Chao Wen tarapyndan Wild Rhythm Sergi zaly

Chao Wen tarapyndan döredilen Wild Rhythm Sergi zaly dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2020 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşIçki Bezeg· 2020

Wild Rhythm Sergi zaly

dizaýner: Chao Wen

Müşderi: Jade Simple Design

Içki Bezeg Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

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Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Wild Rhythm Sergi zaly hakynda

Wild Rhythm — Hytaýyň Çuntsin şäherindäki sergi zaly. Içki giňişligi 240 inedördül metri tutýar we şeýle hem galereýa, bar ýa-da ýaşaýyş giňişligi hökmünde ulanylyp bilner. Sement, polat we boýag esasy materiallardyr, hem-de tutuş taslamada ýönekeý däbe öwrülen usullar ulanylýar. Potolok beýikligi rugsat berýän ýerinde ikinji gat goşuldy we bar bolan konstruksiýa sütüniniň daşyndan spiral basgançak guruldy. Ulanylýan meýdany giňeltmek üçin baryň üstünde ammar otagy ýerleşdirildi. Bu dizaýn giňişligi esasy gurluşyk elementlerine gaýtaryp getirýär hem-de zerur bolmadyk bezegi we isripçiligi azaldýar.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

Wild Rhythm Sergi zaly A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Wild Rhythm Sergi zaly ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Wild Rhythm Sergi zaly köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Compared with the traditional household exhibition hall, designers are not rigidly placing each simulation cell in the space. And at the beginning of the design, their product positioning is like its brand name, meaning growing wildly, they don't have the limitation of the product line, giving more freedom to the space. In the space, you can regard it as an exhibition hall, and you can also regard it as a gallery, a bar, even a residential accommodation.
Ölçegler we Gaplama: The project covers 240 square meters. The biggest advantage of the original space is that its story height is relatively high, but a large column in the middle of the original building destroys the integrity of the original space. In addition to the construction of the second floor, designers also built a scenario spiral stair around the original structural column, and set up the storage room through the empty high relationship on the bar, increasing its layering sense and actual use space.
Bellikler: Interior, New Life Exhibition Hall, Modern, Simple, Pure, Art, Life Aesthetics, Ideal Residence
Önümçilik Tehnologiýasy: Just because this is a pure space, all design intents are derived from basic demands of life, so in the aspect of material usage, designers will return to the essence of architecture as far as possible. Then cement, steel and paint are the materials they use the most, the craft is also as simple and traditional as possible. All the planning is just for returning to the most basic building level so as to reduce unnecessary waste and superposition.
Dizaýn Kynçylygy: Although some space of the building is relatively high, we cannot carry out construction of the second floor in the whole space due to the influence of beam mesh, smoke exhaust and fire fighting equipment. And the space that can be built is separated by piecemeal. So we made full use of the complex spatial foundation, and we have created a variety of spatial forms in a relatively limited space through the setting of stairs, thus creating conditions for the later construction of atmosphere.
Gözleg: In the commercial society, and even the whole society, there is a surplus of consumption, which virtually produces a great waste of resources. And people who live in the environment seem to have slowly forgotten the essence of life. Therefore, designers hope that the pure space can arouse people's rethinking of life. Finally, the space becomes basic and simple, the decoration and the architecture are integrated, and the design and selection of the furniture are also based on actual use.
Ylham: The inspiration originates from the residential living environment of designers' childhood, because of shortage of material, all parts of families are derived from the basic needs of life. With the development of economy and the accumulation of material, people begin to tend to be exaggerated and wasteful. So, designers hope the furniture are the products from thinking about the practical aspects, and the space also returns to the most basic requirements from the perspective of buildings.
Taslama Dowamlylygy: The project started in September 2018 in Chongqing and finished in July 2019 in Chongqing.
Iş Akymy: Pure is the most fundamental reason of finishing the project completely. From the beginning of the design, designers integrated the decoration with the building, which effectively ensured that the project was not affected too much in the implementation process. Thus, ensured a perfect realization of the design intention.
Patentler: Copyrights belong to Chao Wen, 2019.
Topar Agzalary: Chao Wen
Surat Awtorlary: Image #1: Photographer In Space, Storage Area and Display Area, 2019.
Image #2: Photographer In Space, Chair Exhibition Area, 2019.
Image #3: Photographer In Space, Bedroom Display Area, 2019.
Image #4: Photographer In Space, Hand-made Activity Space, 2019.
Image #5: Photographer In Space, Bar Area, 2019.