Wei Ting Mou and Ze Li Peng - Puyu Design tarapyndan Light Field Ofis Interýer Dizaýny

Wei Ting Mou and Ze Li Peng - Puyu Design tarapyndan döredilen Light Field Ofis Interýer Dizaýny dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2025 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçIçki Bezeg· 2025

Light Field Ofis Interýer Dizaýny

dizaýner: Wei Ting Mou and Ze Li Peng - Puyu Design

Müşderi: PUYU Interior Design

Içki Bezeg Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

#168886 üçin Baýrak Ýagdaýyny Barlaň

A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Light Field Ofis Interýer Dizaýny hakynda

Light Field – Taýwanda, öň galaý listleri zawody bolan ýerde ýerleşýän ofis interýeridir. Meýdany takmynan 132,2 inedördül metr bolan bu giňişlik, hem iş ýeri, hem-de eýesiniň uly agaç mebel toplumynyň sergi zaly hökmünde hyzmat edýär. Kabul ediş zolagyny goýy gök L şekilli bar we sary oturgyçlar aýratynlaşdyrýar. Titan bilen örtülen metal şkaflar ofis we maslahat zolaklaryny bölýär, şol bir wagtyň özünde meýilnamanyň açyklygyny saklaýar. Öz-özi deňleşýän sement palçyk pol örtügi we uly penjireler giňişligiň yzygiderliligini we tebigy yşyklandyrylyşyny goldaýar. Egri arkalar zolaklaryň arasyndaky hereketi ugrukdyrýar.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Light Field Ofis Interýer Dizaýny A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Light Field Ofis Interýer Dizaýny uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Light Field Ofis Interýer Dizaýny zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: To break the rigidity of conventional office layouts, the designers adopted a 'deconstructed circulation' approach, using non-linear visual axes for a dynamic spatial experience. The reception area features a bold blue L-shaped bar as the focal point, complemented by yellow seating, balancing vitality and rationality. Titanium-plated metal cabinets subtly divide office and discussion zones, maintaining openness while ensuring privacy. Large wooden furniture pieces from the owner's collection were placed to highlight their natural textures.
Ölçegler we Gaplama: The space spans approximately 132.2 square meters and initially had no clear layout plan. The designers employed a 'layered' approach to organize the flow, enabling visitors to transition gradually from the open entry area to the semi-private office, and further into the exclusive collection display area. Curved archways serve as transitional mediums, showcasing smooth lines that guide visitors seamlessly through the space. This unobstructed visual guidance also enhances the overall narrative of the space.
Bellikler: Modern Design, Color Flash Design, Artwork, Crude Wood Furniture, Curved Elements, Bright Lighting.
Önümçilik Tehnologiýasy: The project skillfully balances contrast and harmony through diverse materials. Self-leveling cement mortar flooring enhances tactile delicacy and spatial continuity, while large glass windows maximize natural light, reducing the need for artificial illumination. Dark wooden desks complement wall art, establishing a stable, layered ambiance. The color strategy follows a 'warm-cool balance' principle, where the deep blue reception bar contrasts with the natural wood-toned office area, with gray-white flooring as a neutral bridge, creating a modern yet inviting atmosphere.
Dizaýn Kynçylygy: Integrating the owner's collection of large wooden furniture with modern design posed a challenge. The designers used materials like titanium-coated metal partitions and wooden tables to harmonize the old and new. Since the furniture varied in height and form, custom curved steps were created in the discussion area to adjust the furniture to ergonomic standards. Strategic lighting was used to highlight these steps, enhancing spatial dynamics and reinforcing the interaction between the host and visitors, ensuring comfort and functionality.
Gözleg: Interior design goes beyond functionality, engaging users through aesthetic narratives that reveal the space's fluidity under different lights and angles. Situated amidst open fields with a city view, the site presents an intriguing contrast. The designers embraced this by blending modern design with wooden furniture, embodying the theme of 'admiring art amidst scenic fields' the project's name, Light Field, Art View. Curved archways and a layered color scheme enhance depth, while a thoughtful lighting plan adds warmth and drama.
Ylham: Located amidst open fields, the site was once a tin sheet factory and has been carefully transformed into a workspace that balances functionality with artistic refinement. The owner, passionate about wooden artworks and contemporary design, envisioned the office as both a workspace and a gallery for their collection. The designers embraced an 'object-driven space' concept, using wood's texture, color, and form to unify the design. This approach blends traditional craftsmanship with modern architectural aesthetics, creating a space that embodies both creativity and practicality.
Taslama Dowamlylygy: The project finished in November 2024 in Taiwan.
Iş Akymy: The owner highly praised the outcome, recognizing that the project successfully avoided the rigidity typical of conventional offices and created a work atmosphere that is both functional and sensuous through the layering of visual and tactile elements. Furthermore, the design also took into consideration the need for multifunctional use, including areas for immediate staff interaction, private meetings, and a relaxation zone, shaping an office that adapts to various scenarios.
Topar Agzalary: Wei-Ting Mou, Ze-Li Peng
Surat Awtorlary: PUYU Interior Design