Karya Kasane no Irome - Piling up Colors Desain Instalasi Seni ku Nakamura Kazunobu nyaéta pamenang anu dihormat pisan tina 2020 A' Design Award Emas anu bergengsi dina Katégori Kompetisi Seni Pagelaran.
EmasSeni Pagelaran· 2020
Kasane no Irome - Piling up Colors Desain Instalasi Seni
Klién: Egiku Japanese-Dance Products
Pamenang A' Design Award Emas dina Katégori Seni Pagelaran
Pamenang Panghargaan anu Diverifikasi
Verifikasi Status Panghargaan pikeun #91802Désain
Ngeunaan Kasane no Irome - Piling up Colors Desain Instalasi Seni
Desain instalasi Tari Tari Jepang. Jepang urang tiasa ngadegkeun warna-warna ti jaman baheula pikeun ngucapkeun hal-hal suci. Oge, tumpukan kertas sareng siluet kuadrat parantos dianggo salaku hal anu ngagambarkeun jero jero. Nakamura Kazunobu ngararancang rohangan anu ngarobihkeun suasana ku parobihan kana rupa-rupa warna sareng alun-alun sapertos "tumpukan" sapertos motif. Panél ngalayang dina hawa anu berpusat dina para penari nutupan langit di luhur rohangan panggung sareng ngagambarkeun penampilan cahaya anu ngalangkungan rohangan anu henteu katingal tanpa panél.
Pangakuan
Ngeunaan A' Design Award Emas
Kasane no Irome - Piling up Colors Desain Instalasi Seni mangrupa juara A' Design Award Emas, pangakuan anu pohara bergengsi anu dipasihkeun ka desain kelas kahiji, ngaranjing jeung unggul. Para juara Emas téh kréasi anu pohara inovatif, visionér jeung matak ngacung anu ngagambarkeun kajeniusan, hikmah jeung kaahlian para désainerna. Kasane no Irome - Piling up Colors Desain Instalasi Seni diharepkeun jadi panemuan anu pohara dipuji, pelopor tren, sarta monumental anu méré nilai anu can kungsi aya. Desain juara A' Design Award Emas ieu mangrupa proyék spéktakulér tur dihormat anu pohara mangpaatna sarta ngamajukeun watesan seni, élmu, desain jeung téknologi. Kasane no Irome - Piling up Colors Desain Instalasi Seni nyiptakeun rasa hayang anu kuat, ngahudang gairah, ngadorong kréativitas, jeung ngagumkeun urang.
Di Balik Désain
Kit Pers
Krédit, anggota tim sareng detil téknis anu disayogikeun ku désainer.
- Sipat Unik
- One Japanese Dance of Japanese traditional arts.
For a long time this dance, which has been preserved and emphasizes silence rather than dynamism, has long been out of touch with the modern atmosphere.
We grope for new Japanese dance, and this is a design of the stage art which aimed at the ideal form of Contemporary Japanese dance.
Unlike traditional Japanese dance two-dimensional stage art, three-dimensional design that takes advantage of the entire stage space.
We aimed to produce a worldview of new Japanese Dance of modern interpretation by those.
Panels flying in the air centering on the dancers cover the sky above the stage space and depict the appearance of light passing through the space that can not be seen without the panels.
Panels that correspond to light.
A space that draws light strikingly, in concert with Dancer, develops Japanese Dance.
We created a contemporary Japanese Dance of a mysterious world. - Diménsi & Bungkusan
- 158㎡
- Téknologi Produksi
- Three-dimensional stage design using the whole stage space.
With 3D modeling technology, the panels floating in the air were placed around the dancers as if they were blown up by the wind.
Although the panels overlap intricately, the plurality of strings that hang each panel are calculated so as not to cross each other.
We also calculated the movements of the dancers and adjusted the position of the panels to avoid the dancers.
The panel was made of a frame made of a thin 9 mm square steel square pipe and a mesh of ultra thin transparent threads made of resin in a double layer.
We made the panels so that the mesh was not homogeneous, and made the transmission slightly different, creating a subtle difference in the way light is reflected within a single panel.
This allows the panel to receive a moderate amount of light, and the panel will appear and disappear.
We were able to realize three-dimensional stage art design closely linked to the dancers, resonating with the light. - Tantangan Desain
- We experimented a number of times to create a panel that would receive just the right amount of light and disappear just the right amount.
We also tried many times to create a more beautiful arrangement of the panels so that they would not interfere with the dancers' movements.
The result of such an experiment was realized in this installation.
It was very difficult for me to propose this design to the people of Japanese dance, who have different values, and to get them to accept it.
This installation design was an opportunity for Japanese dance to make a leap from the traditional performing arts of an island nation that has no connection with the world to one of the world's dance genres. - Panalungtikan
- Originally, Japanese dance aspired to an abstract and simple expression, stripped of its superfluous elements.
That idea must be evolved and sublimated into a modern expression that fits the times.
Integration with digital technology.
It's not a collaboration with soft digital, such as media art.
By utilizing digital technology in the design of the hardware part of the stage space, we drew out the new appeal of Japanese dance.
The dancers' movements and associated forms were made possible for the first time by invisible digital technology.
Digital technology is expanding the potential for expression that was originally inherent in the traditional arts of Japanese dance.
This stage was taken away as an article in the mass media such as newspapers.
The stage was estimated worldwide, and the World Dance Festival "Festival d'Avignon 2019” also perform in the festival.
It's expected also to do a dance performance in "Festival d' Avignon 2020 " this year. - Inspirasi
- Japanese have been piling up colors from olden times to express nature and feelings.
In traditional Japanese women's costumes, they have shown layers of cloth of various colors, and by showing the overlap, they have expressed sacred depth.
Also, in Japan, layering paper or cloth with square silhouettes has been used as a thing representing sacred depth.
A row of square paper decorated at the entrance of a Japanese shrine is one such example.
In this work of dancing a woman's life, I designed a space that changes the atmosphere by changing to various colors with such rectangular "overlap" as a motif.
It looks like a fog. It can be seen at one time, not seen at one time, transformed into various forms.
It, together with the tone of the mysterious Koto, represents a magnificent life full of change in a woman. - Durasi Proyék
- 12/Jun/2019 open Sakuragaokacho,Shibuya-ku,Tokyo Japan
- Alur Operasi
- Japanese have been piling up colors from olden times to express sacred thing.
Also, piling up paper with square silhouettes has been used as a thing representing sacred depth.
I designed a space that changes the atmosphere by changing to various colors with such square "piling up" as a motif.
Panels flying in the air centering on the dancers cover the sky above the stage space and depict the appearance of light passing through the space that can not be seen without the panels.
A space that draws light strikingly, develops Japanese Dance. - Anggota Tim
- Environment Design : Kazunobu Nakamura,
Produce & Dancer : Egiku Hanayagi,
Koto player : Etsuko kawaguchi,
Lighting-design : Theaterbrain/Masao Igarashi,
Production : Tashibu to Fukushima,
Stage director : Noriyuki Shirato - Krédit Gambar
- Photograph : Atsushi Ishida
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