Marius Mateika tarapyndan Clay Moulded Teatr Interýer Dizaýny

Marius Mateika tarapyndan döredilen Clay Moulded Teatr Interýer Dizaýny dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2025 A' Design Award Altyn Baýragy baýragynyň abraýly ýeňijisidir.

AltynIçki Bezeg· 2025

Clay Moulded Teatr Interýer Dizaýny

dizaýner: Marius Mateika

Müşderi: Mama architects

Içki Bezeg Kategoriýasynda A' Design Award Altyn Baýragy Ýeňijisi

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Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Clay Moulded Teatr Interýer Dizaýny hakynda

Clay Moulded — Litwanyň Klaipeda şäherindäki sazly teatryň interýer dizaýnydyr. Diwarlar we potoloklar toýun bilen örtülendir we 30 tonnadan gowrak material el bilen ýerleşdirildi. Esasy zalyň nagşy üznüksiz bolup, giňişligiň bir ujundan beýleki ujuna çenli dowam edýär. Taslama üçin ýedi basgançakly örtük prosesi işlenip düzüldi, oňa sepmek, nagyş çekmek, guratmak, süpürip arassalamak, syrçalamak we gorap saklamak degişlidir. Sesiň şöhlelenmesini dolandyrmak üçin diwarlar we potoloklar açylyp-ýapylyp bilýär, şeýlelikde giňişlik konsertlere, sahna oýunlaryna we duşuşyklara uýgunlaşýar. Tomaşa zaly 700 adamlykdyr.

Ykrar etme

A' Design Award Altyn Baýragy hakynda

Clay Moulded Teatr Interýer Dizaýny A' Design Award Altyn Baýragynyň ýeňijisidir; bu birinji derejeli, ajaýyp we tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Altyn ýeňijileri dizaýnerleriniň alymlygyny, paýhasyny we ussatlygyny görkezýän aşa täzelikçi, uzakgörüjilikli we göz gamaşdyryjy eserlerdir. Clay Moulded Teatr Interýer Dizaýny deňi-taýy ýok gymmat berýän, köp öwülýän, ugur kesgitleýän we ýadygärlik ýaly oýlap tapyş bolmagy garaşylýar. A' Design Award Altyn Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine uly peýda berýän we ony öňe sürýän ajaýyp, hormatly taslamadyr. Clay Moulded Teatr Interýer Dizaýny güýçli isleg duýgularyny döredýär, höwesi oýarýar, döredijiligi höweslendirýär we bizi haýran edýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
Ölçegler we Gaplama: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
Bellikler: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
Önümçilik Tehnologiýasy: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
Dizaýn Kynçylygy: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
Gözleg: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
Ylham: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
Taslama Dowamlylygy: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
Iş Akymy: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
Topar Agzalary: Architects: Marius Mateika
Surat Awtorlary: Photographer: Leonas Garbačauskas