Geometry of Fiction Ангуштарин аз Nazanin Saranjampour and Mahdi SheykhRezaee

Тарҳи Geometry of Fiction Ангуштарин аз Nazanin Saranjampour and Mahdi SheykhRezaee ғолиби шоистаи ҷоизаи бонуфузи 2022 Ҷоизаи оҳании A' Design Award дар категорияи мусобиқавии Дизайни ҷавоҳирот мебошад.

ОҳанҶавоҳирот· 2022

Geometry of Fiction Ангуштарин

аз ҷониби Nazanin Saranjampour and Mahdi SheykhRezaee

Муштарӣ: Nazanin Saranjampour

Ғолиби Ҷоизаи оҳании A' Design Award дар категорияи Ҷавоҳирот

15,094

Ғолиби тасдиқшудаи ҷоиза

Тасдиқи вазъи ҷоиза барои #139979

Дар A' Design Award дидан Релизи матбуотӣ Нишони ҷоиза

Рангҳо

Тарҳ

Дар бораи Geometry of Fiction Ангуштарин

Геометрияи Фантазия маҷмӯаи заргарии нуқрагини се ангуштарин мебошад. Шаклҳо аз меъмории таърихии Ҳаммоми Гулшан дар шаҳри Йазди Эрон илҳом гирифта шудаанд. Усули таҷрибавӣ истифода шуд: шаклҳои ибтидоӣ ба монанди мукаабҳо ва силиндрҳо дар нармафзори сељабҳа бо геометрияи баръакси ҳаммом якҷоя карда шуданд, ки дар натиҷа зиёда аз 250 шакли нав ба вуҷуд омад. Сипас якчанд шакл барои ангуштаринҳо интихоб гардид. Пораҳо ба таври рақамӣ моделсозӣ шуда, аз резин чоп шуданд ва аз нуқра рехта шуданд. Ин се ангуштарин метавонанд ҳамчун маҷмӯа, ҷуфт-ҷуфт ё алоҳида пӯшида шаванд.

Эътироф

Дар бораи Ҷоизаи оҳании A' Design Award

Geometry of Fiction Ангуштарин ғолиби Ҷоизаи оҳании A' Design Award аст, ки эътирофи обрӯманд буда, ба тарҳҳои хуб дода мешавад, ки талаботи касбӣ ва саноатиро, ки аз офаридаҳои хуб тарҳрезишуда интизор меравад, иҷро мекунанд. Ғолибони оҳан маҳорати бузург, ихтисоси баланд, фаҳмиши коршиносона ва иқтидори эҷодии офаринандагони худро нишон медиҳанд. Интизор меравад, ки Geometry of Fiction Ангуштарин офаридаи хеле қадршуда, мавриди таҳсин ва маҳбуб бошад, ки амалӣ ва навоварона аст. Ин тарҳи ғолиби Ҷоизаи оҳании A' Design Award беҳтарин амалияи соҳаро муттаҳид мекунад ва хусусиятҳои босалоҳияти фаннӣ дорад, ки бо донишҳои амалӣ ва истеъдод пайваст шудаанд. Geometry of Fiction Ангуштарин барои диққаткорияш эҳтиром мешавад ва барои таъмини беҳбудиҳои сифати зиндагӣ, ки ба беҳтар кардани ҷаҳон кумак мекунанд, тарҳрезӣ шудааст.

Дар паси тарҳ

Маҷмӯаи матбуотӣ

Кредитҳо, аъзои гурӯҳ ва тафсилоти техникие, ки тарроҳ пешниҳод кардааст.

Хусусиятҳои беназир: There are three stages to this experimental design process. In the first phase of the method, some primary shapes such as cubes, cylinders, and other shapes were transformed in 3d software using Rhino. Second, the designer created the antithesis of the Golshan bathhouse's form; the mass space was reversed to empty using an experimental method.Finally, the three-dimensional collision of the primary forms with the reverse geometry of the Golshan bath resulted in the creation of more than 250 new shapes in the following stage. Finally, the designer chose a few of the best shapes to create rings by evaluating them. The use of 3D computer software has enabled the visualization of new forms that would not have been possible otherwise.
Андоза ва бастабандӣ: This silver jewelry set consists of three pieces of the ring. The pieces in this collection are 28, 20, and 2 grams in weight, respectively. These three rings can be worn as a set, in a double combination, or independently. These rings have been designed to be as ergonomic as possible, so there are no problems with the fingers when wearing them.
Тегҳо: Jewelry, Experimental Design, Speculative Design, Golshan Bathhouse, Ring
Технологияи истеҳсол: The shape of the rings is very complex due to their delicate and precise angles, and conventional manual jewelry production methods are not suitable for their production. Therefore, this jewelry collection was first modeled using 3D modeling software and then printed from resin material. And then, they were made of silver metal by the micro fusion casting method.
Мушкилоти дизайн: The most critical design feature of this jewelrycollection is the aesthetic, which reflects the visual characteristics of the source of inspiration and has unpredictable forms due to its experimental design method. There are two significant obstacles to overcome when designing such a project: 1. Each piece's weight should be kept under control. 2. Take into account the ergonomics of the user's hands and fingers. Heavy forms were removed to optimize the result in design development and evaluation as forms inconsistent with hand anthropometry. Finally, the forms were lightened so that they could be easily worn.
Таҳқиқот: Since old artifacts have always been a source of inspiration for designers, this jewelry collection was born out of research and study into the roots of Iraniandesign, which are found in Persian architecture, to create new Persian forms. Is it possible to be inspired by a monument without getting a repetitive and predictable result? That was the starting point for the design. This collection's design process is speculative and employs an experimental design method developed by the designer. Iranian design has essential characteristics such as balance, two-dimensional order, and many details; the researcher expected these characteristics to appear in a newer aesthetic and represent Persian thoughts, so ideationbegan, leading to the production of over 250 experimental forms of origin. They re-created the above-mentioned Iranian features in Persian design.
Илҳом: The historic Golshan Bathhouse in Yazd served as the project's primary source of inspiration. The Iranian architecture of the Golshan Bathouse is typical of Qajar-period Iran, and the structure's geometry demonstrates many aspects of Iranian art. This collection has created new ring forms due to formal alternatives to Golshan bathhouse geometry. Roofs, corridors, and pools have visual elements that can be seen in the shapes of the rings indirectly in the details of this collection's pieces.
Давомнокии лоиҳа: April 2021-November 2021 Tehran, IRAN
Ҷараёни кор: Persian architecture is rich in meaningful concepts that can inspire a great deal of creativity when translated into modern language. Jewelry is the meeting point of art and design, and it can be used to convey a message in the same way that a medium can. This jewelry collection has been able to demonstrate the complexity of Iranian art. One of the most appealing aspects of this collection is that it can be viewed from various perspectives and represent a new form; it can also be worn from any angle without looking the same. This feature delights the user every time she wears it.
Аъзои гурӯҳ: Mohammadmahdi Sheykh rezaee