Amin Mohammadyari tarapyndan döredilen Akhalteke Birinji Wezipe: Dynç alyş kreslosy dizaýny Mebel Dizaýny Bäsleşik Kategoriýasynda 2025 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.
BürünçMebel· 2025
Akhalteke Birinji Wezipe: Dynç alyş kreslosy
dizaýner: Amin Mohammadyari
Mebel Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi
Tassyklanan Baýrak Ýeňijisi
#170027 üçin Baýrak Ýagdaýyny BarlaňDizaýn
Akhalteke Birinji Wezipe: Dynç alyş kreslosy hakynda
Kitap Teksti: Akhalteke özboluşly oturmak tejribesini hödürläp, ilkinji gezek ata münmek duýgusyny döredýär. Dizaýneriň çagalykdaky ata münmek tejribelerinden we atyň anatomiýasyna bolan gyzyklanmasyndan ylham alyp, bu dizaýn ulanyjy bilen onuň tejribesiniň arasynda iki taraplaýyn özara gatnaşygy ýola goýýar. Adamzadyň iň gadymy oturgyç görnüşleriniň biri bolan eýerden ylham alyp, Akhalteke dynç alyş kreslosynyň rahatlygyny ata münmegiň mazmuny bilen birleşdirýär. Ady türkmen atlarynyň bir tohumy bolan Akhaltekeden gelip çykyp, dizaýnyň ylhamyny we dinamiki görnüşini şöhlelendirýär.
Ykrar etme
A' Design Award Bürünç Baýragy hakynda
Akhalteke Birinji Wezipe: Dynç alyş kreslosy A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Akhalteke Birinji Wezipe: Dynç alyş kreslosy uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Akhalteke Birinji Wezipe: Dynç alyş kreslosy zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.
Dizaýnyň sahna arkasy
Metbugat toplumy
Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.
- Üýtgeşik Aýratynlyklar
- In the design of Akhal-Teke, my goal was to create a unique sitting experience, one that evokes the feeling we all had the first time we rode a horse. Akhal-Teke establishes a two-way interaction with the user and their experience, offering a distinctive way of sitting that the user willingly embraces.
This eagerness to experience and accept is inspired by the Form of Akhal-Teke. - Ölçegler we Gaplama
- Width 770mm x Depth 855mm x Height 720mm.
- Bellikler
- Conceptual, Lounge Chair, Lounge, Chair, Horse, Saddle
- Önümçilik Tehnologiýasy
- For the construction of Akhal-Teke, bio-composites made from hemp or flax fibers and PLA bio-resin were considered. This combination enabled the creation of a high-quality final form with desirable finishes while offering a sustainable alternative to traditional composites like fiberglass and carbon fiber.
At the same time, these materials not only promote environmental responsibility but also reinforce a natural connection to their inspiration. - Dizaýn Kynçylygy
- The primary challenge in the design process was to create a two-way experience in the act of sitting, such that the object (seat) and the subject (user) engage in a dialectical interaction with one another, transforming sitting from a passive state into an active one and allowing for a fresh understanding of the sitting experience.
The next significant challenge was to achieve a form that simultaneously incorporates both aesthetics and functionality. The design was not intended to directly reference the anatomy of a horse. Rather, the goal was to establish a subtle connection to the experience of sitting, enabling users to intuitively connect with it without relying on direct or obvious visual cues. - Gözleg
- The horse, one of the first domesticated animals by humans, has a deep-rooted history with mankind. Our ancestors spent a significant amount of time riding, and thus, the way of sitting on a horse became one of the most common sitting postures. In the design of Akhal-Teke, the aim is to revive this sitting posture and bring it into everyday human life; a way of sitting that is likely embedded in our historical memory and DNA.
On the other hand, in considering materials for Akhal-Teke, thorough research was conducted to ensure that sustainable and environmentally friendly options were taken into account. In this regard, the material identity chosen for Akhal-Teke is aligned with the core identity of its design. - Ylham
- The design is inspired by my childhood experiences of horseback riding and my fascination with equine anatomy.
As a design student, I was drawn to the idea that saddles represent some of humanity's earliest forms of seating, dating back to the domestication of horses.
Through this design, I sought to capture the feel of both a lounge chair and the riding experience, creating a form that evokes those dual inspirations.
The name Akhal-Teke is derived from a breed of Turkmen horses. - Taslama Dowamlylygy
- the project started in September 2023 in Tehran and finished in September 2024.
- Iş Akymy
- The Akhal-Teke is inspired by the elegance of the anatomy of the Akhal-Teke breed of Turkmen horses, striving to go beyond its purely functional concept and becoming an object with identity in space, much like a noble horse.
As a chair, Akhal-Teke offers a unique sitting experience, evoking the feeling of riding a horse for the first time. Its form creates a two-way interaction with the user, encouraging a distinctive way of sitting that is eagerly embraced.
This eagerness stems from the form of the Akhal-Teke.
Hemaýatçy
Designers.org-dan Daşary Öwreniň
Mahabat hyzmatdaşlarymyzdan önümleri, hyzmatlary we mümkinçilikleri tapyň.
Has köp öwreniň
Degişli dizaýnlar
Şol bir kategoriýadan mynasyplyk boýunça saýlanan beýleki baýrakly dizaýnlary öwreniň.
