reshaping steel panels without excessive material loss and integrating lighting, mist, and reflection in a narrow passage. Balancing structural stability, sustainability, and poetic expression was central to the design process.
Dipatlisiso: ARRIVAL investigates how recycled industrial materials can be transformed into immersive public art through light and spatial experience. By reusing shipping containers, mirrors, and mist, the project explores perception, reflection, and movement within transitional urban spaces. The installation demonstrates a zero waste design approach that combines sustainability with sensory engagement in a waterfront environment.
Kgothaletso: The project is inspired by the moment of arrival at a harbor, when a ship transitions from movement to stillness and from sea to city. This transitional condition is translated into spatial form through curved surfaces, reflection, and light. The mirrored ends echo the changing relationship between water, sky, and urban landscape, while the narrow passage emphasizes movement and pause. By walking through the installation, visitors experience arrival as both a physical and emotional journey.
Nako ya Projeke: Year 2025
Event Kaohsiung International Container Art Festival
Location Kaohsiung Harbor area, near the Kaohsiung Music Center waterfront plaza
Duration Temporary exhibition period (festival-based installation)
Tsamaiso ya Mosebetsi: Visitors enter the installation from one side and walk through the narrow space formed by two vertical containers. The compressed passage emphasizes light, reflection, and movement. Mirrors at both ends reflect the city, harbor, and visitors, creating layered visual depth. During evening hours, lighting and mist are activated to enhance the immersive atmosphere. The installation encourages slow movement, pausing, and quiet observation.
Litho tsa Sehlopha: Jenny Yeh, Sugar Hu
Litlotla tsa Setshwantsho: Kaohsiung Art Museum