João Demele tarapyndan döredilen Soli Oturgyç dizaýny Mebel Dizaýny Bäsleşik Kategoriýasynda 2026 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.
BürünçMebel· 2026
Soli Oturgyç
dizaýner: João Demele
Müşderi: Morada Decor
Mebel Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi
Tassyklanan Baýrak Ýeňijisi
#176791 üçin Baýrak Ýagdaýyny BarlaňDizaýn
Soli Oturgyç hakynda
Soli gündelik oturmak üçin niýetlenen oturgyçdyr. Dizaýn ergonomikany, wizual ýeňilligi we gurluş takyklygyny deňagramlaşdyrýar. Gaty agaç gurluşy jogapkärli çeşmelerden alnan, gaýtadan tokaýlaşdyrylan Jequitiba agajyndan ýasalyp, aýaklaryň, oturgyjyň we arkalygyň arasynda ýumşak we üznüksiz geçişler bar. Egri arkalyk deri bilen örtülen bolup, hiç hili sazlaýyş mehanizmi bolmazdan beden duruşuny ugrukdyrýar. Anatomik egriler we ýokary öndürijilikli köpük rahatlygy üpjün edýär. Senagat taýdan işlenilmegi takyklygy kepillendirýär, gözegçilikli el bilen timarlamak bolsa materialyň bütewiligini we çydamlylygyny gorap saklaýar.
Ykrar etme
A' Design Award Bürünç Baýragy hakynda
Soli Oturgyç A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Soli Oturgyç uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Soli Oturgyç zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.
Dizaýnyň sahna arkasy
Metbugat toplumy
Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.
- Üýtgeşik Aýratynlyklar
- The chair explores the balance between ergonomics visual lightness and structural precision resulting in a contemporary piece with sculptural presence. Its solid wood structure features smooth and continuous transitions between legs seat and backrest highlighting craftsmanship and technical mastery. The curved leather upholstered backrest gently supports the body while precise stitching and hand finishing reinforce material integrity and the uniqueness of each piece.
- Ölçegler we Gaplama
- Width: 560 mm x Depth: 600 mm x Height: 840 mm. Height Seat: 460 mm.
- Bellikler
- Wooden chair, Sustainable design, Ergonomic chair, Contemporary furniture, Organic curves, Eco-friendly materials, Brazilian Furniture, Brazilian Culture.
- Önümçilik Tehnologiýasy
- The chair production is guided by sustainability and industrial efficiency. It uses responsibly sourced reforested Jequitiba wood and components designed to reduce waste throughout manufacturing. The seat incorporates curves that adapt to human anatomy combined with high performance foam for comfort and support. Industrial machining ensures precision and repeatability while controlled manual finishing preserves material integrity and durability.
- Dizaýn Kynçylygy
- The main challenge was balancing ergonomics and form. Developing a continuous curved backrest capable of adapting to different bodies required extensive research, testing, and fine adjustments. Manufacturing the wooden structure demanded high technical precision to achieve organic forms and smooth transitions without compromising structural strength. Integrating wood and leather also required careful detailing to ensure durability, comfort, and consistent aesthetic quality in potential scaled production.
- Gözleg
- This design project was developed through research into sustainable materials applied to contemporary furniture, combined with an understanding of function as an adaptive element responsive to different bodies and contexts. The design process integrated hand sketching, 3D modeling, and full-scale prototyping to refine form, structure, and ergonomics, particularly the backrest curvature. The combination of wood and leather references Brazilian modern furniture, positioning craftsmanship as the conceptual core of the object.
- Ylham
- The Soli chair inspire by a synthesis of form, identity, and materiality. Its design is structured as a continuous gesture, in which seat and backrest are unified through a single curve. Each curvature is carefully dimensioned to accommodate diverse body types, reflecting the plurality of Brazilian culture. Inspired by traditional wooden furniture and natural elements such as branches and animal horns, the combination of wood and leather emphasizes material honesty, lightness, stability, and tactile comfort, enhancing the users sensorial experience.
- Taslama Dowamlylygy
- The Soli chair was developed through close collaboration between designer and manufacturer with the objective of creating a chair that intuitively adapts to the human body. Completed in 2025 the project followed a rigorous development process with multiple prototypes ergonomic adjustments and formal refinements. The result is a contemporary chair that balances comfort aesthetic identity and production feasibility reflecting research collaboration and care in its creation.
- Iş Akymy
- The chair works as a single, continuous gesture. The seat supports the body, while the curved backrest approaches like an embrace, intuitively guiding posture. There are no adjustments or mechanisms: comfort comes directly from the form itself, which naturally adapts to different body types. The wooden structure sustains this movement with lightness and stability, transforming the act of sitting into a natural, welcoming, and efficient everyday experience.
- Patentler
- Unspecified
- Topar Agzalary
- João Demele – Designer
Juliano Schmidt and Rafael Schmidt – Project approval
Juliano Schmidt and Luiz Eduardo Bossardi – Execution and prototyping - Surat Awtorlary
- Images developed by designer João Demele.
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