Peng-Hsu Chen tarapyndan The Flow Jemgyýetçilik giňişligi interýer dizaýny

Peng-Hsu Chen tarapyndan döredilen The Flow Jemgyýetçilik giňişligi interýer dizaýny dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2023 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçIçki Bezeg· 2023

The Flow Jemgyýetçilik giňişligi interýer dizaýny

dizaýner: Peng-Hsu Chen

Müşderi: Aesthetic of Space Design Co., Ltd.

Içki Bezeg Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

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A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

The Flow Jemgyýetçilik giňişligi interýer dizaýny hakynda

“Flow” Taýwanyň Taýpeý şäherindäki ýaşaýyş jaýynyň umumy meýdanlary üçin niýetlenen jemgyýetçilik giňişligi interýer dizaýnydyr. Dizaýnyň temasy hökmünde wagt we hereket üçin metafora bolup hyzmat edýän suw alnyp ulanylýar. Egri, tolkun şekilli agaç gözenekli potolok esasy girelgeden kabul ediş stolyna çenli uzap, dowamly ýagdaýda dynç alyş zolagyndan, poçta otagyndan we ýerasty awtoulag duralgasyndan geçýär. Lift zalynyň diwarlaryndaky gofrirlenen poslamaýan polat panelleri tolkun yzlaryny ýatladýar. Şöhlelendiriji diwarlar we ak mermer effektli keramiki plitkalar giňişligi görnüşi taýdan giňeldýär. Agaç we poslamaýan polat materiallary bolsa, ikisiniň hem gaýtadan işlenip bilinýändigi sebäpli saýlanyp alyndy.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

The Flow Jemgyýetçilik giňişligi interýer dizaýny A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. The Flow Jemgyýetçilik giňişligi interýer dizaýny uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. The Flow Jemgyýetçilik giňişligi interýer dizaýny zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Wood grill ceiling with curved wavy three-dimensional shapes the water flow from the main entrance all the way to the reception desk and continuing through the lounge and mailroom, the ceiling of the underground parking area as well.
Bellikler: Peng-Hsu Chen, Aesthetic of Space Design Co., Ltd., The Flow, Concept of Public Space
Önümçilik Tehnologiýasy: Ripples-looked stainless corrugated panels on the side wall and ceiling of the elevator hall from the second floor and above are another way to portray moving water.
Dizaýn Kynçylygy: Due to the limitation of the building width, the designer utilized big panels of fire-rated glass windows and doors to elongate the space and allow people at reception to look over the driveway for security purposes as well.
Gözleg: Just like water is a recyclable resource, Wood and stainless steel are major materials to carry out the design concept which are also 100% recyclable. With environmental sustainability in mind, the designer chose light-colored walls to save energy consumption by requiring less interior lighting, and chose locally designed and produced tiles on all the floorings and walls to reduce the carbon footprint.
Ylham: The residential building located adjacent to the road was called Imperial Envoy Avenue where the US Ambassador's residence and American Embassy were located. The rhythm of t public facilities space design is based on the idea of water. As the metaphor of time and traffic creates the imagery of transparency and reflection of flow movement.
Taslama Dowamlylygy: The project is in Taipei City, Taiwan.
Iş Akymy: Having reflective finished walls in the social area visually widened the space. White marble effect ceramic wall tiles at the reception, basement transition zone, and elevator hall also give some sense of extension.
Topar Agzalary: Peng-Hsu Chen