Weaving Moralo oa ka Hare oa Bolulo ka Chih Liang Hung

Moralo oa Weaving Moralo oa ka Hare oa Bolulo ka Chih Liang Hung ke mohlodi oa khau e hlomphehang haholo ya 2026 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Sebaka sa Ka Hare le Dipontsho.

TšepeKa Hare· 2026

Weaving Moralo oa ka Hare oa Bolulo

ka Chih Liang Hung

Moreki: Xiang Dao Design

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Ka Hare

4,797

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #181867

Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Weaving Moralo oa ka Hare oa Bolulo

Weaving ke moralo oa ka hare oa bolulo o phethetsoeng Taiwan bakeng sa lelapa la meloko e meraro. Ho kenyeletsoa le foranta, sebaka sa ka hare se lekana le limithara tse sekwere tse ka bang 83. Sebopeho sa mantlha sa likamore tse 'ne tsa ho robala se ile sa fetoloa ho ba likamore tse tharo tsa ho robala tse nang le sebaka se bulehileng sa ho ithuta le kamore ea tatami. Lebota la thelevishene le kopanya lejoe la blanc travertine le lejoe la Moonlight Beige haufi le moeli o kobehileng o bapileng le manonyeletso a fatše. Kamore ea tatami e hahiloe ka lehong le tiileng la Japane la hinoki ka manonyeletso a mortise-le-tenon le siling e lohiloeng ka mokhoa oa daemane. Likhabinete tse tlase li boloka sebaka sa ho kopanela batho se bulehile ebile se fihlelleha habonolo.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

Weaving Moralo oa ka Hare oa Bolulo ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. Weaving Moralo oa ka Hare oa Bolulo e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, Weaving Moralo oa ka Hare oa Bolulo e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: The design unifies diverse 'weaving' of materials. On the TV wall, blanc travertine and Moonlight Beige stone meet along a curved edge extending to the entry, aligned with floor joints for visual rhythm. Metallic-sheen art paint behind the desk echoes stone fossils. Stone veining is intentionally unmatched. Social area storage is low for openness and elderly access. In the tatami room, diamond-pattern amijime ceilings, ranma lattice vents, and circular sliding doors follow the Fibonacci sequence, blending tradition, nature, and craft.
Boholo le Phuthelo: Including the balcony, the interior area measures about 83 square meters. Originally four bedrooms, a living room, a dining room, and two bathrooms, the layout was reconfigured into three bedrooms plus an open study and tatami room. Bedroom privacy was preserved while enlarging the dining-and-gathering axis of the social area, allowing flexible conversion between daily two-person life and holiday gatherings of over ten people. The study wall was recessed to connect the dining-living lighting; the tatami room sits centrally as a flexible node for rest, movie-watching, or children's play.
Lithegi: Tatami Room, Tenjo Ajiro Ceiling, Barrier-Free Space, Wood Tone, Open Plan, Solid Wood, Eco-Friendly Materials, Custom Wooden Flooring, Bamboo Pendant Lamp
Theknoloji ya Tlhahiso: The tatami room is entirely constructed of solid Japanese first-grade hinoki sourced from managed artificial forests. 3D modeling, precise cutting, and mortise-and-tenon joints replace veneered plywood, preserving the natural scent and tactile warmth of wood. Wood flooring and stone surfaces correspond to each other in modular dimensions and division. The overall color temperature builds on warm gray and wood brown, blanc travertine and moonlight beige stones enhance brightness, and curved edges form a stable yet fluid sense of light layering.
Phephetso ya Moralo: The main challenge was coordinating materials and techniques. The tatami room used first-grade, knot-free hinoki cut to custom modules, with a diamond-weave ceiling built from prototypes and on-site craftsmanship for veneer overlap, tolerances, and hidden maintenance. Stonework required continuous curved spans aligned with floor joints. Non-book-matched veining balanced visual density, ensuring durability, easy cleaning, and refined elegance.
Dipatlisiso: Designed for an elderly homeowner and three generations, the 'Weaving' theme transforms the parents' curtain-making craft into spatial rhythm. Wood joinery, stone divisions, and drapery interlace, symbolizing family bonds. The open social area features low cabinets and a TV wall of blanc travertine and Moonlight Beige stone curving to the entry. The tatami room's hinoki ceiling weaves tradition and hidden vents, blending material, light, and air into daily life.
Kgothaletso: The homeowners' children wished to preserve memories of the tatami room from their parents' previous home. Centered on the concept of 'Weaving,' the design interlaces bamboo blinds, wooden flooring, and stone surfaces into a harmonious dialogue of materials, balancing emotion and order. Three-sided daylight and natural ventilation enhance comfort, while the open social area supports daily life and family gatherings. Barrier-free design ensures accessibility, blending tradition with practicality.
Nako ya Projeke: The project finished in October 2024 in Taiwan.
Tsamaiso ya Mosebetsi: After moving in, the family often sits on the tatami by the sliding doors to watch TV, the sofa has become secondary. The desk area serves as a reading and interaction corner for the elders and grandchildren. Visiting friends and photographers have all commented on the space's 'unexpected quietness': though near a busy road, once windows close, only light and the scent of wood remain. The children appreciated the low-cabinet design and simplified storage, which keeps the view uncluttered and gently refines their parents' habit of keeping items-making life feel lighter.
Litho tsa Sehlopha: Chih-Liang Hung
Litlotla tsa Setshwantsho: Xiang Dao Design