Samantha Chijona Garcia and Vladimir Cuenca tarapyndan The Armor Esasy Wezipe: Teatr eşigi

Samantha Chijona Garcia and Vladimir Cuenca tarapyndan döredilen The Armor Esasy Wezipe: Teatr eşigi dizaýny Sahna Sungaty, Sahna, Stil we Dekorasiýa Dizaýny Bäsleşik Kategoriýasynda 2020 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşSahna Sungaty· 2020

The Armor Esasy Wezipe: Teatr eşigi

dizaýner: Samantha Chijona Garcia and Vladimir Cuenca

Müşderi: Jazz Martinez Gamboa

Sahna Sungaty Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

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Reňkler

Dizaýn

The Armor Esasy Wezipe: Teatr eşigi hakynda

Sowut, Şekspiriň pýesasynyň sahna goýlan görnüşinde Riçard III keşbi üçin döredilen teatr eşigidir. Eşik gaýtadan işlenen we ulanyşdan galan materiallardan ýasaldy. Metal setirler saržly kurtka tikildi, üstesine biri-biriniň üstünden gelýän deri getrler deri gaýyşlar we tokgalar bilen birleşdirilen aýratyn gurluşy emele getirýär. Zynjyrly halka biýläp tikilen ellik ýeňi ýapýar, metal zolaklar bilen örtülen gyňaç bolsa tuwulga hökmünde hyzmat edýär. Alty bölek pýesanyň dowamynda keşp üýtgän mahaly goşulyp ýa-da aýrylyp bilner. Dizaýn hem patyşany, hem-de onuň içindäki gowşak adamy şöhlelendirýär.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

The Armor Esasy Wezipe: Teatr eşigi A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. The Armor Esasy Wezipe: Teatr eşigi ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. The Armor Esasy Wezipe: Teatr eşigi köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: This armor, made with fully recycled materials, mixes metallic corset nerves referring to the classic western armor, topped by a butcher's chainmail glove that evokes the bloodthirsty of the character with leather leggings overlapping layers denoting the various faces assumed by the character during the plot. From a modernist vision in terms of fabric, overlapping and weaving of pieces the structure refers to the vulnerability of the King and the man who lives at the same time in Richard III.
Ölçegler we Gaplama: Armor- 45cmx30cmx55cm
Helmet- diameter:57cm High: 23cm
Bellikler: Costume design, Shakespeare, Richard III, Armor, theater, cuban designer, Samantha Chijona Design, schijonag.
Önümçilik Tehnologiýasy: The armor is compound by 6 pieces. 1: The metal structure, it is metal lines sewn on a twill weave jerkin jacket, 2: the leather armor, leather gaiters overlapping forms an independent structure that joins the rest of the set with leather straps closed by buckles, 3: The metal glove, a chainmail glove closes the cuff to give the sleeve a shot, 4: The helmet,
a velvet hat lined with metal strips works as an armor helmet 5: The pants, a black twill pants and finally 6: Black leather boots to the knees.
Dizaýn Kynçylygy: The development of the piece became a challenge, I wanted to do something great for the character but working in Cuba is always difficult due to the lack of resources, so while researching, I also located materials. Looking in an antique warehouse I found these old pieces of unused corsets bones and leather leggings and decided to use them. With only one month to prepare the entire theater play with more than 16 characters we were detained in this armor for a week, assembling, testing and sewing piece by piece in search of achieving an attractive but useful result.
Gözleg: My research flew over two essential aspects, the historical and the technical. After having studied for years Western and Japanese armors, the challenge of creating one was wonderful. I had to solve how I should use the historical engineering structures in those garments with the modern materials I had in hand. I read and compiled images and information, of the western armor, I appropriated the metal and the order of the parts while from the Japanese I took overlays of leather pieces sewn with cord. The result was a very visual and modern armor that keeps its basic function, protection.
Ylham: Having studied for years structures that we use when dressing and that have protected and distancing ourselves from the real world I choose one of my favorite, the armor. I took advantage of the study of Western and Japanese war pieces and modernized it with the use of materials and disused pieces. The text of Shakespeare's play emphasizes the two faces and the physical problem of the character I used it as inspiration to separate and show the two parts of Richard III.
Taslama Dowamlylygy: The project started in June 2018 in Havana, Cuba and ended in September 2018 in Havana, Cuba.
Iş Akymy: The piece is compound by 6 small parts, the main three, armor jacket, pant and boots are easy to put, also it has another leather structure which should be placed with buckles while the hat and the glove are closed by an elastic piece. the interaction between the actor and the piece is determined for the modular form of the main piece, the person can take off the leather part, the helmet, the glove and keep only the base jacket, pants and boots, in the same way he can add more pieces throught the evolution of the character inside the theater play.
Patentler: Copyrights belong to Chijona, Samantha, 2018
Topar Agzalary: Designer and Creative Director: Samantha Chijona
Designer: Vladimir Cuenca
Surat Awtorlary: Image 1,2,3,4,5: Samantha Chijona Photographer/ Samantha Chijona Designer /Richard III/ The Armor /Model: Maria Gabriela Sanchez, 2018