Biwei Zhu tarapyndan Discovery and Exploration Sergi giňişligi

Biwei Zhu tarapyndan döredilen Discovery and Exploration Sergi giňişligi dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2020 A' Design Award Altyn Baýragy baýragynyň abraýly ýeňijisidir.

AltynIçki Bezeg· 2020

Discovery and Exploration Sergi giňişligi

dizaýner: Biwei Zhu

Müşderi: Wilbur Studio

Içki Bezeg Kategoriýasynda A' Design Award Altyn Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

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Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Discovery and Exploration Sergi giňişligi hakynda

Discovery and Exploration (Açyş we Barlag) — Hytaýyň Şensi welaýatyndan tapylan soňky arheologik tapyndylar üçin niýetlenen sergi giňişligidir. Taryhdan öňki döwürden Tan dinastiýasyna çenli döwre degişli 500 töweregi eksponat, beýikligi 2,7 metr bolan 485 inedördül metrlik meýdanda görkezilýär. Wizual dil hökmünde 10-a 10 santimetr we 30-a 30 santimetr ölçegli gözenekler ulanylýar, bu bolsa arheologik gazuw-agtaryş işgärleriniň çyzýan inedördüllerine salgylanýar. Gözenek myhmanlara dykyz ýerleşdirilen sergide her bir zadyň ölçegini aňsat kabul etmäge kömek edýär. Eksponatlary diwarlara howpsuz berkitmek üçin dürli ölçegli mis gurluşlar öňünden taýýarlanyldy.

Ykrar etme

A' Design Award Altyn Baýragy hakynda

Discovery and Exploration Sergi giňişligi A' Design Award Altyn Baýragynyň ýeňijisidir; bu birinji derejeli, ajaýyp we tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Altyn ýeňijileri dizaýnerleriniň alymlygyny, paýhasyny we ussatlygyny görkezýän aşa täzelikçi, uzakgörüjilikli we göz gamaşdyryjy eserlerdir. Discovery and Exploration Sergi giňişligi deňi-taýy ýok gymmat berýän, köp öwülýän, ugur kesgitleýän we ýadygärlik ýaly oýlap tapyş bolmagy garaşylýar. A' Design Award Altyn Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine uly peýda berýän we ony öňe sürýän ajaýyp, hormatly taslamadyr. Discovery and Exploration Sergi giňişligi güýçli isleg duýgularyny döredýär, höwesi oýarýar, döredijiligi höweslendirýär we bizi haýran edýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The objects on display are the latest archaeological findings in Shaanxi in recent years. In this limited space, the audience can feel the charm of archaeological discoveries and understand the results of archaeological research in Shaanxi. The soul of the project is not about design, but in providing new experience for the historical and cultural heritage.
Ölçegler we Gaplama: 485 square meter. The existing height is 2.7 meter.
Bellikler: Exploration, Discovery, Proportion, Scale
Önümçilik Tehnologiýasy: The work started in the design with a lot of sketches and drawings for the combined display of different implements. In order to ensure stability and safety, they designed fixed structures of different sizes and let the factory process them in advance.The fixed structure is made of copper material, which is processed and manufactured by professional technicians according to the drawings, and finally installed on site.
Dizaýn Kynçylygy: Cultural relics vary in size, variety and weight, so how to show the best effect in an appropriate way has become the most difficult part of our design activities. We integrate the visual grid application into the design, and try to perceive the scale relations of various cultural relics in the dense display through the grid. Another part of the difficulty is that there are about 150 bronze mirrors,.ceramic and tiles in one area, and how to fix them on the wall safely and aesthetically is a problem. In order to solve this problem, we designed different types of fixed copper structures and spent one month to process it.
Gözleg: Proportion and scale are the core of design.How to classify different kinds and sizes of objects in limited space,and then interpret them with visual aesthetics is the goal of design research.The designer considers using 10*10CM and 30*30CM grid as visual language in space,and then think about the transformation of time and space.Grid is a square symbol used by archaeological excavators in exploring and drawing.At the same time, people can also perceive the scale relationship of various cultural relics in such a dense display space through grid vision,which is a new understanding and experience in function or visual aesthetics.
Ylham: About 500 artifacts from prehistory to Tang Dynasty are exhibited in this space. These cultural relics have certain historical and artistic value and are the national treasure of China. In order to present the exhibition to the audience more clearly and intuitively at the first time, they designed the exhibition according to the objective conditions, trying to create different exhibition experience.
Taslama Dowamlylygy: The project started in August 2018 and finished in October 2018 in Xi'an City.
Iş Akymy: This is an intensive display design created in a limited space. It uses modern techniques to deduce the continuous history and culture, while seeking the sense of order, and the mixing of multiple levels of visual impact to complete the artistic expression of space.
Patentler: Copyrights belong to Biwei Zhu,2018
Topar Agzalary: Design Director: Biwei Zhu
Project manager：Gong Li
Engineering management：Sizhe Liu
Construction Manager：Tao Zhang
Engineering construction：Shaanxi Daqin Expo Co., Ltd.
Design team ：Wilbur Design Studio.
Surat Awtorlary: Wilbur Images