Midori Yamazaki tarapyndan Waiting for the Wave in Metaverse Sanly sungat eserleri

Midori Yamazaki tarapyndan döredilen Waiting for the Wave in Metaverse Sanly sungat eserleri dizaýny Sanly Sungat Bäsleşik Kategoriýasynda 2024 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçSanly Sungat· 2024

Waiting for the Wave in Metaverse Sanly sungat eserleri

dizaýner: Midori Yamazaki

Müşderi: Out of Blue

Sanly Sungat Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

#154231 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Waiting for the Wave in Metaverse Sanly sungat eserleri hakynda

Bu eser sörfing üçin kämil görnüşdäki tolkunyň pursatlaýyn şekiliniň wizualizasiýasydyr, ol estetiki taýdan ýakymly we şol bir wagtyň özünde tomaşaçylara ýakymly geň-taňlyk duýgusyny berýär. Ol sanly we fiziki arasynda döredijilik prosesi arkaly, EPFL bilen hyzmatdaşlykda hakykat we wirtual hakykatyň garyşdyrylmagy arkaly döredildi. Tebigat tejribesini döretmäge synanyşýar we has gowy geljeği döretmek üçin estetiki tejribeleri işjeň saýlap alýan ynsan aň-düşünje ukyplarnyň çeýe güýjüni tassyklaýar. Ynsan barlýagynyň duýgusy hakykatyň bulaşyklykda bolýan geljeginde-de hemişelik üýtgewsiz galar.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Waiting for the Wave in Metaverse Sanly sungat eserleri A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Waiting for the Wave in Metaverse Sanly sungat eserleri uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Waiting for the Wave in Metaverse Sanly sungat eserleri zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: This artwork is a visualisation of the momentary shape of a wave in perfect shape for surfing, which retains its aesthetics forever, through a creative process that mixes reality and virtual reality. It attempts to generate an experience in nature and reaffirms the supple strength of human cognitive abilities that select actively beautiful experiences to create a better future, and a sense of human existence that will remain unchanged forever, even in a future where reality is in chaos.
Ölçegler we Gaplama: Video: Width 1920px X Height 1080px Static image: Width 460mm X Height 305mm
Bellikler: wave, nature, science, visualization, digitalart, digitalfabrication
Önümçilik Tehnologiýasy: The artwork was created through a playful creative process, between digital and physical, 2D and 3D, mixing reality and virtual reality. The hand-drawn intuitive sketches of waves and the simulation of ‘good waves’ suitable for surfing using ocean physics were combined to create the shape using stone powder in collaboration with EPFL (Swiss Federal Institute of Technology in Lausanne). The three-views that merged the two methods were used to create the hand-formed shapes. Surprisingly the aesthetic curves from the skilled hand-drawn sketches were very close to the simulation. And the sculptures were 3D scanned, output onto transparent materials, and photographed in the actual sea to create the digital artwork.
Dizaýn Kynçylygy: The creative challenge in this research was to design an interaction that generates an awareness of what could reaffirm the supple strength of human cognitive abilities that actively select beautiful experiences to create a better future and a sense of human existence that will remain unchanged forever in the chaotic era. To this end, we attempted to create the artwork through a playful creative process between digital and physical, 2D and 3D, mixing reality and virtual reality.
Gözleg: The research question for this artwork is what design can help to make you connected to nature in order to live better in the chaotic era of reality and intended to express the momentary shape of a wave in perfect shape for surfing, which retains its aesthetics forever. It was created by mixing reality and virtual reality in collaboration with Swiss Federal Institute of Technology in Lausanne. It generates the experience in nature and reaffirms the supple strength of human cognitive abilities.
Ylham: Modern technology makes it easy to replicate visual representations that are indistinguishable from reality these days. The metaverse has become one of the spaces in which we humans exist, and the definition of existence is being distorted. However, we live in ever-changing times and continue to evolve, recognising and accepting flexibly the chaos of reality and the unreality that technology brings. The artwork attempts to express eternal existence with positive hope.
Taslama Dowamlylygy: This artwork was launched worldwide, in May 2023. It will be open to the public for a minimum of five years. (It will be extended wherever possible).
Iş Akymy: These are videos and static images as digital artworks.
Surat Awtorlary: Image #1: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #2: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #3: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #4: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #5: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.