ዲዛይን Oruha ቀዳማይ ተግባር፦ መንበር ብ Yuya Nakazawa ኣብ ናይ ውድድር ምድብ ንድፊ ኣቕሑ ኣዝዩ ዝኸበረ ተሸላማይ ናይ 2026 ናይ ወርቂ ሽልማት A' Design Award እዩ።
ወርቂኣቕሑ· 2026
Oruha ቀዳማይ ተግባር፦ መንበር
ዓሚል: Yedit
ኣብ ምድብ ኣቕሑ ተሸላማይ ናይ ወርቂ ሽልማት A' Design Award
ዝተረጋገጸ ተሸላማይ
ንቁጽሪ #178435 ሽልማት ኣረጋግጽእቲ ዲዛይን
ብዛዕባ Oruha ቀዳማይ ተግባር፦ መንበር
መግለጺ መጽሓፍ፦ እዚ ዲዛይን ከም ህዝባዊ ምስጢራዊ መደበር ተባሂሉ ዝተሓስበ መንበር የቕርብ፣ ኣብ ውሽጢ ሕባራዊ ኣከባቢታት ብሕታዊ መዕቆቢ ይህብ። ኣቃውማኡ ቅርጻዊ ህላወ ምስ ተግባራዊ ምችውነት የመዓራሪ፣ ንዝናወሐ ኣጠቓቕማን ማሕበራዊ ምትሕውዋስን ይድግፍ። ጥውይዋይ ገጻትን ብጥንቃቐ ዝተመጣጠኑ ኣካላትን ግልጽነት እናሓለዉ ናይ ምኽባብ ስምዒት ይፈጥሩ። ተፈጥሮኣዊ ምልክዓታት ጽንዓት፣ ቀሊል ጽገናን ምልኩዕ እርጋንን የዛይዱ፣ እታ ቁራፅ ናይ ምትንካፍ ምውቕነት እናሓለወት ኣብ መዓልታዊ መንበሪ ቦታታት ክትዋሃሃድ የኽእላ።
እቲ ኣፍልጦ
ብዛዕባ ናይ ወርቂ ሽልማት A' Design Award
Oruha ቀዳማይ ተግባር፦ መንበር ናይ ወርቂ ሽልማት A' Design Award ዝዓወተ እዩ፣ ንቀዳምነት ደረጃ ዘለዎም፣ ዘገርሙን ዝተፈልዩን ዲዛይናት ዝወሃብ ኣዚዩ ክቡር ኣፍልጦ። ዘዓወቱ ወርቂ ጥበብን ፍልጠትን ክእለትን ዲዛይነራቶም ዘንጸባርቑ ኣዚዮም ሓደሽቲ፣ ርእይቶ ዘለዎምን ዘንጸባርቑን ፍጥረታት እዮም። Oruha ቀዳማይ ተግባር፦ መንበር ዘይተራእየ ዋጋ ዘምጽእ ኣዚዩ ዝተሞገሰ፣ ዝንባሌ ዘቐምጥን ሓውሲ ዝመስልን ፈጠራ ክኾን ይጽበ። እዚ ዝዓወተ ዲዛይን ናይ ወርቂ ሽልማት A' Design Award ደረት ጥበብ፣ ሳይንስ፣ ዲዛይንን ቴክኖሎጂን ብብዙሕ ጥቕሚ ዘስፍሕ ዘደንቕ ዝኽበር ፕሮጀክት እዩ። Oruha ቀዳማይ ተግባር፦ መንበር ሓያል ድሌት ዘሕድር፣ ተሃዋሕዋሕ ዘበራብር፣ ፈጠራ ዘተባብዕን ንዓና ዘማርኽን እዩ።
ድሕሪ እቲ ዲዛይን
ናይ ፕረስ ኪት
ክረዲትታት፣ ኣባላት ጋንታን ቴክኒካዊ ዝርዝራትን ብዲዛይነር ዝቐረቡ።
- ፍሉያት ባህርያት
- Oruha Chair proposes the idea of a private sanctuary within a public space.
While functioning as a sculptural object that shapes the surrounding environment, the chair transforms into an intimate personal zone when occupied.
The form could not have been achieved through linear or parametric design logic. Instead, it emerged through an iterative process of continuous adjustment between visual intensity and physical comfort. The armrests, which receive the most direct contact, maintain sharp visual edges while offering a gentle and secure tactile experience.
This balance allows the chair to exist simultaneously as spatial sculpture and functional furniture. - ዓቐንን ማዕሸግን
- Width 740mm Depth 550mm Height 760mm Seated height 430mm
- መለለዪታት
- Chair, Furniture, Sculptural Design, Wood, Handmade, Emotional Design, Armchair, Spatial Object
- ናይ ምፍራይ ቴክኖሎጂ
- Due to its complex organic geometry, Oruha Chair is extremely difficult to reproduce through industrial manufacturing or automated processes.
The chair was realized almost entirely by hand, using traditional Japanese planes and hand tools.
Rather than imposing a fixed form onto the material, the final shape emerged through direct dialogue with the wood, prioritizing tactile quality, structural integrity, and sculptural coherence. This process positions craftsmanship not as decoration, but as a design methodology. - ናይ ዲዛይን ብድሆ
- After extensive sketching and the creation of five clay models, translating the form into wood presented a fundamental challenge. There was no established woodworking methodology capable of directly realizing the intended geometry.
Through repeated trial and error, two full-scale prototypes were abandoned before completing this third iteration.
Because of the organic form, conventional symmetry, reference points, and measurement systems proved ineffective. Ultimately, the process required trusting sensory judgment and material feedback over numerical precision. This approach became inseparable from the final outcome. - ምርምር
- The designer’s background in video editing strongly influenced the conceptual framework of this project. Video editing is a practice of shaping emotional perception by controlling sequence, rhythm, and context.
Oruha Chair applies this editorial thinking to three-dimensional form.
Personal emotions and experiences were deconstructed and reassembled, not as narrative, but as physical tension, curvature, and spatial presence. The result is a chair that communicates emotionally through form rather than explanation. - ምንጪ ሓሳብ
- Oruha Chair was inspired by the concept of waves, representing continuous transitions between tension and release.
Rather than designing a chair solely from ergonomic data or predefined typologies, this project approaches seating as an emotional and spatial experience shaped by contrast.
The form was developed as a response to the designer’s belief that emotions, like waves, can be edited, reorganized, and translated into physical presence. These transitions were carved directly into solid wood as flowing yet controlled organic curves.
Although the chair presents an edgy, sculptural appearance, sitting in it reveals a smooth, enveloping comfort. This intentional reversal between visual tension and bodily softness defines the core experience of Oruha Chair. - ናይ ፕሮጀክት ግዜ
- The project began in Kanagawa in January 2025 and ended in October 2025.
- ናይ ስርሒት ፍሰት
- Despite its expressive form, Oruha Chair provides stable and comfortable seating suitable for extended use.
Structural stability and load distribution were carefully examined through repeated physical testing, ensuring that the sculptural design does not compromise safety or usability.
Unlike many sculptural chairs that discourage everyday use, Oruha Chair is intended to be touched, sat on, and lived with. - ናይ ስእሊ ክረዲት
- Photography: Photographer Mitsuaki Takahashi, 2025
Video credit: Video editor Yuya Nakazawa, 2025
Sound: Soundtrack Composer Heitaro Ashibe, 2025
ስፖንሰር ዝተገብረ
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ካብ ናይ ማስታወቂያ መሻርኽትና ፍርያት፣ ኣገልግሎታትን ዕድላትን ፍለጥ።
ተወሳኺ ንምርካብ
ተዛመድቲ ዲዛይናት
ካብ ተመሳሳሊ ምድብ ብብቕዓት ዝተመረጹ ተወሳኺ ሽልማት ዝተዓወቱ ዲዛይናት ድለዩ።
