Trenta Setulo sa Matsoho ka Ibanez Razzera and Lorenzo Razzera

Moralo oa Trenta Setulo sa Matsoho ka Ibanez Razzera and Lorenzo Razzera ke mohlodi oa khau e hlomphehang haholo ya 2026 Moputso oa Silevera oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Fenitjhara.

SileveraFenitjhara· 2026

Trenta Setulo sa Matsoho

ka Ibanez Razzera and Lorenzo Razzera

Moreki: Razzera

Mohlodi oa Moputso oa Silevera oa A' Design Award Mokhahleong oa Fenitjhara

20,330

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #181457

Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Trenta Setulo sa Matsoho

Trenta ke setulo sa matsoho se nang le setšehetso sa mokokotlo se ka fetoloang. Mochine oa tšepe o ka morao o behang maemo a mararo a ho sekamisa, kahoo setulo se loketse puisano kapa phomolo. Motheo o entsoe ka lehong la Tauri le silafalitsoeng ka mebala le tsoang merung e lengoang bocha, 'me khetla e ka hare e sebelisa plywood e lumellanang le sebopeho sa 'mele. Likarolo tsa lehong li bōptjoa ka mochine oa CNC oa botsitso bo phahameng, ha seaparo sa letlalo la tlhaho se entsoe ka matsoho. Likarolo tsa tšepe li fumana kwetso ea electrostatic. Mela e kobehileng e tsoelang pele le liphetoho tse boreleli li fa setulo sena sa matsoho sebopeho se kang seemahale. Ottoman e tsamaellanang le sona e phethahatsa sete ena.

Kamohelo

Mabapi le Moputso oa Silevera oa A' Design Award

Trenta Setulo sa Matsoho ke mohapi oa Moputso oa Silevera oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e phahameng ka ho fetesisa, e ntle le e tsosang maikutlo. Bahapi ba Silevera ke mesebetsi e khanyang haholo le e nang le boqapi bo ikhethang e bontšang botsebi, talenta le bohlale ba baqapi ba eona. Trenta Setulo sa Matsoho e lebelletsoe ho ba mosebetsi o motle, oa mohlala, o nang le boprofeshenale bo bonahalang le mehopolo e mecha e tebileng. Moralo ona o hapileng Moputso oa Silevera oa A' Design Award ke mohopolo o hlokomelehang haholo le o ratoang o tlisang molemo mme o sutumelletsang meeli ea bonono, mahlale, moralo le theknoloji. Trenta Setulo sa Matsoho ke mosebetsi oo batho ba bangata ba o lakatsang, o tsosang litakatso, o tlisang maikutlo a matle le o tsosetsang ho makala le ho hlolla.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: The design stands out for its innovative backrest adjustment system, offering three distinct comfort levels via a metallic mechanism on the rear. Its aesthetic is marked by high-complexity wood machining, featuring continuous curved lines and fluid transitions. Reconciling ergonomic excellence with a sculptural form, the chair adapts for both social interaction and deep relaxation, showcasing a sophisticated balance between technology and craftsmanship.
Boholo le Phuthelo: Armchair: Width 790mm x Depth 1040mm x Height 860mm. Ottoman (Puff): Width 620mm x Depth 500mm x Height 370mm. Primary Materials: Tauri Wood, Natural Leather, and Carbon Steel. The design integrates an internal anatomical plywood shell and a stained solid wood base.
Lithegi: Armchair, Trenta, Wood, Organic
Theknoloji ya Tlhahiso: The production combines high-precision CNC machining for the wooden components with artisanal upholstery. The base is crafted from reforestation Tauri wood with a stained finish, while the internal structure features anatomical plywood. Metallic parts receive a durable electrostatic coating. This synergy between advanced automation and reforestation wood sourcing ensures structural integrity and environmental responsibility for the high-end market.
Phephetso ya Moralo: The main technological challenge was reconciling the organic, fluid lines of the original sketch with the constraints of industrial production. Executing the complex wood machining required significant software optimization and a high degree of technical synergy with the manufacturing chain. Developing the integrated metal adjustment system within a wooden structure also demanded meticulous engineering to maintain structural durability without compromising the sculptural silhouette.
Dipatlisiso: This applied research bridges artistic sketching with industrial precision to achieve fluid forms and elevate the regional furniture cluster's potential. Using iterative 3D modeling and CNC optimization via CAD/CAM tools, designers worked with machine programmers and Italian consultants. Results include an innovative reclining system and complex joinery, proving that design complexity and reforestation sourcing drive regional technological growth and luxury business value.
Kgothaletso: The inspiration stems from the desire to transform wood into a fluid language, where sinuous curves challenge the boundary between creative manual sketches and precision engineering. This project invites the viewer to explore its tridimensional details, offering a sensory journey through natural materials and high-end manufacturing.
Nako ya Projeke: The armchair was developed in 2021 (or late 2020) as part of a commemorative collection in Brazil.
It was officially launched on the market in early 2022. It was one of the highlights at ABIMAD'33 (Brazilian Furniture and High Decoration Accessories Fair), which took place between February 1st and 4th, 2022, in São Paulo.
Tsamaiso ya Mosebetsi: The user interacts with the piece through a manual adjustment system located on the backrest. By operating the metallic mechanism, the chair reclines into three specific comfort angles. This feature allows for a personalized experience, transforming the object from a standard armchair into a lounging piece. The transition is smooth and intuitive, emphasizing user-centric design and functional versatility.
Litho tsa Sehlopha: Ibanez Razzera
Lorenzo Razzera
Litlotla tsa Setshwantsho: Photographer Roberto Majola, Main image, 2022
Photographer Roberto Majola, Optional Image #1, 2022
Photographer Roberto Majola, Optional Image #2, 2022
Photographer Roberto Majola, Optional Image #3, 2022
Photographer Roberto Majola, Optional Image #4, 2022
Video Credits Roberto Majola, 2022