Exquisite Craft of Art Mosebetsi wa Mantlha: Moralo wa Ka Hare wa Lehae ka Han Chung Hung and Lu Hsiao Yang

Moralo oa Exquisite Craft of Art Mosebetsi wa Mantlha: Moralo wa Ka Hare wa Lehae ka Han Chung Hung and Lu Hsiao Yang ke mohlodi oa khau e hlomphehang haholo ya 2018 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Sebaka sa Ka Hare le Dipontsho.

TšepeKa Hare· 2018

Exquisite Craft of Art Mosebetsi wa Mantlha: Moralo wa Ka Hare wa Lehae

ka Han Chung Hung and Lu Hsiao Yang

Moreki: Global Interior Arteco Co., Ltd

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Ka Hare

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Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #61221

Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Exquisite Craft of Art Mosebetsi wa Mantlha: Moralo wa Ka Hare wa Lehae

Sengoloa sa Buka: Exquisite Craft of Art ke moralo wa ka hare oa lehae bakeng sa ntlo e ka bang li-square metara tse 180 New Taipei City, Taiwan. Moralo o bulehileng o kopanya kamore ea bolulo le kamore ea lijo, o sebeletsa bophelo ba letsatsi le letsatsi ba lelapa hammoho le liphuthehong tsa boitsoaro. Lipono tse kotarahanyeng monyako oa ho kena le ka kamoreng ea bolulo li atolosa pono. Lejoe la tlhaho la boaki le koahela mabota a monyako oa ho kena, boaki ba sebaka sa sechaba le tafole ea lijo ea sehlekehleke. Lebota la thelevishene le kopanya marbole, mosaic ea likhopo, sethusi sa titanium, letlalo, tšepe e sa rotoge (stainless steel) le patsi. Mmala o mosoeu o sebelisoa e le mmala o ka sehloohong ho pholletsa le ntlo eohle.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

Exquisite Craft of Art Mosebetsi wa Mantlha: Moralo wa Ka Hare wa Lehae ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. Exquisite Craft of Art Mosebetsi wa Mantlha: Moralo wa Ka Hare wa Lehae e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, Exquisite Craft of Art Mosebetsi wa Mantlha: Moralo wa Ka Hare wa Lehae e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Our design synergizes circulation patterns and living function possibilities, while being liberated from the original structural constraints imposed upon the internal space, and allowing multivalent materiality to articulate the unique nature of this dwelling, which is epitomized by the harmony between the exquisite and grandeur, as well as, the robust and the delicate.
Boholo le Phuthelo: The interior space is approximately 180 square-meters in area, and without any substantial volume of divisive element, the space is filled with ample natural light, and creates a sense of open-plan and free-flowing circulation possibility. Such design renders the inherent man-made structural elements of beams and columns into invisible spatial demarcations, while practicality of storage functionality can be fulfilled in a simple yet delicate matrix of spatial vectors and volumes.
Theknoloji ya Tlhahiso: Decorated with mirrors, the entrance and the living room seek to broaden the visual spatial horizon. With rich natural texture masonry element for the entrance walls, public area flooring and island dining table, echoing the living and hospitality needs of the owner. TV wall is marble-based with shell mosaic, titanium alloy finishing and mirrors on both sides to reflect the main wall façade, while intertwining with elements of leather, gloss-finished paint, stainless steel and timber skin in various areas.
Phephetso ya Moralo: In order to accentuate the refined craft quality of home living, materiality composition and detailing become the design focus. Through the well-proportioned mosaic application of stainless steel, mirror, wallpaper, leather, timber and other decorative materials, with precise selection, the design seeks to create harmony of refined and rich layers of materiality.
Dipatlisiso: Apart from catering for the most suitable movement, functionalities and personalized spatiality, the design pays attention to the artistic characteristics of the space, which are not merely defined or measured by the exhibits of artistic collection, but also articulated by the inherent artistic beauty of the spatial design. Such as the articulation of entrance with a timeless large-area marble wall, it creates stunning visual effects made only possible with murals composed of natural mineral textures; another instance being the multiple-material composition design. Besides, the white gloss-painted corridor wall to the bedroom, with sense of volume from rippling totemic visuals, coupled with ambiance wall-lights, to manifest the unique quality of installation arts.
Kgothaletso: As design is not limited by a particular style, but with the premise of the owner’s preferences, the design of the overall space is driven by luxury and grandeur with exquisite craft tradition imbued in detailing. In its overall planning, apart from the everyday family living functionalities, as the socializing banqueting needs of the owner is also catered for in the spatial planning, hence, the totally open-plan design manifests itself in the public domains of living room, dining room,etc.
Nako ya Projeke: December, 2016
New Taipei City, Taiwan.
Tsamaiso ya Mosebetsi: The monotonic flooring materials in the public space reinforces the clean-cut visual style, while having ceiling detailing and furniture styling to define domain functionalities. For the construct of spatial perception, white color was used throughout as central coloring theme, while done away with superfluous decorative narrative, as well as, amalgamating diverse materiality into cabinet and wall volumes, bringing about subtle changes in spatial visual perceptions.
Litho tsa Sehlopha: HAN CHUNG HUNG
LU HSIAO YANG