Jie Dong tarapyndan Butterflies Lingering Over Flowers Ýüzük

Jie Dong tarapyndan döredilen Butterflies Lingering Over Flowers Ýüzük dizaýny Şaý-sep Dizaýny Bäsleşik Kategoriýasynda 2026 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçŞaý-sep· 2026

Butterflies Lingering Over Flowers Ýüzük

dizaýner: Jie Dong

Müşderi: Shenzhen Mulan Jewelry Co., Ltd.

Şaý-sep Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

#174658 üçin Baýrak Ýagdaýyny Barlaň

A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Butterflies Lingering Over Flowers Ýüzük hakynda

Güllere Gonýan Kebelekler — kebelegiň gül gatlaklarynyň arasynda uçup ýörşüni beýan edýän nusgawy hytaý poeziýasynyň bir setirinden ylham alnan ýüzükdir. Merkezi daşy Mýanmadan getirilen, ýylylyk bilen işlenmedik çig kepderi gany ýakudydyr (rubin), onuň tebigy içki aýratynlyklary we seýrek reňki saklanyp galypdyr. Açyk nagyşly (ažur) ussatlyk gatlak-gatlak gül ýapraklaryny ýatladýar, mikro oturdylan göwherler bolsa ýüzügiň halkasyna ýalpyldy goşýar. Asimmetrik halka kebelegiň ganatlarynyň egrilerine meňzeýär we islendik ele amatly gelýär. 18 karat altyndan ýasalan göwrümi çylşyrymly açyk nagyşlary saklaýar we poslama garşy durnuklydyr.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Butterflies Lingering Over Flowers Ýüzük A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Butterflies Lingering Over Flowers Ýüzük uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Butterflies Lingering Over Flowers Ýüzük zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Using the core technique of frozen motion, the ring transforms the poetic scene from a line in Reflections on Qujiang Lake II by the renowned Tang Dynasty poet Du Fu, through layers of flowers, the butterfly glides, into a wearable work of art. By deconstructing the moment when the butterflies gently brush flower petals, the designer abstracts a threefold metaphor for love, pursuit, intimacy, and immersion, forming a narrative that blends Eastern aesthetics with modern jewelry design.
Ölçegler we Gaplama: 33mm*23mm*33mm
Bellikler: Jewelry Design, Images from Classical Chinese Poetry, Frozen Motion Technique, Micro Set Diamonds and Openwork Craftsmanship, Unheated Burmese Pigeon Blood Ruby, Asymmetric Ring Band
Önümçilik Tehnologiýasy: The center stone is an unheated raw pigeon blood ruby from Myanmar, whose natural inclusions and rare hue are preserved, celebrating the unfiltered beauty that mirrors the purity of true love. Through openwork craftsmanship and the mix of micro set diamonds of D E color grade and IF clarity, it enhances brilliance and clarity, creating a visual effect of diamonds shimmering like morning dew. Crafted from 18K gold, it supports complex openwork and resists corrosion, ensuring lasting brilliance.
Dizaýn Kynçylygy: The challenge is to freeze the poetic moment of butterflies gently brushing the flower into the static form. The ring setting constructs a layered spatial imagery where butterflies circle the flower and petals mirror its fluttering form with openwork craftsmanship and micro set diamonds. Diamonds shimmer like morning dew along the band, their cool brilliance forming a contrast to the pigeon blood ruby. With the flow of light, it brings to life the vitality of butterflies gliding through flowers.
Gözleg: In the fast paced modern world, consumer demand for jewelry has shifted from pure ornamentation to emotional resonance and cultural identity. This design responds to two major trends. Drawing inspiration from Tang poetry, it fills the gap in the highend jewelry market for jewelry with a cultural narrative. It also embraces natural materials and recyclable craftsmanship to meet the growing desire for sustainable consumption of the new generation.
Ylham: It draws on a vivid scene written by Du Fu, through layers of flowers, the butterfly glides. The designer uses jewelry to transform the artistic void into a 3D spatial language. By capturing the interaction between the butterfly and the flower, it shows the metaphor of love, pursuit, intimacy, and immersion. The curvy ring band imitates the fluttering butterflies and the openwork craftsmanship evokes the layered petals. The unheated raw Burmese pigeon blood ruby mirrors the purity of true love.
Taslama Dowamlylygy: Designed and developed in Beijing in November 2024, the project was launched in China in January 2025.
Iş Akymy: Transcending the static nature of traditional jewelry, the ring invites emotional interaction with its dynamic form and wearing method. The asymmetric ring band imitates the natural arcs of butterfly wings and flower petals. Its gradient curve ensures a comfortable fit on both hands, achieving a balance between artistic tension and ergonomic ease. The openwork edges are smoothly finished and crafted to prevent snagging, showing the modern jewelry design philosophy of form following function.
Topar Agzalary: Jie Dong