The House for Contemporary Art Bodulo ka Ryumei Fujiki & Yukiko Sato

Moralo oa The House for Contemporary Art Bodulo ka Ryumei Fujiki & Yukiko Sato ke mohlodi oa khau e hlomphehang haholo ya 2016 Moputso oa Khauta oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Meaho, Dikaho le Dibopego.

KhautaMeaho· 2016

The House for Contemporary Art Bodulo

ka Ryumei Fujiki & Yukiko Sato

Moreki: F.a.d.s

Mohlodi oa Moputso oa Khauta oa A' Design Award Mokhahleong oa Meaho

34,748

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #42791

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le The House for Contemporary Art Bodulo

Lehae lena le ne le etselitsoe motho ea ananelang bonono le sebini se sa tloaelehang se neng se batla "ntlo e kang ea musiamo oa bonono". Kaha mohaho ona o hlophisitsoe ka hloko mabapi le ho potoloha ha moea hammoho le boemo ba leholimo bo thata, bo nang le lehloa lebōpong la Leoatle la Japane, 'me o entsoe ka mabokose a masoeu a sekala se sa tšoaneng a foreiming sebaka se kang litšoantšo. E 'ngoe ea menahano ea mantlha ke 'Seamless Spatial Composition'. U ka potoloha libakeng tse ka tlung ena u shebile pokello ea mong'a litšoantšo joalokaha eka u feta har'a li-galleries tsa musiamo.

Kamohelo

Mabapi le Moputso oa Khauta oa A' Design Award

The House for Contemporary Art Bodulo ke mohapi oa Moputso oa Khauta oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo ea maemo a pele, e ntle ka ho makatsa le e ikhethang. Bahapi ba Khauta ke lintho tse hlahisitsoeng tse nang le mehopolo e mecha haholo, tse shebileng pele le tse khanyang ka ho foufatsa, tse bontšang botsebi, bohlale le bokhoni ba baqapi ba tsona. The House for Contemporary Art Bodulo e lebelletsoe ho ba mohopolo o babatsoang haholo, o thehang mekhoa e mecha le o moholo, o tlisang boleng bo sa kang ba bonoa. Moralo ona o hapileng Moputso oa Khauta oa A' Design Award ke mosebetsi o tsosang maikutlo, o hlomphehang, o tlisang molemo o moholo le o sutumelletsang meeli ea bonono, mahlale, moralo le theknoloji. The House for Contemporary Art Bodulo e hlahisa maikutlo a matla a takatso, e tsosa tjantjello, e khothalletsa boqapi mme e re khahlisa.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: SEAMLESS SPATIAL COMPOSITION
You can circulate through the spaces in this home looking at the owner’s collection of artwork just as if you were passing through galleries in a museum.

RESPONSE TO THE ENVIRONMENT
The first was dealing with the snow. In regions with heavy snow, the shape of the roof is very important. Many homes are built on the assumption that someone will shovel the snow off the roof, but that’s a lot of heavy work, and dangerous. We decided on a flat roof with no parapet that would stay relatively snow-free because of wind action.
Our second thing was to create good airflow.
Boholo le Phuthelo: Site Area 246.48 sqm / Building Area 137.10 sqm / Total Floor Area 135.56 sqm
Lithegi: House like an Art Museum, Seamless Spatial Composition, Response to the Environment (Nature), Dealing with the Snow, Natural Ventilation
Theknoloji ya Tlhahiso: Reinforced Concrete 1 Story
Phephetso ya Moralo: To encourage natural ventilation, we created a temperature differential by designing two gardens, one on the south side that would warm up easily, and one on the north side that would remain cool. This is a traditional design method used in Kyoto townhouses.
Dipatlisiso: It goes without saying that our top priority was fulfilling the client’s wishes. We began by measuring the many works of art that the client had created and collected over the years. Next, we held a number of planning meetings to discuss where to display each work of art, among other issues. For instance, we determined the height of the living room ceiling based on the wall size that could accommodate a painting measuring over 1.5 x 1 meter. In addition to the art collection, the client also has a large number of old records, mostly jazz. It was important for us to figure out a way to display them.
Kgothaletso: We designed this home for an art appreciator and amateur artist who wanted a house like an art museum. Planned with careful consideration for air circulation as well as for the harsh, snowy climate of the Japan Sea coast, the structure is composed of white boxes of varying scale that frame spaces like pictures.
Nako ya Projeke: Fukui Prefecture, JAPAN
Tsamaiso ya Mosebetsi: You can circulate through the spaces in this home looking at the owner’s collection of artwork just as if you were passing through galleries in a museum.
Litho tsa Sehlopha: Ryumei Fujiki
Yukiko Sato
Yasutaka Konishi (Structural Engineer)
Osamitsu Kagenaga (MEP/FP Engineer)
Kazuo Shuto (Electrical Engineer)
Matsuta Koumuten Co., Ltd. (Contractor)
Kazunari Yamada (Constr. Manager)
Eijiro Yamagata (Constr. Manager)
Hiroshi Ueda (Photographer)
Litlotla tsa Setshwantsho: Hiroshi Ueda, F.A.D.S