Mika Kanayama tarapyndan Oita Soho Häzirki Zaman Ýapon Restorani

Mika Kanayama tarapyndan döredilen Oita Soho Häzirki Zaman Ýapon Restorani dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2024 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşIçki Bezeg· 2024

Oita Soho Häzirki Zaman Ýapon Restorani

dizaýner: Mika Kanayama

Müşderi: Muzo

Içki Bezeg Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

24,153

Tassyklanan Baýrak Ýeňijisi

#151700 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Oita Soho Häzirki Zaman Ýapon Restorani hakynda

Oita Soho Ýapon täsirli inçe we rahatlykly giňişlik döretmek we Oita-nyň ilkinji restoranynda döredilen käbir şahsyýeti alyp gitmek üçin, hemme ýerde ösümlikler bilen resmi däl we ýaşyl görnüşde dizaýn edildi. Bu giňişlik estetiki we medeni elementleriň sintezi bolan tapawutly, ajaýyp tejribäni bermek üçin minimalistik häzirki zaman Ýapon dizaýnynyň adaty çemeleşmelerinden has köpüsini talap etdi. Iş Ýapon sungatynda, dizaýnynda we binagärliginde garaňkylygyň we kölgeleriň ulanylyşyny, manysyny we estetikasyny ara alyp maslahatlaşýan Tanizaki essesi "Kölgeleriň Öwgüsi" bilen ylhamlandyryldy.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

Oita Soho Häzirki Zaman Ýapon Restorani A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Oita Soho Häzirki Zaman Ýapon Restorani ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Oita Soho Häzirki Zaman Ýapon Restorani köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: It was designed to create a sophisticated, relaxing space with Japanese influences, and carrying some of the identity established in Oita's first restaurant, informal and verdant with plants throughout the space. The space required more than the conventional approaches of minimalistic modern Japanese design to deliver a distinct, remarkable experience that is a synthesis of aesthetic and cultural elements.

The space required more than the conventional approaches of minimalistic modern Japanese design, to deliver a distinct, remarkable experience that is a synthesis of aesthetic and cultural elements.Backlit paper parasols are placed overlapping in a flowing pattern that follows the stairs creating a feature wall to surprise and delight leading visitors to the upper level. The warm light of the parasols is accentuated in the dark. Lighting is careful and muted throughout relying on position and shades. Two mirrors placed parallel in opposite directions reflect the lights infinitely in their depths, adding to the glow and mystery of the space.
Ölçegler we Gaplama: The area of project is
Ground Floor - 67sqm
First Floor - 69sqm
Bellikler: Japanese restaurant design, muzo, Oita, interior design, restaurant design, Japanese design, chinatown
Önümçilik Tehnologiýasy: Grade II Listed Building
Material: Fire retardant timber & veneered oak MDF throughout.
Dizaýn Kynçylygy: As it was a Grade II listed building, the history of the premises was researched in depth prior to work. Great consideration was given at design stage and fit-out work was carried out carefully. Any finishes that needed repairing was matched to the original finish.
Gözleg: The space is abundant with plants and botanical imagery bringing a sense of exotic night garden or conservatory. Artworks by Imao Keinen featuring birds in seasonal settings with plants and flowers feature throughout, furthering the theme, Keinen’s masterful use of colours is utilised to play with the décor palette introducing flashes of bright colour that are echoed elsewhere, harmonising with the greenery and midnight shades to effect a unique, spectral contrast. The effect has almost the feeling of Japanese lacquerware artwork made real where living forms are presented luminously against the deep dark of lacquer surfaces.
Ylham: The work was inspired by the Tanizaki essay 'In Praise of Shadows' which discusses the use, meaning and aesthetics of darkness and shadows in Japanese art, design and architecture.
Taslama Dowamlylygy: The project was completed in January 2023 in London.
Iş Akymy: Backlit paper parasols are placed overlapping in a flowing pattern that follows the stairs creating a feature wall to surprise and delight leading visitors to the upper level. The warm light of the parasols is accentuated in the dark.
Lighting is careful and muted throughout relying on position and shades.
Two mirrors placed parallel in opposite directions reflect the lights infinitely in their depths, adding to the glow and mystery of the space.
Patentler: Copyrights belong to Muzo, 2023
Surat Awtorlary: Image #1: Photographer Sara Hibbert
Image #2: Photographer Sara Hibbert
Image #3: Photographer Sara Hibbert
Image #4: Photographer Sara Hibbert
Image #5: Photographer Sara Hibbert