Vicereines of Ireland Вазифаи асосӣ: Китоби илмӣ аз Jurga Rakauskaite-Larkin

Тарҳи Vicereines of Ireland Вазифаи асосӣ: Китоби илмӣ аз Jurga Rakauskaite-Larkin ғолиби шоистаи ҷоизаи бонуфузи 2022 Ҷоизаи оҳании A' Design Award дар категорияи мусобиқавии Дизайни медиаи чопӣ ва нашрия мебошад.

ОҳанЧоп· 2022

Vicereines of Ireland Вазифаи асосӣ: Китоби илмӣ

аз ҷониби Jurga Rakauskaite-Larkin

Муштарӣ: The Office of Public Works

Ғолиби Ҷоизаи оҳании A' Design Award дар категорияи Чоп

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Ғолиби тасдиқшудаи ҷоиза

Тасдиқи вазъи ҷоиза барои #135430

Дар A' Design Award дидан Релизи матбуотӣ Нишони ҷоиза

Рангҳо

Тарҳ

Дар бораи Vicereines of Ireland Вазифаи асосӣ: Китоби илмӣ

Матни китоб: «Вице-маликаҳои Ирландия» китоби илмӣ дар бораи гурӯҳи занони фаромӯшшуда дар таърихи Ирландия мебошад. Тарҳ ҷаҳони бойи моддии ин занонро инъикос менамояд ва инчунин инсонияти амалҳои онҳоро ба намоиш мегузорад. Палитаи рангҳо аз рангҳои гулобии осебдида, ки дар палитраи рассомии яке аз ин занон боқӣ мондаанд, гирифта шудааст. Саҳифаҳои ниҳоӣ аз дафтарчаи мармарии кӯҳнаи итолиёвӣ илҳом гирифта шудаанд ва бо усули анъанавии мармарсозии нуқтагӣ сохта шуда, сипас ба таври рақамӣ мутобиқ карда шудаанд. Дар қафои муқоваи сахт, паси тасвири рӯй, чорчӯбаи фолгаи тиллоӣ гузошта шудааст, то занони дар тасвир нишондодашуда ба пеш барояд.

Эътироф

Дар бораи Ҷоизаи оҳании A' Design Award

Vicereines of Ireland Вазифаи асосӣ: Китоби илмӣ ғолиби Ҷоизаи оҳании A' Design Award аст, ки эътирофи обрӯманд буда, ба тарҳҳои хуб дода мешавад, ки талаботи касбӣ ва саноатиро, ки аз офаридаҳои хуб тарҳрезишуда интизор меравад, иҷро мекунанд. Ғолибони оҳан маҳорати бузург, ихтисоси баланд, фаҳмиши коршиносона ва иқтидори эҷодии офаринандагони худро нишон медиҳанд. Интизор меравад, ки Vicereines of Ireland Вазифаи асосӣ: Китоби илмӣ офаридаи хеле қадршуда, мавриди таҳсин ва маҳбуб бошад, ки амалӣ ва навоварона аст. Ин тарҳи ғолиби Ҷоизаи оҳании A' Design Award беҳтарин амалияи соҳаро муттаҳид мекунад ва хусусиятҳои босалоҳияти фаннӣ дорад, ки бо донишҳои амалӣ ва истеъдод пайваст шудаанд. Vicereines of Ireland Вазифаи асосӣ: Китоби илмӣ барои диққаткорияш эҳтиром мешавад ва барои таъмини беҳбудиҳои сифати зиндагӣ, ки ба беҳтар кардани ҷаҳон кумак мекунанд, тарҳрезӣ шудааст.

Дар паси тарҳ

Маҷмӯаи матбуотӣ

Кредитҳо, аъзои гурӯҳ ва тафсилоти техникие, ки тарроҳ пешниҳод кардааст.

Хусусиятҳои беназир: Aim of the design was to capture rich material world, and also to reflect these women's humanity. The choice of a simple cover rather than grand portrait, that mainly appear on the covers of art history books, reflects this approach. The gilded frame that usually surrounds many portraits is placed not around the portrait image but behind it, on the hard cover, allowing the image of the woman to come forward. It encourages reader to look beyond the superficial image of women as decorative partners to powerful men.
Андоза ва бастабандӣ: Size:
21.46 x 2.79 x 24.51 cm portrait,
Cover:
Hardcover with Luxor 220 Gold foil block on the front and spine
Dust jacket with Matt Black foil block on the front and spine,
Printed: 4/4 CMYK,
Binding:
Hardcover, head and tail gold bands, 2.5 mm boards, thread sewn,
Black silk ribbon,
Repro:
Images supplied digitally, image and colour corrections,
One set of digital colour proofs
Тегҳо: book, irishdesign, irishculture,
Технологияи истеҳсол: The making of the book was a dialogue between the written content, the visual material discovered during the research, and current design practices. One of the key sources used in the writing of the book was an old Italian marbled notebook that belonged to one of the women. This inspired the creation of artwork for the book's end papers. The book's colour palette was sent to an artist, who created six bespoke patterns using a traditional spot marbling technique. After selecting the most suitable, the pattern was digitally manipulated to give this traditional pattern a contemporary look.
Мушкилоти дизайн: As an academic book, there were specific design conventions which had to be followed. The challenge was to strike a balance between meeting these criteria and reflecting the seriousness of the book's content, while also pushing the creative boundaries to modernise the image of the art history book. A bold colour palette, unexpected cover image (and application of it), use of a ribbon bookmark inspired by the diaries of the vicereines and the choice of contemporary serif typography all helped to overcome this challenge.
Таҳқиқот: The research for the design grew out of several years of original research for the book. This research was carried out in public and private archives across Ireland, Britain and the USA, and attracted funding from bodies including the Paul Mellon Centre for Studies in British Art. The main sources were the letters and diaries of these women, as well as their private collections of textiles, sketches and personal objects. One of the most inspiring of these objects was the paint palette of one of the women featured in the book. The book's colour scheme was taken from the blush pink paint colours that have survived on the palette since the 1780s.
Илҳом: The book tells the untold story of a group of overlooked women in Irish history. As the wives of the countrys rulers, they were the female faces of the British administration in Ireland before independence. Even though their privileged world was one of shimmering fabrics, sparkling pearls and blossoming flowers, many of these women worked hard to relieve crushing poverty, promote Irish fashion and mitigate injustices. Despite their pioneering efforts, they have long been almost entirely forgotten in Irish history. Their story, and the value of telling it for the first time, inspired the project.
Давомнокии лоиҳа: Project started in 2019 and was finished in 2021 in Dublin, Ireland.
Аъзои гурӯҳ: Editor: Myles Campbell
Project Manager: Mary Heffernan
Publisher: Irish Academic Press
Printed: Kopa Print
Ҳуқуқи тасвирҳо: Image #1 Unknown artist, The Right Hon. The Countess of Buckinghamshire (detail), 1778. Reproduced courtesy of the National Library of Ireland
Image #2 Ausra Lazauskiene, Marbling artist
Image #4 Robert French (photographed by), The vicereine’s boudoir at the Viceregal Lodge, Dublin, Reproduced courtesy of the National Library of Ireland.
Image #5 After Sir Thomas Lawrence, Lady Henrietta Cole, Lady Grantham, later Countess de Grey, National Trust, Florence Court, County Fermanagh
Henri Gascar, Frances Talbot (née Jennings), Duchess of Tyrconnell, Bridgeman Images.
Maria Phipps, Countess of Mulgrave, later Marchioness of Normanby
Montego Bay, Jamaica, Photograph by Scott Wicking, reproduced courtesy of the Marquis and Marchioness of Normanby.

Photographer: Kevin Fox, 'We Shoot'