Ge Qiu tarapyndan Vanke Hakka Culture Exhibition Plaza Umumy Meýdança Landşaft Dizaýny

Ge Qiu tarapyndan döredilen Vanke Hakka Culture Exhibition Plaza Umumy Meýdança Landşaft Dizaýny dizaýny Medeni Miras we Medeniýet Senagaty Dizaýny Bäsleşik Kategoriýasynda 2021 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçMedeni Miras· 2021

Vanke Hakka Culture Exhibition Plaza Umumy Meýdança Landşaft Dizaýny

dizaýner: Ge Qiu

Müşderi: GND Design Limited

Medeni Miras Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

#106154 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Vanke Hakka Culture Exhibition Plaza Umumy Meýdança Landşaft Dizaýny hakynda

Vanke Hakka Medeniýet Sergi Meýdançasy Şençzhenendäki Hakka ata-baba jaýyny (ybadathanasyny) täjirçilik etraby bilen birleşdirýän landşaft täzeleniş taslamasydyr. Meýdança 5900 inedördül metr meýdany öz içine alýar. Lingnan medeni elementleri, ýagny fronton diwarlary, çelek arkalar, gök daş plitalar, gara kerpiçler, keramiki plitalar, üstýurdik diwarlar we oýma nagyşlar landşaft dizaýnynda täzeden özleşdirilýär. Fronton elementli landşaft diwarlary agşamlar ýumşak ýagtylyk saçýar. Dizaýn ata-baba jaýynyň taryhy keşbini gorap saklaýar we ýaşaýjylara dynç almak we boş wagtlaryny geçirmek üçin açyk meýdança hödürleýär.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Vanke Hakka Culture Exhibition Plaza Umumy Meýdança Landşaft Dizaýny A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Vanke Hakka Culture Exhibition Plaza Umumy Meýdança Landşaft Dizaýny uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Vanke Hakka Culture Exhibition Plaza Umumy Meýdança Landşaft Dizaýny zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: This case is a landscape renovation project that connects the Hakka Ancestral Hall with the commercial district. In the Lingnan area, people live in compact communities, and ancestral halls are the sustenance of family blood ties in villages. So over the years, there has developed a unique ancestral hall culture in the area. In the renovation process of the project, the ancestral hall is taken as an entity in the inheritance of the cultural and a realistic reflection of the historical features.
Ölçegler we Gaplama: 5900 Sqm
Bellikler: Culture, Heritage, Landscape, Renovation, Hakka
Önümçilik Tehnologiýasy: Modern technologies are applied to maximize the space experience. The gable element landscape walls have fused the rich charms of Lingnan architecture and modern technologies to present the spatial vision of different scenes as we move along, and give the space a unique rhythm. When the evening lights are lit, the landscape walls give out soft light, surrounding, rendering and overlapping with the star lights around.
Dizaýn Kynçylygy: In the renovation process of the Shenzhen Vanke Tianyu project, the ancestral hall is taken as an entity in the inheritance of the cultural memory and a realistic reflection of the historical features. It needed to be reasonably developed and updated to keep pace with the times, on the basis of preserving the basic historical appearances.
Gözleg: In the design of this project, the designer integrated the partition of Hakka Ancestral Hall and Commercial Plaza to resolve the conflict between tradition and modernity. The designer uses the city square as an outdoor promotion carrier for Hakka culture. The results are very encouraging. While enhancing the environment, it also serves as a city square for citizens to relax and play.
Ylham: The project starts with the Lingnan culture and architecture. Through extracting interesting space scenes in daily life and taking comfortable street scale as a design element, it ingeniously brings the elements of rural settlements, pastoral farms, folk custom culture, and architectural symbols into the public areas outside the ancestral hall to integrate the old and new sceneries.
Taslama Dowamlylygy: The project finished in December 2019 in Shenzhen.
Iş Akymy: The landscape spatial layout is exquisite, enriched from the inside to the outside. It makes clever use of the Lingnan characteristic cultural elements, such as the gable walls, bucket arches, blue flagstones, black bricks, tiles, oyster walls, farm tools, Lingnan carving patterns and glaze mosaics and, through design remodeling, melts them into the landscape design.
Topar Agzalary: Ge Qiu
Yongcheng Zhong
Bing Li
Surat Awtorlary: Image #1: Photographer Heli, Vanke · Hakka Culture Exhibition Plaza, 2019.
Image #2: Photographer Heli, Vanke · Hakka Culture Exhibition Plaza, 2019.
Image #3: Photographer Heli, Vanke · Hakka Culture Exhibition Plaza, 2019.
Image #4: Photographer Heli, Vanke · Hakka Culture Exhibition Plaza, 2019.
Image #5: Photographer Heli, Vanke · Hakka Culture Exhibition Plaza, 2019.