Yen-Ting Cho tarapyndan 2023 Revive Collection Ýüň Şarf

Yen-Ting Cho tarapyndan döredilen 2023 Revive Collection Ýüň Şarf dizaýny Dokma, Mata, Tekstura, Nagyş we Eşik Dizaýny Bäsleşik Kategoriýasynda 2023 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşDokma· 2023

2023 Revive Collection Ýüň Şarf

dizaýner: Yen-Ting Cho

Müşderi: Yen Ting Cho Studio

Dokma Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

898,420

Tassyklanan Baýrak Ýeňijisi

#149665 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

2023 Revive Collection Ýüň Şarf hakynda

Şarflar ýygyndysy epidemiýa we global çaknyşyklar wagtynda geljege umytly seredýär. Nagyşlar öýjükli synaglar, mutasiýa, şöhlelenme, rekonstruksiýa bilen baglanyşykly hekaýa bilen öňki we soňky apokalipsisiň metaforiki ertekisini aýdýar. Üýtgeşik nagyşlar, sanly maglumatlary täzeden gurmak we diňe programmirlemek arkaly mümkin bolmadyk organiki jikme-jiklikleri açmak üçin beden hereketini ulanýan studiýanyň öz sanly programma üpjünçiligi bilen döredilýär. Asimmetrik däl we gaýtalanmaýar. El bilen taýýarlanan nagyşlar, dizaýnlaryň jikme-jikliklerini görkezýän tebigy mata sanly görnüşde çap edilýär.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

2023 Revive Collection Ýüň Şarf A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. 2023 Revive Collection Ýüň Şarf ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. 2023 Revive Collection Ýüň Şarf köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The scarf patterns are unique because they are created using our own digital software, mov.i.see, which uses body movement to reconstruct digital data and reveal organic details not possible solely by programming. It enables us to create asymmetrical, non-repeat patterns that are very different from those made using traditional methods such as mirroring or repetition. Finished by hand, the patterns are digitally printed onto natural fabric which reproduces the fine detail of the designs.
Ölçegler we Gaplama: Width 1000mm x Height 2000mm.
Bellikler: Digital design, digital print, wool, scarf, textile design, pattern, contemporary
Önümçilik Tehnologiýasy: The patterns are unique because they are created with our own software, which generates a design using body movement. The colours are then adapted by the designer. These digital and analogue methods produce asymmetrical and non-repeat patterns very different from those created using traditional methods such as mirroring or rotating. We have not seen similar patterns in the fashion accessories market. Most luxury scarf pattern designers use silk whereas we digitally print onto fine wool.
Dizaýn Kynçylygy: The challenge was to create patterns that confront the reality of disruption in the world but remain optimistic for the future. We used storytelling to engage with the present yet create a fantastical narrative in which we relocate to an imagined planet to experience the first light of a new dawn, bringing hope for humanity. Through iteration, patterns were modified as they were created rather than allow the software to dictate the design and to reveal the authorship of the designer.
Gözleg: We create unique patterns using a bespoke digital software programme which uses body movement to reconstruct digital data and reveal organic details not possible solely by programming. Inspired by the coronavirus pandemic and conflict, we aimed to create and apply new designs to a saleable commodity, pure wool scarves, that are vibrant and optimistic. Through trial and error, digital printing techniques reproduce the fine detail of the original designs yet retain the special colour combinations.
Ylham: This collection of eight scarf patterns was inspired by the circumstances of the coronavirus pandemic and global conflict. It looks optimistically to the future by telling a metaphorical tale of pre and post apocalypse with a story involving curious cellular experiments, mutation, reflection and, ultimately, reconstruction.
Taslama Dowamlylygy: The project started in January 2022 in London and Tainan City and finished in November 2022 in Tainan City, and was first exhibited at Shoppe Object in New York City in February 2023.
Iş Akymy: A pure wool scarf with a digitally-printed pattern which can be worn as a gender neutral fashion accessory. The unique patterns can be applied to playful, aesthetically pleasing and desirable products. The asymmetrical patterns and colour combinations mean that the scarves can be worn in different ways. The patterns are printed with ink free of heavy metals which penetrates the pure wool so that each pattern is two sided. The wool is specially treated so that it is comfortable and non-abrasive.