Ruoyou Zhou tarapyndan Tactile Enrichment Stresi aýyryjy oýnawaçlar

Ruoyou Zhou tarapyndan döredilen Tactile Enrichment Stresi aýyryjy oýnawaçlar dizaýny Oýunjaklar, Oýunlar we Güýmenje Önümleri Dizaýny Bäsleşik Kategoriýasynda 2026 A' Design Award Demir Baýragy baýragynyň abraýly ýeňijisidir.

DemirOýunjak· 2026

Tactile Enrichment Stresi aýyryjy oýnawaçlar

dizaýner: Ruoyou Zhou

Müşderi: Ruoyou Zhou

Oýunjak Kategoriýasynda A' Design Award Demir Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

#182261 üçin Baýrak Ýagdaýyny Barlaň

A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Tactile Enrichment Stresi aýyryjy oýnawaçlar hakynda

Tactile Enrichment (Duýgur baýlaşdyryş) — el bilen duýmak duýgusyna ünsi jemleýän stresi aýyryjy oýnawaçlaryň tapgyrydyr. Bu tapgyr her biri 50 x 50 x 50 millimetr ölçegli bäş kubdan ybaratdyr. Her kub ýeke-täk materialdan ýasalýar: toýun, gön, metal, agaç ýa-da mata. Şol bir üç ölçegli nagyş bäş kubuň hemmesine ulanylýar, şonuň üçin materiallaryň arasyndaky tapawudy el bilen duýup bolýar. Her materialyň öz agramy, temperaturasy we ysy bar. Gözler meşgul, eller boş wagty kublary elde saklap oýnamak bolýar. Maksat — görşe bolan garaşlylygy azaltmak we gündelik tejribede el bilen duýmaga has uly orun bermek.

Ykrar etme

A' Design Award Demir Baýragy hakynda

Tactile Enrichment Stresi aýyryjy oýnawaçlar A' Design Award Demir Baýragynyň ýeňijisidir; bu gowy dizaýn edilen eserlerden garaşylýan hünär we senagat talaplaryny kanagatlandyrýan gowy dizaýnlara berilýän abraýly ykrarnamadyr. Demir ýeňijileri döredijileriniň uly başarnygyny, ýokary ugurlaşygyny, hünärmen düşünjesini we döredijilik ukybyny görkezýär. Tactile Enrichment Stresi aýyryjy oýnawaçlar uly baha berilýän, haýran galynýan we söýülýän, amaly we täzelikçi eser bolmagy garaşylýar. A' Design Award Demir Baýragyny gazanan bu dizaýn pudagyň iň oňat tejribelerini birleşdirýär we bilim we zehin bilen baglanyşykly ukyply tehniki aýratynlyklara eýedir. Tactile Enrichment Stresi aýyryjy oýnawaçlar jikme-jikligi üçin hormatlanylýar we dünýäni has gowy ýere öwürmäge kömek edýän ýaşaýyş hilini gowulandyrýan zatlary hödürlemek üçin dizaýn edilendir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: We understand the world through our five senses, receiving emotions and information every day. This project is a series of fidget toys that rethink our sensory habits, which often rely too much on vision. It shifts the focus to touch. The same pattern is made from different materials, allowing users to feel variations in texture and resistance with their hands. By reducing visual input, the work highlights how touch and other senses can become the main source of experience and emotion.
Ölçegler we Gaplama: 50 × 50 × 50 mm .five pieces.
Bellikler: Fidget toy, Without Visual Dependence, Touch, Smell, Series, Mixed materials, Toy, Playful
Önümçilik Tehnologiýasy: Five materials were used, clay, leather, metal, wood, and fabric. Three dimensional textures were shaped into each material. Then the materials were cut into small pieces and attached to the cube. This required constant checking to ensure every piece fit perfectly after assembly. Each cube has six sides, and I made five cubes in total, like completing a 120 piece collage puzzle in different materials.
Dizaýn Kynçylygy: The biggest challenge was repetitive work and making sure every piece fit perfectly. To avoid gaps after assembly, each material piece had to be sanded by hand. For the metal cube, thin and hard stainless steel was used. After many trials, I chose laser cutting to shape the pieces, then filled the gaps with putty and finished with spray paint. The most enjoyable process was sewing the leather cube, marking, punching holes, stitching, and tying the thread. I truly enjoyed each step.
Gözleg: This project explores tactile experience without relying on sight. About 83 percent of the information we receive comes from vision. When reliance on vision is reduced, the other senses become stronger and more memorable. At the exhibition, visitors could freely touch and play with the objects and write down their thoughts on each material. The interactive display received positive feedback, as interaction is part of the research and the work serves as a bridge between me and the audience.
Ylham: In daily life, we often play with small objects to ease anxiety or boredom, clicking a pen or turning keys in our hands. Fidget toys were created from this behavior. Based on this and my research on the five senses, I designed this series using different materials to explore new possibilities. Enrichment in animal care means providing toys or spaces to reduce stress and improve well being. As humans living in concrete cities, we also face stress. This design asks whether we also need enrichment.
Taslama Dowamlylygy: In April 2023, I began researching the five senses, touch, sight, hearing, taste, and smell. In July 2024, I focused on the relationship between objects, people, and interaction. By July 2025, I was testing materials and making prototypes, selecting five for further development. Fabrication began in November 2025. The work was completed in February 2026 and presented at the 2026 graduation exhibition of Okinawa Prefectural University of Arts.
Iş Akymy: These objects can be held and played with while watching TV, talking, or even during meetings under the table, any moment when the eyes are busy but the hands are free. The key idea is to enrich touch without relying on vision. Each material has a different weight, temperature, and even smell. Even with the same pattern, different materials create completely different tactile experiences.