Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching tarapyndan Reborn Agaç Waza

Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching tarapyndan döredilen Reborn Agaç Waza dizaýny Şekillendiriş Sungaty we Sungat Gurnamalary Dizaýny Bäsleşik Kategoriýasynda 2023 A' Design Award Demir Baýragy baýragynyň abraýly ýeňijisidir.

DemirŞekillendiriş Sungaty· 2023

Reborn Agaç Waza

dizaýner: Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching

Müşderi: Tainan University of Technology/Product Design Deparment

Şekillendiriş Sungaty Kategoriýasynda A' Design Award Demir Baýragy Ýeňijisi

15,582

Tassyklanan Baýrak Ýeňijisi

#150604 üçin Baýrak Ýagdaýyny Barlaň

A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Reborn Agaç Waza hakynda

Organiki sferik agaç üstünde metal örtmek usullaryny ulanyp, mebel senagatyndan taşlanan we galan agaç üçin gymmatlyk döretmek. Ösýän tohumlaryň ýaşaýyş görnüşinden ylham alan bürünç sim, agaç dänesine salynýar we agaç wazany goldamak üçin ösen kökleriň görnüşi ýaly uzalýar. Bu nagyş, ömrüň siklini alamatlandyrýan gögerýän tohuma meňzeýän agaç galyndylary ekmek üçin gapda ýasalýar. Akýan metal kök görnüşi, hereket edýän organizmlere meňzeş janlylyk duýgusyny berýär.

Ykrar etme

A' Design Award Demir Baýragy hakynda

Reborn Agaç Waza A' Design Award Demir Baýragynyň ýeňijisidir; bu gowy dizaýn edilen eserlerden garaşylýan hünär we senagat talaplaryny kanagatlandyrýan gowy dizaýnlara berilýän abraýly ykrarnamadyr. Demir ýeňijileri döredijileriniň uly başarnygyny, ýokary ugurlaşygyny, hünärmen düşünjesini we döredijilik ukybyny görkezýär. Reborn Agaç Waza uly baha berilýän, haýran galynýan we söýülýän, amaly we täzelikçi eser bolmagy garaşylýar. A' Design Award Demir Baýragyny gazanan bu dizaýn pudagyň iň oňat tejribelerini birleşdirýär we bilim we zehin bilen baglanyşykly ukyply tehniki aýratynlyklara eýedir. Reborn Agaç Waza jikme-jikligi üçin hormatlanylýar we dünýäni has gowy ýere öwürmäge kömek edýän ýaşaýyş hilini gowulandyrýan zatlary hödürlemek üçin dizaýn edilendir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The pattern on this wooden vase artwork is inlaid on a three-dimensional spherical wood surface. Inspired by growing seeds, brass wire is embedded on the wood following the wood grain, with some extending out as the shape of seed roots to support the wooden vase. The pattern has functional uses as wood leftovers are made into a container for planting, resembling a sprouting seed, symbolizing the cycle of life. The flowing metal root shape gives a sense of vitality, resembling a moving organism.
Ölçegler we Gaplama: Material: teak wood, brass, glass.
Dimensions: Round seed: Length 15cm x Width 9cm x Height 14cm, Gourd-shaped seed: Length 20cm x Width 11cm x Height 17cm, Eggplant-shaped seed: Length 23cm x Width 8.5cm x Height 22.5m, Elliptical seed: Length 30cm x Width 9cm x Height 10cm.
Bellikler: Wooden, Vase, Metal, Inlaid Technique, Art Craft, Brass, Leftover
Önümçilik Tehnologiýasy: Material: teak, brass, glass.
Production technology: lathe turning out of the basic shape of wood, hand-polished wood appearance,hand-welded metal, inlaid metal, hand-dyed spray
painting.
Surface treatment: spray transparent protective paint after dyeing and then polish and trim the surface to smooth, this process is repeated 2-3 times after polishing the metal, and finally spray a laver of transparent protective paint to prevent brass oxidation.
Dizaýn Kynçylygy: To support the wood above, a thicker and harder brass wire was used for the extended structure. However, the ends of the wire tended to curl up when embedded on the curved surface. To enhance the metal's stability on the wood, eight types of glue were tested and the problem was resolved by referencing riveting techniques. When grinding the pointed end of the wire, it tended to become too thin and curl up, but after trying various methods, the issue was resolved.
Gözleg: Type of study: technology, art.
Goal: Apply planar tessellation techniques to surface tessellation.
Methods: Technical application analysis, process technology analysis, material analysis, practical operation experiment.
Data collection: self-observation experience, books, online work observation.
Research tools:
metalworking tools,
woodworking tools, all kinds of drills, all kinds of grinding tools.
Ylham: We discovered leftover wood from furniture making and decided to utilize our metalworking skills to combine it with metal through inlaying techniques. After observing that metal inlaying on wood is often flat and purely decorative, we aimed to create something different. We used our craft skill to create new value from the leftover material by combining the gentle nature and unique wood grain of the wood with the idea of the cycle of life, resulting in this artistic piece.
Taslama Dowamlylygy: The project began in June 2021 and was completed in Tainan, Taiwan in March 2022.
Iş Akymy: The holes on the flower vessel contain glass containers that can be filled with water to grow aquatic plants, resembling a germinating seed from a distance. Other items can be inserted into the container for decoration, or it can be used as a standalone art piece.
Topar Agzalary: Instructor: ChungSheng Chen
Designer：ChuJou Chen
Designer: YuHsuan Chen
Designer: FanXuan Yang
Designer: ChingChing Weng
Tainan University of Technology Product Design Dept
Surat Awtorlary: Image#1~#5: ChuJou Chen/ YuHsuan Chen/ FanXuan Yang/ ChingChing Weng