Xiang Li tarapyndan Fab Esasy Wezipesi: Kinoteatr Içki Dizaýny

Xiang Li tarapyndan döredilen Fab Esasy Wezipesi: Kinoteatr Içki Dizaýny dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2021 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşIçki Bezeg· 2021

Fab Esasy Wezipesi: Kinoteatr Içki Dizaýny

dizaýner: Xiang Li

Müşderi: X+Living

Içki Bezeg Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

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Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Fab Esasy Wezipesi: Kinoteatr Içki Dizaýny hakynda

Kitap Teksti: Fab – Hytaýyň Sian şäherinde ýerleşýän, 1150 inedördül metr meýdany öz içine alýan kinoteatr içki bezegidir. Dizaýn film düşürilýän sahnany baş zala geçirýär, şeýlelik bilen myhmanlar hem hakykatda tomaşaçy, hem-de göz öňüne getirilýän film önümçiliginiň gatnaşyjysyna öwrülýär. Ýörite ýasalan mebeller temany goldaýar, olaryň arasynda wanna görnüşli divan, režissýor stilindäki dynç alyş oturgyçlary we sahna gutusy görnüşinde ýasalan bilet kassasy bar. Dynç alyş bary hem-de penje maşyny ýaly güýmenje aýratynlyklary dört tomaşa zaly bilen utgaşdyrylýar. Akustika talaplary we oturgyçlaryň amatlylygy başdan-aýak göz öňünde tutuldy.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

Fab Esasy Wezipesi: Kinoteatr Içki Dizaýny A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Fab Esasy Wezipesi: Kinoteatr Içki Dizaýny ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Fab Esasy Wezipesi: Kinoteatr Içki Dizaýny köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The design of the theater is different from traditional theaters. The project is not only rendering the film sense with different forms, but also giving the audiences dual identities, both an audience in the reality and a participant of the movie-shooting in the imagination. They are connected and laid down to enter the film world step by step. And instead of waiting boringly, they will enter an active participation sparticipation state through the mobilization of the atmosphere.
Ölçegler we Gaplama: The floor area of this project is 1150 sqm.
Bellikler: Li Xiang, retail, cinema, interior design, xliving, China
Önümçilik Tehnologiýasy: Through some interesting customized furniture, we have taken the theme of the entire space to the extreme. Bathtub sofa, director's rest seat, as well as the ticket counter that imitates the set box, etc, all satisfy the function while cooperating with the creation of the theme, allowing consumers to experience the charm of the movie in an immersive atmosphere.
Dizaýn Kynçylygy: The biggest challenge is how to break the trditional pattern. It is easily to be misunderstood that the design ignores functions while completing the aesthetics, but in fact, all the specific requirements of the acoustics environment and the comfort of the audience are all under our consideration at the beginning. We believe that the cinema should undergo a transformation of spatial attributes. It should meet the increasingly vigorous social needs of young people. Simply relying on the sale of movie tickets cannot allow it to maximize the value of a commercial space. So we broke through this situation and completed this design.
Gözleg: Traditional theaters pay more attention on panoramic sound effects and the viewing experience on the screen while they lack creativity. The single business model of selling tickets and snacks, it weakens the experience and expectations that the venue can give the audienceThrough the design of this project, we have found a possibility that may be able to answer the problem of the future development of the theater.
Ylham: The inspiration for the project comes from the movie itself. We moved the shooting scene of film production to the main hall of the theater. We hope that the audience will be immediately impressed by the dramatic scene the moment they enter the theater. At the same time, through the integration of different entertainment facilities, the interaction between the audience and the cinema is not limited to watching the movie itself, which increases the possiblity of their consumption.
Taslama Dowamlylygy: The project finished in January 2020 in Xi'an, China.
Iş Akymy: According to the original plane, we can only build four relatively square video halls. Since this space pattern is difficult to provide rich viewing, instead of focusing on decoration, we integrated the space with other formats with similar entertainment attributes to build an avant-garde new cinema space. We moved the lounge bar into the theater space. It is not only an independently operable space, but also symbiotic and mutually beneficial with the cinema. The experiential claw machine and other entertainments also stimulates consumers to extend their stay in the theater, maximizes the value of the space.
Topar Agzalary: Lead Designer: Li Xiang
Project Director: Ren Lijiao
Project Director: Wu Feng
Surat Awtorlary: Image#1: Photographer Shao Feng, FAB Cinema, 2019.
Image#2: Photographer Shao Feng, FAB Cinema, 2019.
Image#3: Photographer Shao Feng, FAB Cinema, 2019.
Image#4: Photographer Shao Feng, FAB Cinema, 2019.
Image#5: Photographer Shao Feng, FAB Cinema, 2019.