The Design Code Co.,Ltd tarapyndan Zijin Art Museum Içerki dizaýn

The Design Code Co.,Ltd tarapyndan döredilen Zijin Art Museum Içerki dizaýn dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2023 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşIçki Bezeg· 2023

Zijin Art Museum Içerki dizaýn

dizaýner: The Design Code Co.,Ltd

Müşderi: The Design Code CO.,LTD

Içki Bezeg Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

14,557

Tassyklanan Baýrak Ýeňijisi

#148068 üçin Baýrak Ýagdaýyny Barlaň

A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Zijin Art Museum Içerki dizaýn hakynda

Zijin sungat muzeýi 1200 inedördül metr meýdany tutýan iki gatly sungat galereýasy we satuw merkezi üçin içerki dizaýndyr. Onuň temasy çäksiz dizaýn konsepsiýasyna esaslanýan Tertip we Sungatdyr. Birinji gatda öňki zal, kabul ediş stoly, model otagy we senetçilik sergisi ýerleşýär. Ikinji gatda brend wideo meýdançasy, çäge stoly meýdançasy, suw bary we gepleşik meýdançasy bar. Dik basgançak iki gaty birleşdirýär, halka görnüşli hereket ýollary bolsa giňişlikleri baglanyşdyrýar. Bütin giňişlikde agaç şponu, daş, ýörite boýag we metal utgaşdyrylyp ulanylýar.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

Zijin Art Museum Içerki dizaýn A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Zijin Art Museum Içerki dizaýn ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Zijin Art Museum Içerki dizaýn köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: This design themed in “Order · Art” infuses the design concept of “Unbounded Design”, highlights the quiet and calm exterior in the form of interspersing, stacking, turning, priority level, order and other modern architecture design techniques, and creates a spatial aesthetic art gallery with modern, narrative, guiding and local poetic features.
Ölçegler we Gaplama: The building covers an area of 1,200m2 and is composed of two floors, the first floor is front hall, reception desk, model room and craft show, and the second floor is brand video display area, sand table area, water bar area and negotiation area.
Bellikler: Art Gallery, Modern, Sample Rooms, Sales Center, Aesthetics, Architecture, Interior Design
Önümçilik Tehnologiýasy: The project is made of wood veneer, stone, special paint and metal and makes a breakthrough in regrouping and combining different materials.
Dizaýn Kynçylygy: In the prior-stage design consideration, how to plan a reasonable layout of three sample rooms and arrange the basic functions in line with the marketing needs on only 1,200 m2 construction site; the slope terrain limits cause poor lighting condition on the first floor, and the landscape on the interface of the building and parking lot is weakly functioning; in addition, the staggered form of building blocks results in cramped interior depth, which is believed to make the design work even more difficult. With the design logic and the moving line direction clarified, the first floor comes with the function of reception and sample room, while the water bar, negotiation and sand table and other crowded areas are disposed on the well-lit second floor, both are connected by annular moving lines, and the visual capacity is broadened in the limited area.
Gözleg: As part of the execution strategy of Zijin Art Gallery, the focus on details and daily use of functions is a sort of design attitude that caters to the vested needs and rational persistence. For space experimentation, we make a trade-off between people, architecture and the site area, and exploit appropriate aesthetic ideas to express and cross the venue limits, until the aesthetic characteristics suited to local conditions are shaped.
Ylham: We try to think about the essence of architecture directed at problem solving, and expect to unleash the most brilliant charm of the city in space. Visitor would be attracted by art and gradually become a part of the space, rather than as a distant onlooker.
Taslama Dowamlylygy: This project started the design stage in 2021 and was put into operation and open to the public in 2022.
Iş Akymy: With the design logic and the moving line direction clarified, the entrance space is designed with vertical staircase that makes two floors associated. The first floor comes with the function of reception and sample room, while the water bar, negotiation and sand table and other crowded areas are disposed on the well-lit second floor, both are connected by annular moving lines, and the visual capacity is broadened in the limited area. All features available on the second floor are independent but associated, the flowing plan layout integrates sight, light, shadow, breath, rhythm and atmosphere, which in turn shapes a poetic and "homogeneous" ordered aesthetic of the space.
Topar Agzalary: Xie Fang, Hu Anqi, Zhu Wenjun, Xia Jinbo, Pan Zaojin, Zhang Lingjie