Aishath Naajila tarapyndan Maldivian Fishermen Wideo

Aishath Naajila tarapyndan döredilen Maldivian Fishermen Wideo dizaýny Kino, Wideo we Animasiýa Dizaýny Bäsleşik Kategoriýasynda 2026 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşKino· 2026

Maldivian Fishermen Wideo

dizaýner: Aishath Naajila

Müşderi: Two Thousand Isles

Kino Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

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Maldivian Fishermen Wideo hakynda

"Maldiw balykçylary" atly film Maldiw adalarynda tunes balygyny bir taýak we gaýyk bilen tutmagyň däbe öwrülen usulyny görkezýär, bu bolsa köplenç ada döwletiniň jany hökmünde häsiýetlendirilýän durnukly usuldyr. Nesilme-nesil, tunes balygy adalaryň ählisinde gündelik durmuşy goldaýan esasy iýmit bolup gelipdir. Kino keşpleri we özüne çekiji ses dizaýny bilen hekaýa gürrüň beriş çemeleşmesini kabul edip, taslama däbe öwrülen Dhoni gaýygynda sazlaşykly ritmde işleýän ussat balykçylary suratlandyrýar we bu tejribäni dünýä sahnasyna çykarýar.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

Maldivian Fishermen Wideo A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Maldivian Fishermen Wideo ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Maldivian Fishermen Wideo köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: This is an independently produced documentary visual project capturing the traditional pole-and-line fishing practice in the Maldives. Created during COVID-19 while in isolation at sea, it combines cinematography, sound design, and immersive storytelling. Its strength lies in its authenticity, produced within real conditions of isolation, offering an intimate, unfiltered portrayal of Maldivian fishermen. The work stands out for its experiential approach, blending heritage, resilience, and cinematic realism.
Ölçegler we Gaplama: Shot aboard a 100-foot pole-and-line fishing dhoni, the project documents Maldivian fishermen working at sea with precise, coordinated movements resembling a disciplined system. Through aerial perspectives, it captures the ocean’s food chain in motion, sharks, skipjack tuna, and fishermen, framing these moments to reflect the deep connection between this traditional practice and the Maldives’ identity and way of life.
Bellikler: sustainable, fishing, pole and line, Maldives, tuna, ocean, documentry
Önümçilik Tehnologiýasy: Filmed on a Sony A7 III with 35mm, 85mm, and 70–200mm lenses, with aerials via DJI Phantom 4 and underwater footage on a GoPro during freediving, the project was produced independently,covering planning, real-time filming, editing, sound design, and colour grading. An unobtrusive approach allowed fishermen to work naturally, ensuring an authentic, unstaged portrayal without direction.
Dizaýn Kynçylygy: The project faced logistical constraints, including limited equipment, a single drone battery requiring precise planning, and long waits for unpredictable moments at sea. The first four days saw no catch due to bait shortages, and underwater footage relied solely on a GoPro. Adapting strategically, key moments were captured to form an authentic narrative of the fishermen’s practice and the ocean’s food chain.
Gözleg: Documentary visual research on sustainable pole-and-line fishing in the Maldives. Field-based observation and immersive filming were conducted over 8 days in March 2020 aboard a local fishing vessel during the COVID-19 period. Data was collected through photography, film, aerial, and underwater footage. Participants included local fishermen. The results highlight ecological balance, resilience, and coordination. The impact emphasizes cultural preservation and awareness of sustainable fishing practices.
Ylham: Inspired by a lifelong curiosity about fishing in the Maldives, the project evolved through Two Thousand Isles, where travel deepened an interest in storytelling and lived experience. While learning freediving, the filmmaker joined an eight-day trip on a local boat, living at sea, waking before dawn and at midnight, eating the catch, and observing the ocean’s food chain in motion.
Taslama Dowamlylygy: Filmed over eight days aboard a fishing vessel in March 2020, during the early stages of COVID-19, the project was later completed with full post-production, editing, sound design, and colour grading, independently carried out later that year.
Iş Akymy: Operated on a traditional pole-and-line dhoni, the method relies on coordinated teamwork and timing rather than machinery. Fishermen attract skipjack tuna with live bait, triggering a feeding response where fish are hooked individually. Key moments, bait release, surface frenzy, precise catching, transform ocean activity into a sustainable harvest, reducing bycatch and ensuring quality, rooted in skill, patience, and harmony with marine life.
Patentler: All the copyrights belong to Aishath Naajila, 2023.
Surat Awtorlary: Videography & Photography: Aishath Naajila