Wu Pei-Hsuan and Hsieh Tsung-Hsuan tarapyndan Vessel of Time Ýaşaýyş Jaýynyň Içki Dizaýny

Wu Pei-Hsuan and Hsieh Tsung-Hsuan tarapyndan döredilen Vessel of Time Ýaşaýyş Jaýynyň Içki Dizaýny dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2026 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçIçki Bezeg· 2026

Vessel of Time Ýaşaýyş Jaýynyň Içki Dizaýny

dizaýner: Wu Pei-Hsuan and Hsieh Tsung-Hsuan

Müşderi: Christy Hsieh

Içki Bezeg Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

6,660

Tassyklanan Baýrak Ýeňijisi

#177120 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Vessel of Time Ýaşaýyş Jaýynyň Içki Dizaýny hakynda

Vessel of Time (Wagt Gämisi) pianiçi we üç adamdan ybarat maşgala üçin döredilen ýaşaýyş jaýynyň içki dizaýnydyr. Öý Taýwanda takmynan 231 inedördül metr meýdany tutýar. Agaç bilen örtülen giriş eýwany şäher bilen içki giňişligiň arasynda ýumşak bir geçiş nokadyny emele getirýär. Beýik gasynly aýna gapylar we ýuka perdeler gündiz yşygyny ýaşaýyş giňişligine süzüp geçirýär. Pianino sazyň, okamagyň we söhbetdeşligiň birleşýän ýeri bolan umumy merkezi bölekde ýerleşýär. Açyk reňkli agaç, mineral dokumalar we çotga yzlary bolan ýörite boýag asuda, pes doýgunlykly gurşawy döredýär. Açyk meýilnama ýaşaýyş zolaklaryny birleşdirýär we gündelik durmuşyň has haýal depginini goldaýar.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Vessel of Time Ýaşaýyş Jaýynyň Içki Dizaýny A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Vessel of Time Ýaşaýyş Jaýynyň Içki Dizaýny uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Vessel of Time Ýaşaýyş Jaýynyň Içki Dizaýny zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: This project takes time and sound as its spatial genesis, that employs simple materials and the shifting interplay of light and shadow to cultivate a sense of tranquility throughout the space. As time passes, it brings a gentler understanding and deeper appreciation of life. The intention is to create a home that is warm, profound, and elegant—one that encourages a slower, more reflective pace of living. The spatial narrative unfolds through openness, release, and serenity. Under soft, diffused light, the interior immerses itself in gradual transitions, portraying a quiet theater of life where reality and romance subtly intertwine.
Ölçegler we Gaplama: The office interior spaces measures about 231 square meters.
Bellikler: Continuum, Soundscape, Restraint,Temporality
Önümçilik Tehnologiýasy: The design incorporates special paint with brush marks to complement the layers of wood tones, balancing the intensity of the space with structure and color. In this low-saturation ambiance, the colors of life become richer and more vivid, allowing for the delicate appreciation of every moving moment. As time changes, the warmth of light and shadow deepens, and the space immerses in the gradual transitions under soft light, portraying a life theater where reality and romance blend.
Dizaýn Kynçylygy: Real company is not doing the same thing in the same space, but rather, for this family of three, it means setting up the context through which each can fulfill their own private and shared needs in different corners. Re-spacing is the game-changing idea, as it is all about having fun, creating a new lifestyle for the family to build familial relationships anew.
Gözleg: Upon returning home, one enters a wood-wrapped foyer where the city’s noise gently fades. At the center of the living room, the piano is integrated rather than isolated, its music blending with reading, conversation, and shared meals. Light moves softly across timber surfaces from morning to evening, filtered through sheer curtains that create a calm, breathable atmosphere.

Circulation becomes part of daily life instead of a corridor, allowing pauses between music and books. An once-empty bookshelf gradually fills, marking the family’s growth. With light timber and mineral textures as a quiet backdrop, the home lets life, light, and sound take the lead—becoming a vessel shaped by time and memory.
Ylham: The aim is for home to be a source of tranquility, providing a refuge from the relentless pace of urban life. The design advocates for an open-plan layout where living areas are interconnected, promoting harmony between spaces and encouraging a sense of freedom and flow within the family. This makes it an ideal place for a modern lifestyle.
Taslama Dowamlylygy: The project started in July 2020 and finished in February 2021 in Taiwan.
Iş Akymy: Designed for a pianist and a family of three, this home is defined by light-toned timber and a quiet architectural language. A wood-lined foyer forms a gentle threshold from city to interior, leading to tall fluted glass doors that softly filter daylight into the living space.

The music and living areas share a central core where piano, conversation, and daily rituals converge. Expansive windows and sheer curtains shape the atmosphere through shifting light, while subtle ceiling shifts and axial walls guide the transition from public to private. Rooted in a Wabi-Sabi sensibility, the design embraces simplicity, light, and the passage of time.
Topar Agzalary: Architect : Wu,Pei-Hsuan
Architect: Hsieh,Tsung-Hsuan
Surat Awtorlary: Image #1: Yi-Hsien Lee, 2021,Image #2: Yi-Hsien Lee, 2021,Image #3: Yi-Hsien Lee, 2021, #4: Yi-Hsien Lee, 2021, #3: Yi-Hsien Lee, 2021, #5: Yi-Hsien Lee, 2021,