Hatsuo Morimoto tarapyndan Lap and Wrap Öý

Hatsuo Morimoto tarapyndan döredilen Lap and Wrap Öý dizaýny Binagärlik, Bina we Desga Dizaýny Bäsleşik Kategoriýasynda 2024 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçBinagärlik· 2024

Lap and Wrap Öý

dizaýner: Hatsuo Morimoto

Müşderi: moKA architectural design office

Binagärlik Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

10,130

Tassyklanan Baýrak Ýeňijisi

#153842 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Lap and Wrap Öý hakynda

Lap and Wrap eňňitli şäher ýerinde gurlan bir gatly öýdür. Berkidiji diwar bilen binanyň binýady bir gurluşa birleşdirilendir, şonuň üçin ýeriň has uly bölegi howla gaýtarylyp berilýär. Binýat dikligine däl-de, gyşarylan görnüşdedir, bu bolsa betona aýdyň bir aňlatma berýär. Daşky diwar gatlak ýaly üst-üste düşüp, öýi yzygiderli zolak görnüşinde gurşap alýar. Ýoluň tarapyna hiç bir penjire seretmeýär. Bag tarapynda bolsa, köp sanly penjireler we giň öňürtiler içki we daşky giňişlikleri birleşdirýän aralyk zolagy emele getirýär.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Lap and Wrap Öý A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Lap and Wrap Öý uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Lap and Wrap Öý zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: In this plan, the retaining wall and the building foundation are rationally combined, and the surplus part is returned to the courtyard as much as possible. The foundation is not vertical but slanted to give it a shape and give it an expression. The outer wall overlaps like a stack and continuously wraps around in a belt shape. There are no windows on the outside, but on the garden side, many windows and eaves create an intermediate area, creating a space that integrates the inside and outside.
Ölçegler we Gaplama: Site area 401m2, floor area138m2, 1 stories, reinforced concrete and wood construction
Bellikler: Architecture, House, Woodesn, Courtyard, Single story house, Japanese
Önümçilik Tehnologiýasy: The outer wall material, which overlaps and wraps like a stratum, is made from recycled paper pulp and coffee grounds generated by Starbucks. The space that opens inside is completed on one floor, and the floor and beams under the eaves are continuously applied to connect with the garden, and the glass sunroom can be fully opened. You can feel each other's presence wherever you are, inside or outside. A living space that is not visible from the road provides comfort and privacy to the family.
Dizaýn Kynçylygy: Due to the undulating terrain of the project site, it belongs to a residential land development regulation area, and a cross-sectional earth retention plan was essential. The building was rationally designed by combining a retaining wall that holds back the soil cross-sectionally and also as a foundation.
Since the vertical retaining wall is civil engineering, I would like to claim that it was designed architecturally by taking a downward taper angle and giving expression to the concrete.
Gözleg: If the terrain is uneven, it can be built on a safe slope if there is enough space, but in urban areas, it is often built horizontally as wide as possible by installing a vertical retaining wall for civil engineering. In this project, the building was arranged rationally by using both the retaining wall and the foundation on the site with a difference in height. Then, the one-story space is reduced to a continuous courtyard, and is close to the client's life.
Ylham: With an emphasis on privacy, the building was arranged in a U-shape along the road so that it could not be seen from the road. In contrast to the gradual decline of the road, the specific gravity of the building is pushed up, and the outer wall unfolds in a belt-like shape, creating a horizontally elongated design. Contrary to the simple and powerful appearance, the living space that opens inside is completed on the first floor and integrated with the garden.
Taslama Dowamlylygy: This project started in Nagoya in October 2018, started construction in October 2021, and was completed in September 2022.
Iş Akymy: The planned site is an irregular site with a building coverage ratio of 50percent or less, and by arranging the buildings along the road without waste, the excess of half or more is returned to the courtyard. At the same time, the intersecting road facing the building has a height difference, and the performance of this building was demonstrated by combining the structural consideration of arranging the building along the road and the aesthetic façade design because it is connected to the road.
Surat Awtorlary: [#1:photographer Nobuki Taoka,Facade,2022]
[#2:photographer Nobuki Taoka,Entrance,2022]
[#3:photographer Nobuki Taoka,Courtyard,2022]
[#4:photographer Nobuki Taoka,Dining kitchen,2022]
[#5:photographer Nobuki Taoka,Sanitary,2022]