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Sana Alabdulwahed tarapyndan El_Masnad Pol Oturgyjy Halysy

Sana Alabdulwahed tarapyndan döredilen El_Masnad Pol Oturgyjy Halysy dizaýny Mebel Dizaýny Bäsleşik Kategoriýasynda 2016 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.


KümüşMebel· 2016

El_Masnad Pol Oturgyjy Halysy

dizaýner: Sana Alabdulwahed

Müşderi: Sana Alabdulwahed

Mebel Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

#47459 üçin Baýrak Ýagdaýyny Barlaň

Reňkler

Dizaýn

El_Masnad Pol Oturgyjy Halysy hakynda

El_Masnad myhmanhanalar üçin niýetlenen pol oturgyjy halysydyr. Dizaýn Saud öýlerinde adaty bir üns merkezi bolan golçagy (armrest) alyp, ony oturgyç böleginiň esasy elementi hökmünde ulanýar, adaty oturgyjyň beýleki ähli bölekleri bolsa aýrylýar. El_Masnad ulanyjylary ýere ýakyn saklaýar, şonuň üçin oturmak oýunjak ýaly we öz-özünden düşnükli duýulýar. Bölekleriň berkidilen ugry ýok bolup, olary köp dürli görnüşlerde birleşdirip bolýar. Köpük ýadro bäş oklyi gyzgyn sim kesiş usuly bilen şekillendirilip, tigirlenen haly ýaly tikilen keçe bilen dolanýar.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

El_Masnad Pol Oturgyjy Halysy A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. El_Masnad Pol Oturgyjy Halysy ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. El_Masnad Pol Oturgyjy Halysy köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar
Armrests, traditionally, initiates nodes where the space is highly activated in Saudi Arabia. El_Masnad uses armrest as the main component for seating unit and neglect all other parts of a seating device. El_Masnad brings the users close to the ground, so it is much more playful and intuitive for this demographic. It allows the Sitting behaviors to emerge organically and intuitively in many different configurations.
Ölçegler we Gaplama
For one set, a pair of two pieces: w 335cm X d 180cm X h 30cm
For two sets, two pairs of two pieces, four pieces: w 470cm X d 180cm X h 30cm
Weight: 12 kg
Bellikler
outdoor, livingroom, carpet, local
Önümçilik Tehnologiýasy
Manufacturing includes:
5-axis hot wire milling for filling foam.
CNC stitching on felt for generated pattern design.
The upholstery roll up around the foam like the traditional way of rolling a carpet. Felt was used as contemporary alternative material for traditional wool carpets.
El_Masnad is not made of any hard material that may create an obstacle in the space. It rather made with soft materials where circulation can take place.
Dizaýn Kynçylygy
One of the most difficult challenges was finding Saudi women willing to participate in taking pictures. The Second challenge was to see the demographic dramatic lifestyle changes as an outsider, which is critical to synthesize the research findings for the design outcome. Lastly, was Understanding the relationship between the designers, makers and consumers.
Gözleg
Perception of Saudis: The appropriate perception of personal space in the Arab world is when there is a strong eye and physical contact while conducting conversation, therefore, the pieces fit together, interlocking making contact easy and intuitive. Arab appreciate complex geometrical forms, and a boxy forms may look naïve, Therefore, the traditional armrest outline was converted into an irregular polygon. Arab view forms with considering the harmonious interplay of forms, so the perception of balance is achieved when two of non-linear El-Masnad are put together.
Ylham
We, Saudi’s end up sitting on the ground every time though there is a typical seating device in the living room. This sparked my curiosity, and inspired to create a the living room that is intuitive for us.
El Masnad design embraces the floor as a living space and it celebrates the Middle Eastern leisure culture.
Taslama Dowamlylygy
el-Masnad was made for a thesis study at Art Center College of Design in Pasadena, CA, U.S.A. It was part of the Master program in Environmental design, in Furniture and Fixtures track.
Thesis started with winter term of 2014 and ended by the end of the Spring 2015. The first prototype was presented at the graduate show on April 18th of 2014.
Iş Akymy
The orientation:
The development of new technologies, like tablets, eliminates the need for seating units in the living room to face t.v. wall. Therefore, the layout of El_Masnad coming together, is not oriented and does not have a direction. It integrates multiple users doing different activities.
The height:
El_Masnad is close to the ground, so it is playful and intuitive for this demographic. It makes the space feels higher.
The posture:
Sitting behaviors emerges organically and intuitively in all different situations. In addition, the users intuitively adapt new sitting position as time goes by.
The angle:
El_Masnad emphasizes the front angle for reclining instead of what is typical of using the side angle to address the variable reclining angles.

Hemaýatçy

Designers.org-dan Daşary Öwreniň

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Oňat Dizaýn Uly Ykrar Edilmäge Mynasypdyr

A' Design Award — oňat dizaýn üçin halkara, eminler tarapyndan berilýän baýrakdyr. Işleriňiziň mynasyp ykrar edilmegini, şöhrat, abraý we köpçülige tanalmagy gazanmak üçin A' Design Award bäsleşigine gatnaşyň. Işiňizi A' Design Award üçin hödürläň we abraýly A' Design Prize baýragy ugrunda bäsleşiň.

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