Koji Aoki, Lin Su and Atsushi Fujita tarapyndan Fujifilm Clay Studio2 Ofis Interýer Dizaýny

Koji Aoki, Lin Su and Atsushi Fujita tarapyndan döredilen Fujifilm Clay Studio2 Ofis Interýer Dizaýny dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2022 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçIçki Bezeg· 2022

Fujifilm Clay Studio2 Ofis Interýer Dizaýny

dizaýner: Koji Aoki, Lin Su and Atsushi Fujita

Müşderi: Fujifilm Corporation

Içki Bezeg Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

10,594

Tassyklanan Baýrak Ýeňijisi

#131321 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Fujifilm Clay Studio2 Ofis Interýer Dizaýny hakynda

Clay Studio 2 - Tokioda önüm we wizual dizaýn işleri üçin niýetlenen ofis interýeridir. 300 inedördül metrlik giňişlik, esasan aragatnaşyga gönükdirilen ofislerden tapawutlylykda, üns jemlemek üçin asuda gurşaw hökmünde meýilleşdirilendir. Beton, boýag we agaç-sement tagtasy işlenmedik ýagdaýda galdyrylyp, otag diňe şöhle we sütünlerden ybarat bolup görünýär. Bagyň landşafty we tebigy görnüşler fon bolup hyzmat edip, giňişlige möwsümleýin üýtgeşiklikleri getirýär. Stollar daşyna garap ýerleşdirilen bolup, ýedi metrlik uzyn stol adamlaryň arasyndaky aralygy saklamak bilen birlikde gysga duşuşyklara mümkinçilik berýär.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Fujifilm Clay Studio2 Ofis Interýer Dizaýny A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Fujifilm Clay Studio2 Ofis Interýer Dizaýny uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Fujifilm Clay Studio2 Ofis Interýer Dizaýny zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
Ölçegler we Gaplama: The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
Bellikler: a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
Önümçilik Tehnologiýasy: concrete, painting, wood cement board
Dizaýn Kynçylygy: It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
Gözleg: This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
Ylham: The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
Taslama Dowamlylygy: Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo　
Iş Akymy: While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
Topar Agzalary: Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita