Karya Fontworks Inc. Tokyo Desain Interior Kantor Pusat ku Tomohiro Katsuki nyaéta pamenang anu dihormat pisan tina 2020 A' Design Award Perunggu anu bergengsi dina Katégori Kompetisi Interior.
PerungguInterior· 2020
Fontworks Inc. Tokyo Desain Interior Kantor Pusat
Klién: Prism Design
Pamenang A' Design Award Perunggu dina Katégori Interior
Pamenang Panghargaan anu Diverifikasi
Verifikasi Status Panghargaan pikeun #98988Désain
Ngeunaan Fontworks Inc. Tokyo Desain Interior Kantor Pusat
Fontworks Inc. Tokyo mangrupa interior kantor pusat pikeun type foundry, aya di lantai lima hiji gedong di Minato-ku, Tokyo. Kantor ieu ngawengku 431 méter pasagi sarta dirarancang dumasar kana ngahijikeun karya analog jeung digital. Hiji méja mangrupa hurup C ngarojong tugas kréatif jeung kolaborasi antara karyawan. Layar ageung anu dipasang di tengah témbok tetep tersambung jeung Creative Lab di Fukuoka, ku kituna dua lokasi éta bisa komunikasi online. Bangku anu wangunna siga tangga di deukeut lawang ngamungkinkeun pertemuan santai jeung tamu. Matérial anu dipaké kaasup carpet tile, kayu, Corian, baja, jeung cork board.
Pangakuan
Ngeunaan A' Design Award Perunggu
Fontworks Inc. Tokyo Desain Interior Kantor Pusat mangrupa juara A' Design Award Perunggu, pangakuan anu pohara bergengsi anu dipasihkeun ka desain unggul anu dicirikeun ku kréativitas, kacerdikan jeung kawaspadaan. Para juara Perunggu téh artéfak anu lobaan kaahlian jeung kréatif pisan anu ngabuktikeun pangalaman anu lega, imajinasi jeung kacerdasan para désainerna. Fontworks Inc. Tokyo Desain Interior Kantor Pusat diharepkeun jadi objék anu dihargaan, dikagumi jeung dipikanyaah anu profésional jeung inovatif. Desain juara A' Design Award Perunggu ieu ngalebetkeun prakték pangalusna dina seni, élmu, desain jeung téknologi, sarta unggul dina perhatian kana détail. Fontworks Inc. Tokyo Desain Interior Kantor Pusat minuhan kabutuhan kalayan éndah, nyentuh kahayang, nyenangkeun rasa, jeung narik rasa panasaran.
Di Balik Désain
Kit Pers
Krédit, anggota tim sareng detil téknis anu disayogikeun ku désainer.
- Sipat Unik
- Fontworks Inc. moved its headquarters from Fukuoka City, Fukuoka Prefecture, to Minato-ku, Tokyo, for the purpose of providing further communication business and expanding our business.
Even in the new office, build have set keywords such as "Fusion of analog and digital", “fusion of creative and engineering”, “work while playing”, and “collaboration among employees” so that we can embody “Character More Freely” - Diménsi & Bungkusan
- AREA:Total 431㎡
Located on the 5th floor of the building.
Ceiling height:CH2900mm(slab:H4100mm) - Tag
- Interior, Office, Design ,Font
- Téknologi Produksi
- From paper media to the on-screen era, there are also many such as AR / VR. It extends to dimensions. In addition to creating a typeface that is optimal for the environment in which characters are displayed, it is essential to develop technologies that take into account the environment of the customer being used.Even in the new office, Fontworks have set keywords such as "Fusion of analog and digital", “fusion of creative and engineering”, “work while playing”, and “collaboration among employees” so that we can embody “Character More Freely” Made. Will create, nurture and provide free ideas in our natural environment so that Fontworks can continue to provide services that are close to such changes in the environment.
MATERIAL LIST
1.Original Color Carpet Tile
2.Concrete PVC & Laminated Sheets
3.Wood PVC
4.PAINT
5.Corian
6.Aluminum Paint &Laminated Sheets
7.Wood Melamine decorative board
8.Artificial greening
9.OSB pattern Original Laminated Sheets
10.Artificial leather fabric
11.BLACK & WHITE Writing Laminated Sheets
12.Steel(BLACK & WHITE Paint)
13.Cork board - Tantangan Desain
- In 2018, when Fontworks celebrated our 25th anniversary, have formulated a tag line called “Character More Freely” with all our employees, and have been developing specific business activities over the past year. The fonts that Fontworks have consistently provided since our founding are also evolving at a tremendous speed in the environment in which they are used. From paper media to the on-screen era, there are also many such as AR / VR. It extends to dimensions. In addition to creating a typeface that is optimal for the environment in which characters are displayed, it is essential to develop technologies that take into account the environment of the customer being used.
Considering their history and beliefs, it was difficult to give an answer on what the future should be like with their approval. - Panalungtikan
- We used various spreadsheet matrices to extract the root of the design.
Fusing the past and the present to find out what the future should be.
Both conventional and latest are needed, Hybridize them to create a new standard. - Inspirasi
- On the there is an initial “C” -shaped desk that is common to keywords such as “Creative and Collaboration” that are necessary for a new office environment. In addition, a large display that is always connected to Creative Lab from Fukuoka is installed in the center of the wall to enable active communication between the two sites in online. At the entrance, there was a stair-shaped bench and display, and a space for casual communication with people outside the company was created while ensuring
- Durasi Proyék
- ADD:Nisshin Aoyama Building 5F, 3-4 Kita Aoyama, Minato-ku, Tokyo, Japan,
The project design started in Feb 2019 in Fukuoka,Japan and finished in July 2019. Construction started in Tokyo in Aug 2019 and finished in Dec 2019. - Alur Operasi
- The characters have changed from handdraft typefaces to digital fonts with the times, but both co-exist without changing.
Analog and digital, Traditional and new technologies...
People change, but the essence does not change.
Considers the essence of mankind and expressed office space design from the font. - Anggota Tim
- 1.Tomohiro Katsuki : PRISM DESIGN
2.Masanori Kobayashi : PRISM DESIGN
3.Yao Di : PRISM DESIGN
4.Naoki Ohtake : Design Studio GAKU - Krédit Gambar
- All Photo Image : PHOTOGRAPHER,Katsumi Hirabayashi
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