Fabcraft Design Lab tarapyndan Yinyun Esasy Funksiýa: Keramiki Sungat Gurnamasy

Fabcraft Design Lab tarapyndan döredilen Yinyun Esasy Funksiýa: Keramiki Sungat Gurnamasy dizaýny 3D Çap Görnüşleri we Önümleri Dizaýny Bäsleşik Kategoriýasynda 2020 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

Bürünç3D Çap· 2020

Yinyun Esasy Funksiýa: Keramiki Sungat Gurnamasy

dizaýner: Fabcraft Design Lab

Müşderi: Fabcraft Design Lab

3D Çap Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

#101663 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Yinyun Esasy Funksiýa: Keramiki Sungat Gurnamasy hakynda

Kitap Teksti: Yinyun 85 sany täsin 3D çap edilen birlikden ybarat keramiki sungat gurnamasydyr. Generatiw dizaýn algoritmleri elektrik maglumatlaryny çykarmak we her bir birlikdäki maglumatlary görkezmek üçin ulanyldy, bu bolsa bilelikde gradiýent effektini döretdi. Birlikler, elektrik stansiýasyndan gaýtadan işlenen kömür külüniň we ak farforyň garyndysyny ulanyp, keramiki 3D çap ediş usuly bilen öndürildi. Çap ediş prosesi şeýle-de her bir bölekde jikme-jik ýüzey relýefini döredýär. Birlikleriň hiç biri beýlekisine meňzeş däldir. Gurnama Taýpeý, Taýwanda ýerleşýän sergi zalynda hemişelik ýerleşdirilendir.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Yinyun Esasy Funksiýa: Keramiki Sungat Gurnamasy A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Yinyun Esasy Funksiýa: Keramiki Sungat Gurnamasy uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Yinyun Esasy Funksiýa: Keramiki Sungat Gurnamasy zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Yinyun is an art installation composed of 85 unique 3D printed ceramic units. Through generative design algorithm, the electric information was extracted and visualized on every unit, together creating a gradient effect. Ceramic 3D printing, with a mixture of recycled material, was then used to fabricate these units, at the same time, creating detailed surface relief which was indicated by this technique. None of the units is the same as others.
Ölçegler we Gaplama: Dimension(ceramic parts): L: 910cm, W: 360cm, H: 230cm
Bellikler: ceramic, 3D printing, generative, parametric design, digital fabrication, sustainable, recycle, coah ash, art installation, craft
Önümçilik Tehnologiýasy: The project heavily relied on close cooperation among algorithm development, 3D printing, and material experiments. All designs were completed through several generative algorithms, including data processing, form generation, slicing, and Gcode output. Then our custom 3D printer with remote extrusion system was used to achieve such large sizes. The material was a mixture of white porcelain and coal ash recycled from power plant.
Dizaýn Kynçylygy: In order to achieve large-scale and stable printing, we developed our custom extrusion system and slicing program, testing it back and forth between digital and physical space, which took nearly half of the time for this project. The material factors were carefully taken into consideration, including ceramic ratio, viscosity, temperature, humidity, since a 3D printer can't be dynamically adjusted as human hands during production. The shrinkage after firing also increased the difficulty of assembly.
Gözleg: The goal of this project is to examine the relationship between traditional craft and modern techniques. As we developed a new shape language in digital space, it was completely originated from ceramic 3D printed texture. The traditional expertise in ceramics and modern digital fabrication skills were combined in real-world printing, together created pieces with rich craftsmanship, but can only be achieved by modern technique.
Ylham: The motivation of this project is to create an elegant art installation blending the science education atmosphere in this green energy exhibition hall. Inspired by the natural phenomenon of electromagnetic, which created non-uniformed field tensors in the space. To express this specific effect, an installation consisted of a large number of units were proposed, contrasting in form and pattern. This project also showcases Fabcraft design lab’s long-term interest in generative design and 3D printing technology.
Taslama Dowamlylygy: The project began at the end of 2018, and was completed in December 2019. Since then, it has been a permanent public art located in Taipower D/S ONE exhibition hall in Taipei, Taiwan.
Iş Akymy: The installation was designed to be viewed from different angles, at the same time, produce positive route guidance in the exhibition hall. A possible interaction can be created while visitors moving upstairs, changing from low angle to eye-level angle, they will observe an optical illusion caused by lights and textures. Moreover, the fluid surfaces are zoomed into a layered ceramic texture with rich 3D printing characteristics.
Topar Agzalary: Art Director: Kamm, Kai-Yu
Designer: Liu, Zhao-Wei
Mechanism Design: Chen, Po-Yen
Ceramic Craftsman: Lu, Tzu-Yi
Ceramic Assistant: Xie, Yun-Chen
Surat Awtorlary: Image #1: Fabcraft Design Lab
Image #2: Cogitoimage International Co., Ltd.
Image #3: Fabcraft Design Lab
Image #4: Fabcraft Design Lab
Image #5: Fabcraft Design Lab