Louis Liu tarapyndan Interwoven Order Ofis Interýer Dizaýny

Louis Liu tarapyndan döredilen Interwoven Order Ofis Interýer Dizaýny dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2026 A' Design Award Demir Baýragy baýragynyň abraýly ýeňijisidir.

DemirIçki Bezeg· 2026

Interwoven Order Ofis Interýer Dizaýny

dizaýner: Louis Liu

Müşderi: Reflexion Interior Design

Içki Bezeg Kategoriýasynda A' Design Award Demir Baýragy Ýeňijisi

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Reňkler

Dizaýn

Interwoven Order Ofis Interýer Dizaýny hakynda

Interwoven Order — Taýwanda ýerleşýän, dört gatly binanyň içinde 1240 inedördül metr meýdany tutýan korporatiw ofis interýeridir. Meýilnama üç zolagy emele getirýär: öň tarapda kabul ediş we gysga duşuşyklar üçin ýer, merkezde açyk iş meýdançasy we yzky bölekde ýolbaşçylaryň otaglary. Biri-birine örülen polat, aýna we mebel gurluşlary aç-açanlyk we gatlakly çuňluk döredýär. Göçme bölüjiler, gözenekli diwarlar we dik hasaplaýyş stollary çeýe duşuşyk we sergi zolaklaryny kesgitleýär. Ýagtylygy ýaýradýan potolok deň derejeli, göze ýakymly yşyklandyryş üpjün edýär. Gara, çal we ak reňkler giňişligiň gurluşyny kesgitleýär.

Ykrar etme

A' Design Award Demir Baýragy hakynda

Interwoven Order Ofis Interýer Dizaýny A' Design Award Demir Baýragynyň ýeňijisidir; bu gowy dizaýn edilen eserlerden garaşylýan hünär we senagat talaplaryny kanagatlandyrýan gowy dizaýnlara berilýän abraýly ykrarnamadyr. Demir ýeňijileri döredijileriniň uly başarnygyny, ýokary ugurlaşygyny, hünärmen düşünjesini we döredijilik ukybyny görkezýär. Interwoven Order Ofis Interýer Dizaýny uly baha berilýän, haýran galynýan we söýülýän, amaly we täzelikçi eser bolmagy garaşylýar. A' Design Award Demir Baýragyny gazanan bu dizaýn pudagyň iň oňat tejribelerini birleşdirýär we bilim we zehin bilen baglanyşykly ukyply tehniki aýratynlyklara eýedir. Interwoven Order Ofis Interýer Dizaýny jikme-jikligi üçin hormatlanylýar we dünýäni has gowy ýere öwürmäge kömek edýän ýaşaýyş hilini gowulandyrýan zatlary hödürlemek üçin dizaýn edilendir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The design reflects the essence of protective gear-solid yet flexible, precise yet warm-organizing spaces into three rhythmic zones: reception and quick-meeting at the front, open workspace at the center, and executive offices at the rear. Interlaced iron, glass, and cabinetry create transparency and layered depth. Movable partitions, grille walls, and standing counters define flexible meeting and display areas, while a light-diffusing ceiling ensures even, glare-free illumination.
Ölçegler we Gaplama: The site is a self-developed, four-story structure covering 1240 square meters. The first and second floors serve as the main office areas, while the third and fourth floors are reserved for future expansion. Spatial organization was planned in tandem with the architectural design, minimizing post-construction modification and waste. Each floor is zoned by column grids, forming clear circulation and hierarchy. Vertical flow, via elevator and staircase, is optimized with natural light shafts, enabling air and light to circulate seamlessly between levels.
Bellikler: Textile, Protective Gear, Resilience, Light Membrane Ceiling, Transparent Design, Energy-Saving Lighting, Eco-Friendly Materials, Modern Design
Önümçilik Tehnologiýasy: The space is composed of a black, gray, and white palette, each tone serving a structural purpose. Black acts as the woven foundation that carries strength, gray harmonizes surfaces and establishes rhythm, white releases spatial tension, allowing light to flow freely. Flooring is laid with stone-patterned porcelain tiles, while walls and partitions combine glass, painted steel, and matte coatings, achieving a balance of rigidity and softness. Light reflects and diffuses across these varied textures, revealing the brand's steady rhythm and professional depth through subtle material transitions.
Dizaýn Kynçylygy: As a self-built project, the process progressed 'from nothing to completion.' Major challenges included cross-disciplinary coordination and time management. Architects, interior designers, and MEP engineers pre-planned structural penetrations and light shafts. Over two years, construction and material selection were synchronized to unify architecture and interior, achieving a seamless fusion of light, line, and structure, offering occupants clarity, comfort, and harmonious spatial flow.
Gözleg: The new headquarters of a sports protection brand translates resilience and professionalism into space. Light guides circulation from reception to work and meeting areas, while iron, glass, and grilles weave partitions that connect yet define zones. Flexible second-floor rooms adapt to use. The black-gray-white palette balances grounding, structure, and illumination. 'Interwoven Order' embodies space like fabric-linking light, material, and people into the brand's living texture.
Ylham: The 1,240 m2 corporate headquarters embodies the sports protection brand's spirit: 'resilient yet professional.' Interior design paralleled architecture, using light and structure to guide daylight from the exterior across reception, corridors, meeting rooms, and workspaces along a horizontal axis. Spatial choreography balances human flow with functional zoning, creating a grounded, approachable atmosphere that reflects the brand's calm professionalism and dynamic identity.
Taslama Dowamlylygy: The project finished in March 2025 in Taiwan.
Iş Akymy: The space promotes efficiency and interaction: open circulation enables spontaneous encounters, while standing-meeting zones act as dynamic hubs. Semi-transparent display walls balance connectivity with focus. The light-membrane ceiling provides soft, stable illumination for comfort and concentration. Meeting and display rooms are reconfigurable, allowing smooth transitions between exhibition and negotiation, reflecting the company's professionalism and brand identity.
Topar Agzalary: Louis Liu
Surat Awtorlary: Reflexion Interior Design