Ryumei Fujiki and Yukiko Sato tarapyndan Porous Manifold Ýapon Gözýaşy

Ryumei Fujiki and Yukiko Sato tarapyndan döredilen Porous Manifold Ýapon Gözýaşy dizaýny Şekillendiriş Sungaty we Sungat Gurnamalary Dizaýny Bäsleşik Kategoriýasynda 2019 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşŞekillendiriş Sungaty· 2019

Porous Manifold Ýapon Gözýaşy

dizaýner: Ryumei Fujiki and Yukiko Sato

Müşderi: F.A.D.S + Fujiki Studio, KOU::ARC

Şekillendiriş Sungaty Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

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Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Porous Manifold Ýapon Gözýaşy hakynda

Bu, “Echigo-tsumari Art Triennale 2018” sergisinde görkezilen wagtlaýyn ýapon gözýaşydyr we on metr inedördül ýerde iki tatami meýdany bar. Arhitektorlardan bu sergide 20-nji asyrda agdyklyk eden birmeňzeş giňişlik düşünjesini nädip ýeňip geçmelidigi baradaky mowzuga jogap bermek haýyş edildi. Süňk birmeňzeş giňişligi ýoýmak üçin Woronoi diwiziýasy diýlip atlandyrylýan tötänleýin nagyş bilen ýasaldy. Arhitekturada janly bir zat ýaly daş bilen aragatnaşyk gurmak üçin zerur bolanda açylyp we ýapylyp bilinjek köp sanly deşikli arhitektura teklip edildi.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

Porous Manifold Ýapon Gözýaşy A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Porous Manifold Ýapon Gözýaşy ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Porous Manifold Ýapon Gözýaşy köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things.
Ölçegler we Gaplama: Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan.
Bellikler: Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
Önümçilik Tehnologiýasy: It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
Dizaýn Kynçylygy: Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture.
Gözleg: Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION).
Ylham: Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century.
Taslama Dowamlylygy: This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture.
Iş Akymy: As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people.
Patentler: F.A.D.S + Fujiki Studio, KOU::ARC
Topar Agzalary: ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto
Surat Awtorlary: Masahiro Hoshida, Fujiki Studio, KOU::ARC