Designen Will Would Konsthall av Churan Sa är en högt ansedd vinnare av den mycket prestigefyllda 2022 A' Design Award i Brons i tävlingskategorin Interiör- och Utställningsdesign.

BronsInteriör· 2022

Will Would Konsthall

av Churan Sa

Klient: Shenzhen Ruyu Space Design Co., LTD

Vinnare av A' Design Award i Brons i kategorin Interiör

8,118

Verifierad prisvinnare

Verifiera prisstatus för #137489

Visa hos A' Design Award Pressmeddelande Utmärkelsemärke

Färger

Designen

Om Will Would Konsthall

Will Would är en konsthall i Shenzhen, Kina, som förenar konst, design, möbler, blomsterodling och en salong. Interiören är utformad för att visa verk skapade av vanliga formgivare och samlare, inte bara av kända konstnärer. Tre innergårdar leder in naturligt ljus i planlösningen och binder samman de olika funktionerna, så att skarpa gränser istället ersätts av mjukt ljus. På första våningen finns ett mötesrum med en roterande dörr och en kamin, placerat intill ett öppet vardagsrum som används för sociala evenemang. Materialen omfattar grå terrazzo, träfaner och borstat rostfritt stål.

Erkännandet

Om A' Design Award i Brons

Will Would Konsthall är vinnare av A' Design Award i Brons, ett högst prestigefyllt erkännande som tilldelas enastående designverk som utmärker sig genom kreativitet, uppfinningsrikedom och klokhet. Bronsvinnare är mycket skickliga och slående kreativa föremål som styrker formgivarnas stora erfarenhet, fantasi och påhittighet. Will Would Konsthall förväntas vara ett högt skattat, beundrat och älskat föremål som är anmärkningsvärt professionellt och innovativt. Detta vinnande verk i A' Design Award i Brons införlivar bästa praxis inom konst, vetenskap, design och teknik och är utmärkt genom sin omsorg om detaljer. Will Would Konsthall tillfredsställer fantastiskt behov, rör vid längtan, charmar känslor och väcker nyfikenhet.

Bakom designen

Presskit

Erkännanden, teammedlemmar och tekniska detaljer tillhandahållna av designern.

Unika egenskaper: Will Would is an aesthetic cluster of art, design, furniture, floriculture and salon. As its aesthetic claim goes, will would attempts to discuss a relationship through the design of the exhibition hall how people and things establish a connection in space and how the meaning of things is acquired. In the process of spatial development, the narration of people and thing slowly unfolds through the fuzzy interface.
Dimensioner & förpackning: We use unified and simple materials in the interior space, including large areas of cold grey terrazzo, simple wood veneer, the same color composite floor and bronze brushed stainless steel to enhance the texture. The collision of these materials makes the interior design simple and powerful. What we want to express more is that interior style is like refined decoration, it is neuter and inclusive. We can use display and soft decoration to improve and change it.
Taggar: Ordinary People's Art Exhibition, Home Aesthetic Space, Composite Commerce, Fuzzy Cluster , Diversity, More Possibilities
Produktionsteknik: A YIP negotiation room is arranged on the first floor, which has a ceremonial revolving door and a warm stove, to make it comfortable and homely. On the other side is a large empty living room with open center table, which is not only a symbol of villa luxury, but also carries more functions of social activities. We hope to have different theme activities every month.
Designutmaning: When we found this space, the ground floor was a closed dark space. In all spaces, the space with poor lighting often has the lowest utilization rate and the shortest stay time. We use design techniques to break this trend and reconstruct the ground floor, to make it the most attractive place in the whole space. We moved the stairway under the window to introduce external natural light, and change the wall of the inner courtyard into a window view to introduce the light of the courtyard.
Forskning: Many years ago, I came across a busker who was writing life with his broken hands. At that time, I felt deeply in my heart that real art has no fixed form, art can not only be presented by celebrities, nor can it only be presented in museums and galleries. Even the disabled people on the street can bravely express their own life. This touch planted a seed in my heart.
Inspiration: Most of the craftsman and ordinary collectors are simple, without too much business thinking and unable to attract more like-minded people. Therefore, I ask myself: Does an exhibition have to show artworks by famous artists? Can we make an exhibition of ordinary people? Based on this, our team carried out a fusion and "grafting", to launch an art exhibition of ordinary people with extensibility and social value in the nature of commerce.
Projektlängd: The project was launched in Shenzhen, Guangdong Province, China in November 2020 and completed in January 2021, it was exhibited in Shenzhen, Guangdong Province in April 2021.
Arbetsflöde: Three "courtyards" are placed in the space, through which the landscape either horizontally or vertically penetrating the different functional divisions. It makes space interpenetrate and lead to sensory continuity. Meanwhile, these courtyards also become the medium of light and bring natural light to different space. With the intervention of light, the clear boundary is replaced by soft bright. The warmth touched by vision makes things seem "connected", with soft and fuzzy boundaries.
Teammedlemmar: Churan Sa
Bildkrediteringar: Photographer Wang Ting, Will Would, 2021.