Erian Yen tarapyndan Raw Ýaşaýyş jaýynyň interýer dizaýny

Erian Yen tarapyndan döredilen Raw Ýaşaýyş jaýynyň interýer dizaýny dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2023 A' Design Award Demir Baýragy baýragynyň abraýly ýeňijisidir.

DemirIçki Bezeg· 2023

Raw Ýaşaýyş jaýynyň interýer dizaýny

dizaýner: Erian Yen

Müşderi: Triple men design studio

Içki Bezeg Kategoriýasynda A' Design Award Demir Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

#145040 üçin Baýrak Ýagdaýyny Barlaň

A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Raw Ýaşaýyş jaýynyň interýer dizaýny hakynda

Raw, Taýwandaky dört gatly jaýyň interýer dizaýnydyr. Dizaýn ýönekeý çyzyklar, açyk reňkler we minimal bezeg arkaly wabi-sabi pikirini durmuşa geçirýär. Egri diwarlary we potolagy tertipsiz dokumaly mineral boýag bilen örtülen bolsa, asyl reňkli agaç pol örtügi bulaşyk we tötänleýin görnüşde düşelendir. Açyk tekjeler we gizlin şkaflar fasadlaryň wizual möçberini azaldýar. Birinji gat oturylýan we naharhana meýdanyny öz içine alýar, ýokarky gatlar bolsa ýatylýan otaglary, ammar we iş otagyny öz içine alýar. Tebigy yşyk deň paýlanyp, zatlaryň arasynda asuda aralygy saklaýar.

Ykrar etme

A' Design Award Demir Baýragy hakynda

Raw Ýaşaýyş jaýynyň interýer dizaýny A' Design Award Demir Baýragynyň ýeňijisidir; bu gowy dizaýn edilen eserlerden garaşylýan hünär we senagat talaplaryny kanagatlandyrýan gowy dizaýnlara berilýän abraýly ykrarnamadyr. Demir ýeňijileri döredijileriniň uly başarnygyny, ýokary ugurlaşygyny, hünärmen düşünjesini we döredijilik ukybyny görkezýär. Raw Ýaşaýyş jaýynyň interýer dizaýny uly baha berilýän, haýran galynýan we söýülýän, amaly we täzelikçi eser bolmagy garaşylýar. A' Design Award Demir Baýragyny gazanan bu dizaýn pudagyň iň oňat tejribelerini birleşdirýär we bilim we zehin bilen baglanyşykly ukyply tehniki aýratynlyklara eýedir. Raw Ýaşaýyş jaýynyň interýer dizaýny jikme-jikligi üçin hormatlanylýar we dünýäni has gowy ýere öwürmäge kömek edýän ýaşaýyş hilini gowulandyrýan zatlary hödürlemek üçin dizaýn edilendir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The images of 'wabi-sabi' and 'raw' are fully expressed. The 'wabi-sabi' is embodied in the inlay of open bar shelving and hidden cabinets, which weaken the volume of the space. In this way, the blank space between objects creates a sense of solitude, revealing the concepts of minimalism, low profile, and plainness. The arc design with mineral paint at the turning point presents a natural visual, and the irregular texture of the mineral lacquer is a metaphor for the imperfect aesthetics of Japanese life. As for the ceiling, it is designed with a curved shape.
Ölçegler we Gaplama: The project is a four-story newly completed house. The first floor is the public area, including the garage, balcony, and 46 square meters of living and dining space. The second floor is the private area, which includes a toilet, terrace, bathroom, and 28 square meters of bedroom. The third floor contains the second bedroom and storage space. The fourth floor is a multi-functional space with a toilet, balcony, terrace, staircase, and a 21-square-meter study room.
Bellikler: Wabi-sabi, raw, arc elements, mineral paint, light color.
Önümçilik Tehnologiýasy: Building materials: mineral paint, original color wood floor, grille, mirror, iron parts, white honeycomb blinds, etc. The building materials used in a large area of the space are pure. Because of the minimalist design of the space, the design team took the textures of the materials and added delicate details at the same time. For example, the flooring is made of wood grain with 1/2 tile, staggered tile, and random tile, and the natural lines have an extended visual effect.
Dizaýn Kynçylygy: The challenge of this project is the constricted layout, which is a common problem in single-family houses in Taiwan. The rectangular shape of the space limits the route and the planning of the area, so the design team focused on maximizing the light in the light-facing area to allow natural light to fall evenly in the room and leave a wabi-sabi distance between objects. In the end, the design team used the texture of the building materials to present the design in a standardized pattern and used distance planning to mitigate the disadvantages of the site.
Gözleg: The design team used a single color to present the whole space and created details to make the space fit both the empty feeling of wabi-sabi and the pure sense of rawness. The project is presented with a minimum of decoration in terms of materials, layout, and design techniques. The natural texture of the mineral paint is like washed-out skin, and its natural pores are the most beautiful highlight through the reflection of light and material. On the other hand, the warm texture of the wood flooring adds vitality to the light-colored space. The facades are designed with hidden cabinets to eliminate the bulkiness of the volume.
Ylham: The design team used mineral paint and wood to bring the silent beauty of wabi-sabi into the space, while the arcs allow people to feel the beauty of nature and roundness together. The light color reflects the texture of the mineral paint, and the original wood color retains the purest appearance. The raw texture of the material brings a different look to the space. The design team eliminated the complicated design to present raw imagery and finally used simple lines and layouts to form a pure wabi-sabi impression.
Taslama Dowamlylygy: The project finished in August 2022 in Taiwan.
Iş Akymy: Compared with nothingness, wabi-sabi leaves the purest impression in space. The function is clear at a glance, the facade is not overly decorated, the cabinetry is not complicated, and there is a clear theme in each area. Everywhere one looks, there is a unique beauty, and one can enjoy the quiet beauty of the space away from the hustle and bustle.
Surat Awtorlary: Triple men design studio