PiiN Interior Design tarapyndan Beauty of Yinyang Ýaşaýyş jaýynyň interýer dizaýny

PiiN Interior Design tarapyndan döredilen Beauty of Yinyang Ýaşaýyş jaýynyň interýer dizaýny dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2020 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçIçki Bezeg· 2020

Beauty of Yinyang Ýaşaýyş jaýynyň interýer dizaýny

dizaýner: PiiN Interior Design

Müşderi: Shan Cun Fu Hong Interior Design

Içki Bezeg Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

11,425

Tassyklanan Baýrak Ýeňijisi

#88734 üçin Baýrak Ýagdaýyny Barlaň

A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Beauty of Yinyang Ýaşaýyş jaýynyň interýer dizaýny hakynda

Yinyanyň Gözelligi Taýwanyň Taýçung şäherinde ýerleşýän 300 inedördül metrlik ýaşaýyş jaýynyň interýer dizaýnydyr. Dizaýn dessurdaky Hytaý pikirleniş ýörelgesi bolan Yinyanyň deňagramly simmetriýasyny häzirki zaman öýe ulanýar. Simmetrik ýerleşdirmeler we çyzykly elementler tertip we asudalyk duýgusyny döredýär. Naharhana meýdançasyny emele getirýän tegelek, maşgalanyň bir saçagyň başynda ýygnanyşmagyna salgylanýar. Materiallara hakyky agaç, mermer, altyn folga we köne stilli aýna äpişge senetçiligi girýär. Diwarlaryň biriniň ýüzünde kagyzda çekilen uly syýa suraty ýerleşdirilendir.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Beauty of Yinyang Ýaşaýyş jaýynyň interýer dizaýny A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Beauty of Yinyang Ýaşaýyş jaýynyň interýer dizaýny uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Beauty of Yinyang Ýaşaýyş jaýynyň interýer dizaýny zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: In contrast to the Western concept of spatial design that is filled with power and outward contrast, people can find reservation, harmony, serenity and order in the Oriental traditional architecture and craft aesthetics, especially from the new Chinese styling derived from its classic styling. This project encompassed the functionality of modern western design, in successfully continuing the legacy the serene elegance and genuine spiritual pursuit in the traditional Chinese culture.
Ölçegler we Gaplama: The interior design area is 300 square meters.
Bellikler: New Chinese Styling, Symmetry, Circle, Oriental, Line
Önümçilik Tehnologiýasy: Vintage Glass Window Craft, Gold Foil, Large Water Ink Wall Painting on Paper, Genuine Timber, Marble
Dizaýn Kynçylygy: With the indispensable circle element in the new Chinese styling, it is epitomized in the design of the dining area which articulated the gathering for meals in the traditional Chinese culture, and the design team successfully overcame the seamless joint of veneer in the elevation design. And as opposed to the usual wall painting materials, the design team mounted a large traditional Chinese water ink painting on the wall in exhibiting the grandeur of the celebrated sense of fulfilment.
Gözleg: As the maintenance of traditional culture progressing with the time is one of the missions of designers, in the era of globalization, it is critical for the humanity first design domain to help people to find the cultural root that may have been gradually forgotten. And in this project, the reflection of the designer on the Western industrial design and Oriental traditional aesthetics was translated to the sense of order in the form of linear elements exhibiting stability and fulfillment.
Ylham: In the Chinese world, the core principle of interpersonal interaction and decorum is to adhere to the good, and to escape from the bad. Fengshui was indeed a spatial layout theory based on order bringing stability and harmony to home. In order to facilitate the changes in modern life style, while preserving Chinese culture, the design team reflected and explored in ultimately applying the principle of the balanced symmetry of Yinyang in this spatial design.
Taslama Dowamlylygy: The project finished in February, 2018 in Taichung, Taiwan.
Iş Akymy: Traditional Chinese aesthetics places high premium on the beauty of symmetry, which originated from their unique school of philosophical thinking in the balance of Yinyang.
Topar Agzalary: Chih Hsiu Sung
Joy Chou
Surat Awtorlary: Photographer LIN YU HUAN, SW8 Studio, 2019.