Interwoven Layers Mosebetsi wa Mantlha: Moralo wa Ka Hare wa Ntlo ya Bodulo ka Hung-Yu Chen and Yi-Chia Kao

Moralo oa Interwoven Layers Mosebetsi wa Mantlha: Moralo wa Ka Hare wa Ntlo ya Bodulo ka Hung-Yu Chen and Yi-Chia Kao ke mohlodi oa khau e hlomphehang haholo ya 2020 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Sebaka sa Ka Hare le Dipontsho.

TšepeKa Hare· 2020

Interwoven Layers Mosebetsi wa Mantlha: Moralo wa Ka Hare wa Ntlo ya Bodulo

ka Hung-Yu Chen and Yi-Chia Kao

Moreki: Yu [ i ] Design Studio

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Ka Hare

11,617

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #92900

Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Interwoven Layers Mosebetsi wa Mantlha: Moralo wa Ka Hare wa Ntlo ya Bodulo

Mongolo wa Buka: Interwoven Layers ke moralo wa ka hare wa ntlo ya bodulo o phethiloeng Taipei ka 2019. Ntlo e hlophisitswe ho latela mothamo o hlakileng, moo dikabinete le mabota di thehang mela e kopanang le ho lumellana ho theha maemo a sebaka. Dikarolo tse butsweng le tse phunyehang di dumella moya le lesedi ho feta ka hare ho ntlo, ha didiriswa le mebala tsona di hlalosa mafelo ka bobedi a mothamo oo. Marulelo a leqheka la tshepe le sephara se atlehileng se tsamaya ka tlasa mokoloko wa sebopeho o phehang, mme se fetoha ntlha ya bohlokwa ya pono korotoreng eo. Tshebetso ya tshepe e ferekaneng, dibaka tse pentilweng le pokello ya bonono di eketsa moya wa bonono.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

Interwoven Layers Mosebetsi wa Mantlha: Moralo wa Ka Hare wa Ntlo ya Bodulo ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. Interwoven Layers Mosebetsi wa Mantlha: Moralo wa Ka Hare wa Ntlo ya Bodulo e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, Interwoven Layers Mosebetsi wa Mantlha: Moralo wa Ka Hare wa Ntlo ya Bodulo e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Through cabinet and wall in the articulation of linear reality and virtuality arrayed, intersected and aligned in the domain, it gives rise to spatial layers, as the penetrating design allows air and light to permeate through the interior while materials and colors demarcate and enrich both ends of the axis, and allowing the design underlay to flourish under the metal-plate ceiling, as the changing light and reflection of shadow compose a beautiful picture.
Boholo le Phuthelo: As the structural beam traverses across, the wide metal-plate ceiling slides under in forming a visual focus along a corridor, while utilizing the L-shape extension of flooring materials and walls in creating the extensive visual perception. As the void cabinets in the space are composed of lines and geometry, through wall lines and linear relationships, they create very unique views of the virtual and the real in domain transitions.
Lithegi: Distilled, Virtual and Real, Penetration, Memory, Collection, Arts
Theknoloji ya Tlhahiso: As the minimalist design is imbued with the living memory and artwork collection of the client, the rusted metalwork and painted area create an artistic ambiance in which the design underlay flourishes under the metal-plate ceiling, as the changing light and reflection of shadow compose a beautiful picture.
Phephetso ya Moralo: As the structural beam and column system affected the spatial perception and layout planning, the traversing beam was especially difficult to deal with, and as the corridor and ceiling beam intersect with one another, it prompted metal plate to be inserted in the ceiling to create a new visual perception and focus, hence solving the issue of traversing beams.
Dipatlisiso: As the architectural volume constructs the cubic space, time and daily rituals contribute to the making of such a warm domain. With lines arrayed, intersected and aligned in the domain, it gives rise to spatial layers, as the penetrating design allows air and light to permeate through the interior while materials and colors demarcate and enrich both ends of the axis, and allowing the design underlay to flourish under the metal-plate ceiling, as the changing light and reflection of shadow compose a beautiful picture.
Kgothaletso: As the architectural volume constructs the cubic space, time and daily rituals contribute to the making of such a warm domain. With distilled design discourse, there is a dialogue reflecting the imagination for the future, under the demarcating axis, an enriched living experience ensues.
Nako ya Projeke: The project finished in August, 2019 inTaipei.
Tsamaiso ya Mosebetsi: As the structural beam and column system affected the spatial perception and layout planning. The traversing beam was especially difficult to deal with, and as the corridor and ceiling beam intersect with one another, it prompted metal plate to be inserted in the ceiling to create a new visual perception and focus, hence solving the issue of traversing beams.
Litho tsa Sehlopha: Hung Yu Chen
Yi Chia Kao
Litlotla tsa Setshwantsho: Yu Wei Huang