Mayte Ossorio Domecq tarapyndan Organic Line Häzirki Zaman Zergärçilik Toplumy

Mayte Ossorio Domecq tarapyndan döredilen Organic Line Häzirki Zaman Zergärçilik Toplumy dizaýny Şaý-sep Dizaýny Bäsleşik Kategoriýasynda 2024 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşŞaý-sep· 2024

Organic Line Häzirki Zaman Zergärçilik Toplumy

dizaýner: Mayte Ossorio Domecq

Müşderi: Maison Domecq

Şaý-sep Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

88,698

Tassyklanan Baýrak Ýeňijisi

#155102 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Organic Line Häzirki Zaman Zergärçilik Toplumy hakynda

Organiki liniýa togalanan we ýagdaýa görä egrilän ýüzüň kömegi bilen büküşi döredýär. Önüm toplumyny kesgitleýän formal aýratynlyk, keseligine we dikligine ýarymdyr. Bu tekiz geometrik şekilleriň (gönüburçluklar we inedördüller) göni kesişmeleriň we bir nokadaky strategiki birikmeleriň kömegi bilen göwrümli şekillere (ýarymlara) öwrülmegini öz içine alýar. Ýarym esasan ritm we organiklik düşünjeleriniň manysyna goşant goşýar.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

Organic Line Häzirki Zaman Zergärçilik Toplumy A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Organic Line Häzirki Zaman Zergärçilik Toplumy ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Organic Line Häzirki Zaman Zergärçilik Toplumy köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The Organic line, 2018, works the fold by means of a rolled and, depending on the case, warped surface. The formal feature that articulates the product line is the cleft, both horizontally and vertically. Depending on the case, the crease contributes to the primary function of the product. However, the cleft contributes mainly to the meaning of the concepts of rhythm and organicity.
Ölçegler we Gaplama: Different types of leather are received with different thicknesses and thicknesses, a leather back is applied to minimize the differences.
Gluing, cutting and shaping by hand.
Earrings; Width 30mm Depth 30mm Height 130mm
Ring; Width 25mm Depth 8mm Height 85mm
Bracelet; Width 60mm Depth 20mm Height 200mm
Double glued leather, in different colors and textures, pastel, metallic and basic.
Packaging is custom cardboard with outer loop, brand label, card and heart.
Bellikler: from geometry to organicity, jewelry, sustainability, cleft, morphological search, organic shape,
Önümçilik Tehnologiýasy: Material: double glued cowhide leather. Manufacture: Manual. The guiding idea was based on the generation of volumes (3D pieces) obtained from planes (geometric surfaces). For this purpose, the internal, regular and transversal straight cuts were established, allowing flexibility. The joints had to be minimal, so they had to be joined at a single point. The bracelets by a single central point and the earrings rolled up on themselves diagonally. To fasten and unfasten for use, the bracelet and ring have metal cuff links, and the earrings have a stainless steel wire loop.
Dizaýn Kynçylygy: When the development of this project was proposed, we had already been working on the generation of volumes from surfaces, but we always found ourselves with solutions that took a long time to produce. It was then that the challenge was to achieve it with a single joint and still work as a product and fit the body. In all cases the response amazed us as they were assimilated and valued by our users immediately.
Figure rolled / warped surface. Slit elements. Full metallic colors.
Gözleg: Research type direct experimentation on the material.
The Objective: To transform a flat surface into a three-dimensional object through cuts. Until finding the way, months of tests with different types of cuts and joints to obtain the final shape.
These proposals have been used as an example of design for the formulation of graduate theses, has obtained the Seal of Good Argentine Design and is sold among others in the MALBA and Mudam and MUMeDi museum stores.
Ylham: "Geometry is to nature what grammar is to the art of writing"
Transformation of flat geometric shapes (rectangles and squares) into volumetric shapes (clefts) through straight cross sections and strategic joints at one point. This, together with the brand's own values of material recovery, seek to extend the perception of the objects as unique and durable pieces.
Taslama Dowamlylygy: The project started in October 2017 and finished in January 2018 in Buenos Aires, Argentina.
Iş Akymy: They are designed to be comfortable to wear, so that the wearer can put them on without help. They are designed for daily use and with the appropriate weights so as not to cause damage to the user.
In the case of the bracelet and the ring, they have metal cufflinks that serve to fasten and unfasten for use.
In the case of the ring, it is adjustable.
The bracelet has a single position, but you can customize its anchorage, as well as the earrings, which can be shortened.
In the case of the earrings, a stainless steel wire is used to generate the curl that will be introduced into the earlobe.
Patentler: Seal of Good Argentine Design 2018
Earrings N# 2463
Bracelet N# 2465
Topar Agzalary: Mayte Ossorio Domecq
Surat Awtorlary: Image #No 1: Photographer Diego Ferreiro Model Ernestina Bauer
Image #No 2: Photographer Edgardo Delfino Model Nadia Cardenas
Image #No 3: Photographer Edgardo Delfino
Image #No 4: Photographer Edgardo Delfino
Image #No 5: Photographer Edgardo Delfino Model Nadia Cardenas